My composer is known as an influential minimalist and has written a variety of works such as opera, musical theater, symphonies, chamber music, and film scores and much more. This composer’s identity is none other than Philip Glass. The major focus in this paper are to give a moderately brief background on Philip Glass, examining his style of music along with how others view it and describe one of Philip Glass’s musical pieces. The background or bio about Philip Glass has information primary associated with events surrounding his career. When we reach examining Philip Glass’s style of music, people’s opinions on his music and who he sounds similar too is discussed. The final part of paper basically discuss one of Philip Glass’s works and how it serves as an example to his other music.
Philip Glass’s musical career has been lengthy and essentially truly successful. For most of Glass’s early life he worked in his father’s store where he stumbled about unorthodox Western classical music (Sadur “Biography”). After uncovering this music, Glass began to study music. Once graduated from college, he went on to study composition in New York. However, finding modern music of his time distasteful, he moved to Europe, at the age of 23, where he studied under Nadia Boulanger and worked with composer Ravi Shankar (“Philip Glass: Biography”). While in Europe, Glass also discovered a variety of non-Western music. The style in this newly discovered music began to appear within Glass’s own compositions. After being away from the States for an extended time, Glass made his return to New York in 1967. Once settled in New York, Glass began forming a collection of “new music” (Sadur). During this point in Glass’s career, he constructed his own musical...
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... and will continue to be in the future. Philip Glass, a minimalist who has written a large variety of music from chamber music to opera, is without a doubt a very influential contemporary music icon.
Works Cited
O’Mahony, John. “When less means more.” The Guardian. Guardian News and Media, 23 Nov. 2001. Web. 14 Apr. 2014.
“Philip Glass: Biography.” Philip Glass: Biography. N.p., n.d. Web. 14 Apr. 2014.
Montagne, Renee. “Philip Glass: Complex Minimalist.” NPR. NPR, 3 Oct. 2008. Web. 15 Apr. 2014
Sadur, Jim. “Biography.” IMDb. IMDB.com, n.d. Web. 14 Apr. 2014.
Smith, Ethan. “Is Glass Half Empty.” NYMag.com. N.P., 18 Jan. 1999. Web. 15 Apr. 2014.
Vital, Tom. “Philip Glass at 75: Listening with Heart, Not Intellect.” NPR. NPR, 31 Jan. 2012. Web. 15 Apr. 2014.
YouTube. “Philip Glass – Glassworks (complete).” Online video clip. Youtube, 3 Apr. 2013. Web. 15 Apr. 2014.
This concert is held by the Stony Brook University music department and is to perform seven pieces of music written by seven student composers. The concert is performed in Recital Hall of Staller Center in Stony Brook University. Since it is a small hall, audiences are very close to the performers. In fact, it is the first time I am this close to the performers and the sound for me is so clear and powerful that seems like floating in front of my eyes. Among the seven pieces, “Ephemeral Reveries” and “Gekko no mori” are piano solo, “Two Songs for Joey” is in piano and marimba, “Suite” and “Fold Duet No. 1” are in woodwinds, “Elsewhere” is played by string groups, and “e, ee, ree, and I was free” is in vocal. Personally, I like the sound of piano and guitar the best. Therefore, in the latter part I will analysis two pieces in piano, “Gekko no mori” and “Two Songs for Joey”.
Jeannette Wales, author of The Glass Castle, recalls in her memoir the most important parts of her life growing up as a child that got her where she is now. Her story begins in Arizona in a small house with her parents and three siblings. Her parents worked and didn’t do much as parents so she had to become very independent. Her parents and siblings were the highlights to most of her memory growing up. She is able to recall memories that most small children wouldn’t be able to recall with as much detail.
Stephen Sondheim is a well-known musical theatre composer who has been quite successful with his work. This world-renowned composer has had many prosperous musicals such as West Side Story, Sunday in the Park with George, Assassins, Gypsy, Sweeney Todd, and Into the Woods. These are only a few out of over twenty of the other musicals he has written. This man’s music is very different from music written by other composers. This certain kind of music has a unique sound that has clashing notes, yet is sounds satisfying and appeals to large audiences.
Jeannette Walls, author of The Glass Castle, has most definitely responded to Faulkner’s outreach, and responded very strongly at that. She has more than accomplished her duty as a writer. Her memoir The Glass Castle is one of the most honest, raw, emotion and heart-filled pieces of literature ever to grace humanity. In this memoir, Walls uses many various rhetorical strategies to fulfill her duty as an author and embrace Faulkner’s message. Throughout the book, every range of emotion can be felt by the reader, due in large part to the expert use of Walls’ rhetorical strategies. These rhetorical strategies paint such vivid images that the reader can feel the sacrifice, the pity, and the love of Walls’ story as if they were standing alongside Jeannette herself.
Prose , Francine. "The New York Times > Books > Sunday Book Review > 'The Glass Castle':Outrageous Misfortune." The New York Times. The New York Times Company, 13 Mar 2005. Web. 31 Jan 2011. .
