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Dramatic structure of the phantom of the opera
Dramatic structure of the phantom of the opera
Dramatic structure of the phantom of the opera
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The Phantom of the Opera at the Royal Hall-25 Anniversary Celebration was filmed for the 25th anniversary for Andrew Lloyd Webber’s critically acclaimed Phantom of the Opera. The script was written by Andrew Lloyd Webber and Richard Stilgoe, with music by Andrew Lloyd Webber. The show is based off of the book Le Fantôme de l'Opéra by Gaston Leroux. The show opens in Paris 1905 at an auction of old theater props from L’Opera Populaire. As they are auctioning off old props of the theater they come up to an old music box with a monkey on top of it. An elderly man buys it and the auctioneer soon moves on to what he calls “ chandelier in pieces” and coincides with the mysterious Phantom of the Opera. The cloth over the chandelier comes off and the it comes to life with light and we are transported back to 1881. The show follows Christine, a young vocalist with great beauty, and an Opera House Phantom who yearns to be closer and love her. The Phantom, who has a deformed face hides it from the world behind his mask try to lure Christine to his heart by teaching her the ways of music and vocals only for her to fall in love with her childhood friend Raoul. The Phantom, who has been alone for all this time, does …show more content…
Pre show and the end of intermission both opened up with the shows anthem and was orchestrated beautifully. The orchestra played on stage the entire time and at some points you could see it from the angles of the camera. One thing that I appreciated about the sound was that whenever the Phantom would make an appearance the theme song would play in the background and it would signify who it truly was. I also thought that it wasn’t too loud and that the music didn’t over play the actors when they were singing or talking. The post show music was just as excellent as the other parts and I didn’t think that it mattered when it was playing it was still good and
The Soloist (Foster, Krasnoff & Wright, 2008), is based on a true story of Nathaniel Anthony Ayers Jr. who develops psychosis and becomes homeless. In the film, Nathaniel is considered a cello genius who is discovered on the streets by Steve Lopez, a journalist from the Los Angeles Times. Steve was searching for a city story and he decided to write a newspaper article about Nathaniel. Nathaniel always had a passion for music. He was a child prodigy and attended Juilliard School of Music. However, he faced many complications at Juilliard, particularly hearing voices speaking to him. Unable to handle the voices, Nathaniel dropped out and ended up living on the streets of Los Angeles. Steve and Nathaniel develops an unexpected friendship, in which Steve tries to help Nathaniel to live a normal life; having a home, treat his mental disorder, and to fulfil his dream of being a cellist again.
...ked throughout the concert. The pacing of the selections seemed appropriate. No piece sounded like the one before it. There was a great variety of songs played. There were songs played that were written by famous jazz composers and songs played that were written by some of the performers themselves. This added to the excitement of the show.
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
People have dreams of what they want to do or accomplish in life, but usually musical theatre is just pushed into the non-realistic void. It isn’t a dream for me. In the past four years, musical theatre has been clarified as my reality. Musical theatre has been the only thing I have seen myself wanting to do. My first love was The Phantom of the Opera, seeing how I watched it almost every day and it was one of the first shows I saw. Of course, I started doing all of those cute shows in middle school and making a huge deal about it to my family and friends, but I have never felt so passionate about something. The minute I get up on that stage I throw away Riley for two and a half hours and it’s the most amazing feeling! Being able to tell a story
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
The Phantom of the Opera rapidly became “the highest grossing staged musical in the entire world, with over 80 million audience members producing a profit of 3.3 billion dollars.” (Shelokhonov, 2017). It has run longer than any other Broadway musical, with multiple revivals and recorded performances, as well as the 2004 movie and even a musical sequel, Love Never Dies, composed by, of course, Sir Andrew Lloyd Webber. “For some, Phantom forged a path for a new kind of populist opera that could survive and thrive without government subsidy, while less sympathetic critics heard Phantom ’s ‘puerile’ operatics as sophomoric jibes against an art form they esteemed” (Winkler, 2014. p. 1). The musical is considered a cult classic and a favorite amongst theatre goers. Webber did also win an Oscar in “Best Music” for Evita, the film version, and he was also nominated in the same category for both film adaptations of Jesus Christ Superstar and The Phantom of the Opera. He has also won four Tony Awards for Best Musical: Evita, Cats, The Phantom of the Opera, and Sunset Boulevard as well as three separate Tony’s for Best Original Score: Evita, Cats, and Sunset Boulevard (Shelokhonov,
What are the similarities between the plot of Cinthio’s work and Shakespeare’s Othello? (the main themes and conflicts)
“You will hear one day, my child! When I am in Heaven, I will send him to you!” (Page 53)
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Essay Question: Kyle MacLachlan says that he would love to play Iago because he looks “benign.” Explain using lines from the play, images from the film, and using the method used in class why benign, and evil at the same time creates such an interesting prospect for the actor.
