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Importance of technical theatre
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Natasha, Pierre, and the Great Comet of 1812 is a beautiful, intimate, and striking production that was unfortunately overshadowed by other Broadway shows when it was nominated for several Tony awards, but only won a couple of them. With that, the show won the Tony Award for Best Lighting Design in a Musical thanks to the musical’s brilliant designer and his techniques. Bradley King is the fortunate winner of this award due to his integration of beautiful, bold choices in lighting effects along with his ability in keeping the space intimate and magical.
Bradley King started his career as a lighting designer when he graduated with an undergraduate degree from NYU in theater directing and then graduated from NYU’s Tisch School of the Arts Department
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Natasha, Pierre, and the Great Comet of 1812, is a musical based on a small section of War and Peace that was put on Broadway in 2016. The story takes place in Moscow and circles around Natasha, who is betrothed to Andre who is off at war. It is described as a plot “The musical opened on Broadway in November 2016 and revolves around the character of Natasha, who is war. It is described as a plot “filled with love affairs, partying Russia style, and Pierre’s daily existential crisis” (cennarium_prod. “Reasons Why Great Comet”). For a story as grand and lavish as the one presented in War and Peace, it was difficult for King to establish a lighting plot that could fit the set design created by Mimi Liendraws, which was inspired by Russian vodka bars, supper clubs and gilded interiors, in a theater as small as the Ars Nova Theater when the show started Off-Broadway. In fact, the theater could hold fewer than 100 seats. His original design consisted of hundreds of individual light-bulbs, chandeliers, and table lamps, which reflected the intimate and soulful environment of a Russian pub (BWW News Desk. “Inside… Immersive Display”). He explains why he had to use small light bulbs instead of normal stage lights. King explains, “Our space was so small that we couldn’t fit stage lights... It was super inexpensive because we had a budget of like $25. But then …show more content…
"It's bright, fast and quiet… It also has beautiful color and exceptional color correction… Plus, it's not too big or heavy, which is critical because we push the limits of what we can hang from the ceiling. There are lights literally everywhere in the theater”. With that, King made sure that despite the bigger space, his design and “DNA of the show” still was heavily based around the light bulb. In the bigger space, King explains that he was able to match the incandescent feel of the lamps and chandeliers because the Vipers had excellent color correction. With that, he was also able to bring in dramatic pops of color (BWW News Desk. “Inside… Immersive
Rachel M. Harper’s The Myth of Music intentionally weaves together 1960s era jazz music and a poor African American family via metaphor and allusion to show a deep familiar bond between father and daughter.
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
The Music Man made interesting use of the technical aspects of theatre. Sound was used appropriately, as music from the monitors did not overpower the voices of the actors. Lights, however, did not leave any sort of impression on me. Hardly any lights were utilized to enhance the mood were present. This caused for less emphasization on spectacle than what would be expected of such a dramatic play. Although, intricate costumes and set made up for the dull lighting techniques.
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
The lighting played a major role in setting the tone for both the theatre performance and the movie. In both the film and play, the lighting was dimmed and the non-important elements, such as background elements, were often hidden in the shadows. In the film the murky lighting also hid Todd in the shadows, in order to increase the suspense and further emphasize his intimidating demeanor. In the play,
Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.
It is curious to see the great star of the musical Wicked on Broadway, Indina Menzel, giving her voice to a character in Disney’s Movie, Frozen. This movie, that is an example of success, has won many awards, among them the Oscar for the best animation movie and music. However, does a musical produced in a theater such as Les Miserables or Chicago have the same success and prestige as the movie version? The advance of technology in the field of cinema that has been possible to adapt and improve the stories of books, real facts, and of course, musical theater presentations, makes everyone think the answer is no. Hence, even though the musicals produced in theater and for movies are very similar in the presentations, they have certain differences, such as audience and production that make one more successful than the other.
... John, Fred Ebb, and Greg Lawrence. "Chicago on Broadway." Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz. New York: Faber and Faber, 2003. 119-40. Google Books. Web. 1 May 2014.
In 1966, King graduated from high school and took his scholarship from the University of Maine at Orono. He received a bachelor’s degree in English and a certificate to teach high school in June 1970. He then married Tabitha Jane Spruce on January 2, 1971.King accepted a teaching job at Hampden Academy as an English teacher, and so they moved to Hermon.
The musical Hamilton, by Lin-Manuel Miranda tells of Alexander Hamilton’s impressive journey from an all but irrelevant street child, to one of the most important men in American politics. It is based off of a true story of growth, heroism, and determination. In writing this musical, Miranda takes a dry, historic story, and turns it into a captivating performance. His project to take the story of Alexander Hamilton and make it relatable to the average American is extraordinarily successful, mostly because the methods by which he does this are unprecedented. His unique methods and practices have resulted in Hamilton being so popular that it was awarded a record breaking sixteen Tony nominations (Paulson). The musical tells how Hamilton doesn’t
Over Halloween weekend, Dance TCU in concert, performed at Ed Landreth Hall on the TCU campus, was a mid term showcase performed by the students in the TCU School for Classical and Contemporary Dance. The overall mood was very professional. These college level dancers performed various pieces from Giselle to video edited versions of dance to contemporary dances inspired by swing dancing. Each piece was unique and whether the style was classical or contemporary, the execution was very good. The quality of the performance was spectacular and showed all the work that everyone involved in the production has put out to perfect all the aspects of the show come together. While there were some minor technique errors, the staging, costume design, lighting,
Although usually considered an American genre, musical films from Japan, Italy, France, Great Britain, and Germany have contributed to the development of the type. In Germany and the Soviet Union, Grigori Alexandrov was a Stalin favorite with four Hollywood style musicals. In France, Jacques Demy took his inspiration directly from it. However, The Umbrellas of Cherbourg, in which all the dialogue was sung, was essentially French. On the other hand, Rene Clair’s musical comedies of the early 1930s influenced the development of the Hollywood musical with their use of related action and songs. At the end of the 1960s, the musical became a rare phenomenon, though there was a limited revival of the genre in the 1970s with Saturday Night Fever and Grease, and former dance choreographer Bob Fosse’s Cabaret and All That Jazz.
To follow the parameters of the production concept being the interior of Kornberg castle, controlled lighting will be necessary, especially with the use of practical lights along the walls of the set to play with shadow. Wash lights should only be used during scenes such as the opening with Juliet and Hamlet which is among one of the few tender moments in the play.
I remembered that one scene from one of the school play of my high school involved the lights as well. However, it was used less successfully back then. My peers were simply displaying background images on the screen, instead of of incorporating the lights into the entire performance to improve the quality of it. This comparison just showed me again that how good were these choreographers and directors to use something outside the regular dance range in a performance. The stage effects were certainly enriched, so did the audience’s experiences. It was clear that that show was unique on that night. The use of lights in such dance performances is not new these days, but I still and impressed with this dance because of its overall effects. The dancers were wearing some kind of work suits from a lab, which made the lights reflected on their bodies when the lights were on as they danced. That was truly