Jeannette Walls, the author of the memoir, The Glass Castle, was raised by parents whose relentless nonconformity and radical ideals were both positive and negative aspects to their wellbeing. Their names were Rex and Rosemary Walls, and they were the parents of four children. While the kids were still young, the family moved from town to town, camping in the wilderness and sleeping in the car, and sometimes even had a small place to stay. Rose Mary, who was both an artist and an author, identified herself as an “excitement addict”. As a mother who despised the responsibility of caring for her family, Rose Mary preferred making a painting that will last forever over making meals for her hungry children. Rex was an alcoholic who, when sober, was a charming and intelligent man that educated his children through geology, physics, mathematics, and how to live life fearlessly.
However, the most fitting work with the concert theme may be Philip Glass’s String Quartet No. 2. This work is often entitled Company and was originally intended for an adaptation of Samuel Beckett’s prose poem entitled Company. This cross-disciplinary collaboration resulted in Glass extracting material from the theatre score and making it a four movement concert work that could stand alone. This 1983 minimalist work is clearly characteristic of Glass’s style in the repeating arpeggios, harmonic language, and his recognizable rhythmic structure. However, the most important aspect of the work in relationship to the other music on the concert may be its inspiration. While Beckett’s work was the inspiration for the Glass’s music, Beckett was also a collaborator in the creation of the staged work. Like the works of The Brooklyn Rider Almanac, Der Blaue Reiter Almanach, and The Onomatopoetic Project, Philip Glass’s String Quartet No. 2 provides a unique prospective on art through a different medium. This concert is a wonderful example of how music, the visual arts, theatre, and literature can all be used to comment on and inspire one another by simply looking at art through the prospective of all forms of
When one considers the history of classical music, often images of Vienna, Prague, and other European cities come to mind. Centuries of European musical achievement and development have implanted in society the idea that classical music is an inherently European creation. Considering the accomplishments of countless composers such as J.S. Bach, Ludwig van Beethoven, and Antonin Dvorak, this preconception is certainly not unfounded. However, Leonard Bernstein's rise to international fame proved that one cannot neglect American composers in a discussion of the development of Western music. Combining elements of a vast array of musical styles, Bernstein's unique compositions reached a wide variety of audiences and often bridged gaps between distinct musical genres. Through his long conducting career, profoundly influential compositional output, and televised music lectures, Leonard Bernstein left a lasting legacy which came to define American music in the 20th century.
In the novel ‘The Circle,’ Eggers use images of glass to foreshadow the ideology of total transparency coined by the Circle. On the other hand, the images of glass are not only introduced by Eggers to illustrate solely the hunger for transparency, but also to draw attention to role in which the company operates as revolutionaries to law and order. The company resides in the ‘fast lane’ and is perpetually growing and as such even transcend above that of law enforcement and into that of a watchful creator. Taking a closer look on the reflective property of glass, one of the less obvious ideas being depicted by Eggers is the reflecting or projecting of the Circle’s belief every member of society that is with its scope of influence. Therefore, at face value, the images of glass within the Circle are purely for aesthetic purposes. However, in essence, the images have an underlying function of revealing some truths about the
The world is crafted through humanity’s perceptions, shaped by their shared experiences of the world, yet differentiated by each individual experience. Within The Glass Menagerie, by Tennessee Williams, the ideas of overwhelming truth, individual perceptions, and the flaws of humanity are all explored. Through the various characters, with a specific focus on Tom’s narration, Williams argues that the truth is only a subjective idea that is created through the perceptions of humankind, molded through humanity’s flaws.
The 20th century has watched many musicians break through their generation's bounds of normalcy to creat a completely new music. Musicians who initiated revolutions so grandiose that the impact—like an earthquake’s aftershocks—would reverberate for decades and influence scores of musicians to come. Such influences can be traced back to three specific composers. Igor Stravinsky, Aaron Copland, and Nadia Boulanger: the triumvirate of 20th century music.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
George Gershwin was one of America's most well-known composers and respected pianists that introduced the sounds of Broadway and Hollywood together. He coordinated the elements of classical music style and the robust sounds of American jazz; Gershwin created a musical style that made the music of jazz acceptable to the classical listeners, and brought in American music into the mix. “Gershwin wrote mainly for the Broadway musical theatre.” He blended, in different variations, techniques and forms of classical music with the stylistic hints and techniques of popular music and jazz.
Summers, Lawrence H. “What You (Really) Need to Know.” Editorial. The New York Times. The New York Times, 20 Jan. 2012. Web. 2 Feb 2012.
Most objects are often regarded based on its physical appearance but often more times than not there is a deeper meaning behind them. Objects often have more symbolic meanings to them than what meets the eye, and if we take the time to really look below the surface we can often come to a much deeper understanding. In “The Glass Menagerie” written by Tennessee Williams, he uses a glass unicorn to symbolize one of the main characters, Laura Wingfield, to represent her life as an outcast, her fragility, and her prosperous ways when she is in the right company.