One key conflict and resolution from Phantom of the Opera would be the ending, the conflict being him keeping her down in the sub-level of the opera house and the resolution would be the Phantom dying. It is considered a key conflict because one the main character dies and also because he has fallen in love with Christine and dies right before her eyes. Phantom: “No! Please!” (She removes his mask and smiles warmly at him.) “Ahh.” (She kisses him on the forehead. He relaxes and dies.) The resolution is him dying in a way because she cannot be held captive by him anymore but she really didn’t think of it as being held captive because after a while she liked being there with him and had fallen in love. Christine: “To you, not to me.” (Tenderly,
I. Conflicts in the Play - There are many types of conflict evident in this play. Some are as follows:
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
... each other and ultimately determine the fate of the characters in the story, especially the fate of the Heroine.
Near the end of all plays there is the climax, the part of the play where all the action comes together, the most important part of the play. Near the end of Measure for Measure, Isabella confronts Angelo in front of the Duke. This is the climax of the play. Although there are many important parts in Measure for Measure, by William Shakespearem, Isabella's accusations of Angelo is the most important because of the language used, the charactor development that comes out, and the emphasis of the plays themes.
all the events which form the play's framework are reduced to a symbolic representation, to an internal unrest which no action will resolve, and no decision will quell. The deepest theme, masked by that of vengeance, is none other than human nature itself, confronted by the metaphysical and moral problems it is moulded by: love, time, death, perhaps even the principle of identity and quality, not to say 'being and nothingness'. The shock Hamlet receives on the death of his father, and on the remarriage of his mother, triggers disquieting interrogations about the peace of the soul, and the revelation of the ghost triggers vicious responses to these. The world changes its colour, life its significance, love is stripped of its spirituality, woman of her prestige, the state of its stability, the earth and the air of their appeal. It is a sudden eruption of wickedness, a reduction of the world to the absurd, of peace to bitterness, of reason to madness. A contagious disease which spreads from man to the kingdom, from the kingdom to the celestial vault':
Incest, hatred, trickery, revenge, justice and a thousand more themes all appear in Shakespeare’s Hamlet. Each character is complex and troubled by something. They all have their own sins which they face. The story follows each character, whether evil or good, and creates a dramatic atmosphere in a whirlwind of external conflict which then stirs up emotions, fashioning an internal conflict. One most certainly drives the other. The main character, Hamlet, certainly is focused on the most in terms of internal conflict; however, the other characters give off many signs and speeches that tell us he’s not the only one. All of the scenes where we get the most in depth with Hamlet’s internal struggle.
Examine the role of jealousy, love, and/or betrayal in Othello. You may want to pick one character (Iago or Othello perhaps?) and focus on one issue.(O) 15
Conflict is a major issue in Othello, the source for all the problems in the story all lead back to love and jealousy. Love can be an extremely powerful thing in life. It can easily draw two people closer together or simply destroy something that could have been great. Ironically similar, jealousy can tear something apart just as fast as love can. This timeless tragedy starts out in Venice, with a plot to attain revenge on Othello. Iago and Roderigo are simply jealous with the fact that Othello has promoted Cassio to his lieutenant instead of Iago, along with the bitterness they both shared towards Othello to begin with (Shakespeare for Students, Othello). Together, Iago and Roderigo have come up with a plan to ultimately push Othello over the edge. For starters, Cassio unwillingly has told Iago that he is capable to be easily intoxicated and well obviously Iago uses this information against Cassio. Long story short, Cassio has stirred up a brawl to which in the long run costs him his new status as lieutenant. After all of this goes down Iago, trying to seem like the concerning friend, convinces Cassio to speak with Desdemona, Othello’s new bride, about the situation. Luckily, so Cassio thinks, Desdemona does such and tries to talk with Othello to have his dear friend reinstated. It is possible for people to make mistake. Once again Iago uses Cassio’s ignorance against him. All through the story almost every little detail and event all leads back to the scheme of Iago. Iago is thinking this could not work out better for me, so his next thought of process is that this conversation between Othello and his dear wife Desdemona will make Othello’s mind play tricks on him. Soon there after Othello is advised to keep closer watch of hi...
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
...light key themes of the play. The Shakespeare version highlights the feud as a source of turmoil and distress. The Garrick, by omitting many passages, emphasizes the fighting instead of the reasoning behind the feud. The Otway, on the other hand, focuses on political strife and reflects the Exclusion Crisis and the threat of civil war in England at the time by reflecting these ideas in the feud. These small, but key passages, are important tools for gaining insight into the themes of the plays.
Most people believe that in the case of Hamlet it is actually the theme of revenge that causes the story to move forward. I do agree that revenge does have an effect of the story, but not as strong as conflict does. An example is the plot follows the battle of Hamlet and Claudius. Hamlet wants revenge on Claudius killing his father (Shakespeare, 39). Claudius wants Hamlet out of the picture by any way possible before that kid spoils his plan. That conflict, that revenge, that fight between them causes events like people dying or Hamlet gets shipped away. So while revenge is the theme of the story, conflict caused the revenge. Revenge is the backbone to the plot, but conflict is the base for revenge therefor conflict is what makes up the plot. The other main influence on the plot is the plot itself. What I mean by the plot affecting plot is that, events that have happened in the past and the ones that are currently happening are the reason for events that will occur in the future. An example is Claudius killing Old Hamlet (Shakespeare, 39). This conflict causes everything else to happen in the play. That causes the revenge theme to become a thing. Another example is further down the road is how Hamlet dealt with Rosencrantz and Guildenstern (Shakespeare, 242). Also how Hamlet dealt with Laertes. All of those events that had influenced other events down the road where caused by conflicts
The Phantom of the Opera directed by Joel Schumacher is the 2004 adaptation of Andrew Lloyd Webber’s 1986 musical of the same name. The Phantom of the Opera stars Gerard Butler as the Phantom, Emmy Rossum as Christine Daaé, and Patrick Wilson as Raoul, the Vicomte de Chagny, who are embroiled in a love triangle. The film was met with generally mixed and negative reviews: Schumacher’s use of mise-en-scène, cinematography and editing, as well as symbolism contributes to the production of The Phantom of the Opera.
The polarities between Antony and Cleopatra are huge and arguably impossible to overcome as the conflict and differences between Egypt and Rome would inevitably end in tragedy. Shakespeare uses this as the centre of his drama, and without it would lose its powerful and emotive realism that Shakespeare spent his life perfecting. In this way, the conflict between Egypt and Rome is the most important theme, as from it spawns the differences in honour, reason, emotion and ideals, thus forming the framework for much more drama beyond it.
Determine all of the story's conflicts. Determine the major conflict and state this in terms of protagonist versus antagonist.