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Themes of the novel the glass menagerie
The glass menagerie as a tragedy
The glass menagerie critical essay
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The world is crafted through humanity’s perceptions, shaped by their shared experiences of the world, yet differentiated by each individual experience. Within The Glass Menagerie, by Tennessee Williams, the ideas of overwhelming truth, individual perceptions, and the flaws of humanity are all explored. Through the various characters, with a specific focus on Tom’s narration, Williams argues that the truth is only a subjective idea that is created through the perceptions of humankind, molded through humanity’s flaws.
One of the greatest arguments in The Glass Menagerie is the concept that all human beings are imperfect; yet that is precisely what unites each person in civilization. Williams demonstrates this easily with his array of characters. Between Amanda, Laura, Jim and Tom, Williams establishes that no one is faultless, whether this manifests in a misperception of the truth, or the need to escape, as “ we see Tom escaping from the warehouse… by retreating to the movies, a world of adventure analogous to the life he dreams of… the movies provide his cover…and are the escape mechanism” (Reynolds 2). Each flaw manifests itself differently within different people. In the play, it initially appears that Tom exposes each characters flaws, including his own, through his function as a narrator. For Tom, himself, it is his inability to stay and support his family, his romanticized view of the world, and his ingrained need for adventure. For Amanda, it is her inability to live in the present, and for Laura it is her inability to function in society. Each of these flaws can be overwhelmingly identified in the misperceived interactions between the characters. Even as they misunderstand one another, one witnesses their flaws, “for to lo...
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...ry in The Glass Menagerie.” Notes
on Contemporary Literature 38.4 (2008): 5. Literature Resource Center. Web. 3 March 2012.
Levy, Eric P. “ ‘Through Soundproof Glass’: The Prison of Self-Consciousness in The Glass
Menagerie.” Modern Drama 36.4 (Dec. 1993): 529-537. Rpt. In Contemporary Literary Criticism. Ed. Jeffrey W. Hunter and Deborah A. Schmitt. Vol. 111. Detroit: Gale Group, 1999. Literature Resource Center. Web. 3 March 2012.
Reynolds, James. "The Failure of Technology in The Glass Menagerie." Modern Drama
34.4 (Dec. 1991): 522-527. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter and Deborah A. Schmitt. Vol. 111. Detroit: Gale Group, 1999. Literature Resource Center. Web. 15 Feb. 2012.
Williams, Tennessee. The Glass Menagerie. In Literature: Reading Fiction, Poetry, and Drama.
5th ed. Boston, MA: McGraw-Hill, 2002. 1780-831. Print.
in Contemporary Literary Criticism Select. Detroit: Gale, 2008.Literature Resources from Gale.
...n & Co., Inc., 1962); excerpted and reprinted in Contemporary Literary Criticism, Vol. 3, ed. Carolyn Riley (Detroit: Gale Research Inc., 1975), p. 526.
215-225. Rpt. in Contemporary Literary Criticism Select. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Mar. 2014.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
...simov. Ed. Joseph D. Olander and Martin Harry Greenberg. N.p.: Taplinger, 1977. 32-58. Rpt. in Contemporary Literary Criticism. Ed. Jean C. Stine. Vol. 26. Detroit: Gale, 1983. 41-45. Print.
Tom clearly does not believe that staying at home with his mother and sister is worth the unhappiness he feels. A common issue that arises in The Glass Menagerie is Tom’s nightly trips to the movies. When asked about his frequent trips to the movies, Tom describes that “adventure is something I [he]” doesn’t “have much of at work.” (4.Tom) Living vicariously through the movies he sees, remains one of Tom’s only true sources of happiness.
In The Glass Menagerie, by Tennessee Williams, the glass menagerie is a clear and powerful metaphor for each of the four characters, Tom, Laura, Amanda, and the Gentleman Caller. It represents their lives, personality, emotions, and other important characteristics.
The Glass Menagerie is an eposidic play written by Tennesse Williams reflecting the economic status and desperation of the American people in the 30s.He portrays three different characters going through these hardships of the real world,and choosing different ways to escape it.Amanada,the mother,escapes to the memories of the youth;Tom watches the movies to provide him with the adventure he lacks in his life;and laura runs to her glass menagerie.
Tennessee Williams’ play, “The Glass Menagerie”, depicts the life of an odd yet intriguing character: Laura. Because she is affected by a slight disability in her leg, she lacks the confidence as well as the desire to socialize with people outside her family. Refusing to be constrained to reality, she often escapes to her own world, which consists of her records and collection of glass animals. This glass menagerie holds a great deal of significance throughout the play (as the title implies) and is representative of several different aspects of Laura’s personality. Because the glass menagerie symbolizes more than one feature, its imagery can be considered both consistent and fluctuating.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
Bayley, John. Contemporary Literary Criticism. Vol. 76. N.p.: Gale, 1992. 322-31. Web. 17 Dec. 2013.
In Tennessee Williams' play, The Glass Menagerie, each member of the Wingfield family has their own fantasy world in which they indulge themselves. Tom escaped temporarily from the fantasy world of Amanda and Laura by hanging out on the fire escape. Suffocating both emotionally and spiritually, Tom eventually sought a more permanent form of escape.