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An Essay On The History Of Photography
Essay on history of photography
An Essay On The History Of Photography
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Pictorialist and modernist schools of photography are two different types of photography styles, each using different ways of capturing a moment (House 1996). Pictorlism style uses a method for "making" a picture instead of basically recording it. The difference between both is that a pictorial photo seems to lack sharp focus and uses more colours rather then simple black and white colours; while modernist way of photography is a common term used to cover shifts in photography when photographers began to produce works with a sharp focus (Neff 2007). This approach abandoned the Pictorialist mode that had dominated the medium.
Pictorialist:
Pictorialism was popular in its time with its fine art photography, due to the end result of soft and
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In 1851 he enabled to hang his own painting at royal academy in London. However his main aim was becoming a successful photographer. At the age of 27 he opened his own photography studio in England, which allowed him to use different type of techniques of producing pictorialist photographs. To achieve his pictorialist type of photograph he would dress his models in different kind of dresses and make them pose. These technique made him one the most famouse pictorialist photographer of his time. Beside his own achievements he would always encourage young photographers to capture photographs that looked like paintings. Robinson’s other unique techniques were that he would print his photographs by the combination of printing to make his photographs large artistic. This made him famouse for some time but later became the reasons for his infamousness because most of the photographers thought that his technique did not show respect to the art of photography and they started unfollowing him and changed their technique in producing pictorialist photographs but nowadays there are great deal of information new photographers can learn. (Hannavy …show more content…
Demachy was the founder of the photo club of Paris as well as member of linked ring and Photo-Secession (Luminous-Lint. April 2010).
Demachy was a Pictorialist photographer who’s photography work was quite diverse, by demonstrating unique art such as street scene and portraits and figure studies moreover focusing artistic quality, emotional impact of the image rather than what is actually in front of the camera and m as well as writing books regarding Pictorialism photography (Robert Leggat 1995).
Some of Robert Demachy best art work were known for focusing on the transcription of the work of art, using soft focus lenses to blur and soften the image which makes his art of work a special unique quality as well as showing his expression via work of his art (Robert Leggat 1995). An example of his best pictorialists work was the Cigarrete girl and an “Etched Negative”. An art work produce in 1906 and 1902 “Gum Print”. As described by (Christopher James-studio) Demachy used soft focus lenses in order to make his images more haze as well as manipulating his negatives, reducing the details in his photograph.
Pictorialist VS
Upon returning to his studio Storrier picks a photograph that can be associated in a variety of ways. He makes works similar in subject matter, but which give different overall impressions. 'I never work from photographic documents. The little polaroids are just mental records. I paint pictures about, not from, photographs.' He explores the concept, and makes preliminary sketches and small studies of his ideas to decide the colour and tone. He chooses the size to make his artwork oncer he has his idea.
Tolmachev, I. (2010, March 15). A history of Photography Part 1: The Beginning. Retrieved Febraury 2014, from tuts+ Photography: http://photography.tutsplus.com/articles/a-history-of-photography-part-1-the-beginning--photo-1908
During this time he photographed members of high society such as Mick Jagger, Marilyn Monroe, Audrey Hepburn as well as members of the royal family including Queen Elizabeth II and Prince Charles. His work portrayed elegance and grace, which he achieved by creat...
2. Strand was the first photographer to acheive a really decisive break with pictorialism and apply some of the lessons of the new modern art to photography.
"History of Art: History of Photography." History of Art: History of Photography. N.p., n.d. Web. 24 May 2014. .
Photography is a part of almost everyone's everyday life whether it is through a smartphone, laptop, or professional camera. Before the late 1800s, though, even a simple picture was not possible. Although many people worked hard and put their ideas and inventions of new cameras in the world, Louis Daguerre is among one of the most important. Michael Hart, in his book, The 100: A Ranking of the Most Influential Persons in History, ranks Daguerre as the 47th most influential person in the world. This ranking is appropriate because of the many ways his invention influenced today's world. His technique was practical and widely used in the 1800s. Although his methods are different
As most people who have lived a long while, John Mahtesian can look with amazement on the events of his life and the twists and turns that have shaped his journey. Although he began his commitment to learning and creating art in his early twenties, he didn't start taking photographs in a serious way until the age of 40.