Within today's society appearance is a vital component in one's judgement of character. Behavior and presentation can have a long term effect on how those view you. When viewed by others in a negative way it can cause one to feel lonely and unwanted. This can result in a negative view of others, which can cause one to act out in a yearning for attention and care. Frankenstein by Mary Shelley perfectly displays this. In a story about a professor creating life from death, Frankenstein follows the story of how Victor Frankenstein’s creation becomes a monster. This is also an issue in the Broadway show and feature film, The Phantom of the Opera. The film, directed by Joel Schumacher, follows the vocalist Christine Daae
“A mother. A daughter. Three possible dads. And a trip down the aisle you’ll never forget!” MAMMA MIA! The Musical performed on Tuesday March 18, 2014 at the Hanover Theater by Work Light Productions written by the British playwright Catherine Johnson and directed by Phyllida Lloyd. A musical based on the 1970’s Swedish pop band ABBA top charter album ABBA GOLD: THE GREATEST HITS set on a Greek island vacation getaway unfolding the bride-to-be’s, Sophie, search for her self whom believes can find her answer by discovering the true identity of her father. Sophie encounters with her mother’s diary from the year she was conceived and learns the names of three possible fathers: Harry Bright, Bill Austin, and Sam Carmichael. Sophie sends all three an invitation to her wedding in hopes to uncover the identity of her absent father to join her in the walk down the aisle to give her away to her fiancé Sky. Sophie’s mother, Donna, a strong fierce independent mother whom vows she can get on with life without the use of a man beside her is in complete devastation to discover the arrival of her ex-lovers the day before Sophie’s wedding. Especially the man she cared about the most, Sam, whom she never wanted to see again for leaving her to be married off to another woman. A secret she hid all these years from everyone including her two best friends, Tanya and Rosie, whom together use to be known as the girl group Donna and the Dynamos. Except Donna herself doesn't even know which of the three is Sophie’s father because she slept with all of them in a very short amount of time one after the other. Sophie believed she would know which one of the three men was her father with just one look but is now even more confused then she was before feeling ...
The Phantom of the Opera centers on the Paris Opera House which has over time become the Phantom’s domain. Upon the news that the opera house has been bought and is under new ownership, the Phantom demands that the new owners honor the “agreement” he has established with the previous owners and that the fifth opera box is kept empty for his use and that his salary of 20,000 francs per month is honored. The Phantom also demands that Christine, whom he has secretly been giving singing lessons to, replace Carlotta Giudicelli, the opera company’s prima donna. He also warns that if his demands are not met, that the opera house and the opera company will need to pay the consequences. Though the origins of the Phantom are unknown to the general population of the opera house, Madame Giry knows more about the Phantom than she lets on. It is later discovered that Madame Giry helped the Phantom escape a life of abuse from a freak show and that she hid him at the opera house where she was studying ballet. It was during Christine’s and the Phantom’s singing lessons that he began to fall in love with her and came to be obsessed and protective of her. The return of Christine’s first love, Raoul, threatens to tear Christine an...
There are many approaches one could take to analyze a specific work. One of these critical approaches is called biographical criticism. This is the belief that authors reflect events and feelings from their own lives into their writing. By taking this approach, a reader can find out more about the author through the work of literature. They can also have more insight into the story by seeing the true meaning behind it and seeing the author's intent. Of the dramas we have read in class, Tennessee Williams' “A Streetcar Named Desire” was a play that really captured the essence of biographical criticism. After researching Williams' life, it is clear that he echoes his own personal experiences throughout the course of the play.