Throughout all of history and to this present time the arts have been slowly shifting and changing into different styles and uses of certain techniques, the names of many of these styles end in the three letters, ism. Most importantly are these four styles, Neoclassicism, Romanticism, Realism and impressionism. These styles occurred in order and shared certain characteristics transitioning them into the next style. By learning about these different styles we can further understand what was going on in the minds of the artists of the time and how they painted.
Raeburn, John. A Staggering Revolution: A Cultural History of Thirties Photography. Chicago: University of Illinois, 2006. Print.
Picasso’s significant painting presents five life size female figures twisting in an ambiguous, tight space, and confronting its viewers in an uncomfortable way. With this new found inspiration upon viewing Picasso’s painting, Matisse is able to go deeper and more expressive into his description of the female nudes without being shallow in Bathers by a River. An intense, competitive partnership developed between Cubism and Fauvism. No matter how much he might have wanted to, Matisse could not ignore Picasso and the advances he was making in the art world. Their heated conflict deeply fueled Modern Art as each artist tried to surpass the other. As with many of Matisse’s Cubist contemporaries, the underlying drawing was of greater significance to his paintings than any brilliant color effects, even though the use of light continued to play a significant part in these 1913-17 works. Matisse found major new ways of applying paint to canvas. He layered, smeared and removed what he had painted earlier on the canvas not by scraping it away with a tool, but by applying fresh paint to cover and remake what was previously there. The raw textures in Bathers by a River energize the serious
Man Ray, film maker of Étoile de mer, began his career as an American painter and photographer. During his lifetime he became a prominent leader in the Dada and Surrealist society and was one of the only Americans to do this. He spent most of his career in photography; this is where he made his biggest impact on 20th century art. “The more commercial aspects of Many Ray’s photography provided him with a steady income. Famous as a portrait photographer, in the 1920s and 1930s he was also one of the foremost fashion photographers for magazines such as Harper’s Basaar, Vu and Vogue” (Foresta 2009). Man Ray was also very involved in avant-garde art. He worked with Duchamp and Katherine Dreier to co-found an organization called the Société Anonyme, which was “one of the first organizations to promote and collect avant-garde art” (Foresta 2009). After a while Ray began to feel like American’s were not appreciating his work for what it is and that never would, but Paris might.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
Edgar Degas was a French artist famous for his work in painting human figure in their motion. He was often known as an Impressionist, although he rejected being called that preferred to be called a realist. In each of his paintings he would express the harmony of line and stability of outline. One of his paintings is The Absinthe Drinker in 1876 as it is an oil on canvas. There are many impressionist painting techniques, though one technique Degas use is a snapshot. A snapshot is a painting that looks like a photograph of a scene. At first sight the impression of the portrait portrays an aspect of modernity. There are two individuals sitting side by side inside a cafe de la Nouvelle-Athenes in Paris, while there is no communicating between them. As it looks like each one is melancholic in their own isolation. Th...
Not only quantitative aspect, but also qualitative aspect changed. The object and its referent are no longer inevitably real. There is no indexicality. The Boundary between painting and Photograph become blurred. Especially, in my case, as I am a painter who heavily relies on Photography, it becomes hard to define genre of my works. I wonder if I follow Barthes’ thoughts, what is eidos of my works. Are they included in Pictorialism? What are they?
Sophie Calle, professor of film and photography at the European Graduate School in Saas-Fee, Switzerland, is a renowned contemporary French artist. Sophie Calle is also a photographer of considerable acumen. As an educationist she has taught photography since 2005 at post-graduate level. Born in Paris, France in October of 1953, Sophie Calle is daughter to the also renowned Robert Calle. In her biography posted on the university page (www.egs.edu), it is claimed that the early associations and integration into her father’s social circles exposed her to a number of artists who influenced her decision to become an artist herself. Sophie Calle became an artist back in the 70’s and has since then recorded a myriad of artworks that includes writings, poetry, pictures and paintings. This essay will try to examine the underlying theme existent in the works of Sophie Calle as a means of better understanding her person. For the purpose of this essay, mainly the photographic works of Sophie shall be discussed.