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Attitudes and beliefs towards dying
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This narrative of broken lives begins with a man cut, not broken, but stories find their own beginnings and on Monday, 4th September 1905, an assailant drove a knife deep into Peter Lumberg's throat causing his blood to spray onto foliage metres away; a fatal wound, though not fatal enough for the attacker who unleashed a frenzied assault; cutting, slashing and stabbing Peter's face a dozen times and finally, chopping into the back of his head with a tomahawk. The victim offered little resistance. At the age of 67, he no longer possessed the strength to fight off a determined murderer. The killer left. He ignored the watch with the silver chain. He never checked his victim's pockets. He took nothing but the old man's life. The body lay undisturbed …show more content…
throughout the night and into the morning. At 10:30 am, Thomas Seaton, Inspector of Nuisances for the Municipality of Cairns, came by looking for nuisances.
He found two, an illegal campsite and a corpse. At first, he mistook the corpse for a bundle of discarded rags, but on closer inspection, he saw the rags were clothing, the clothing of a dead man who lay face down beside a pool of dried blood, gashes in the back of his head and on his neck, host to a swarming cloud of exuberant flies. Of late, as Inspector of Nuisances, Seaton primarily went into battle against unsanitary backyard dunnies, his only call to arms restricted to occasions when goats assailed the town gardens, but as a former British military officer, he retained all the martial bearing of the younger self who fought for Queen and country against the Zulus. The Inspector of Nuisances took charge. Taking a path through the undergrowth out to the Hap Wah Road, Seaton marched to a nearby hotel, officially, the Royal Hotel, though only the Licensing Court and occasionally the police called it that. Others called it the Parramatta after a previous pub which burned down on the same site or Dunwoodie's, after old Mrs Dunwoodie who recently bought it. Finding Mrs Dunwoodie's son George there, Seaton recruited him for the mission, "Put your hat on and come over. I think there's a man dead." Back in the small clearing where the body lay, Seaton issued George his orders, "Don't touch the body, and don't let anyone near it till I bring the
police." "That's old Peter," said George, recognising the old bloke who recently set up camp here and only two days before, on Sunday night, spent a few hours drinking at the pub and chatting with Mrs Dunwoodie. Preoccupied with his mission, Seaton appeared not to hear and departed to enlist reinforcements. Alone in the clearing with the butchered body, George began a cautious investigation of the crime scene. A large sprawling Mango tree distinguished the clearing from the bush around it and though secluded, the path in from the main road offered passers-by a glimpse of a makeshift tent, presumably Peter's, and even of the body beyond it in the loose sandy soil. Noticing George guarding the body, people from nearby houses and others passing into town began to gather. Protective of boot tracks he noticed in the sand, George kept them back. Except Arthur Keeble. George, as the son of a publican and himself a part-time cab-man, possessed insufficient social stature to tell that successful businessman and sometimes alderman to keep back, so Keeble rode his horse into the clearing, recognised Lumberg and rode off into town where he spread word someone had shot Peter Lumberg.
The townspeople then surround the townhouse where the kings money was lodged threatening to kill the troops with clubs. He then received information the mobs of people have declared to murder the troop by taking him away from his post. Captain Thomas Preston then sent a non-commissioned officer and 12 men to protect the sentry and the king’s money in hopes to deescalate the situation before it gets out of control. After arriving Captain Thomas Preston came across the rural crowd screaming and using profanity against the troops telling them to fire. C...
The plot of the story, “Ride the Dark Horse”, was very interesting. In the beginning, the character didn’t think that he should do anything so that he wouldn’t have to “face facts”. However, one day he went on a fishing trip with his father. On the trip he met a boy, Jean Paul, whose father offered him a job picking up logs from a river. As they were collecting the wood, Jean Paul decided to go fishing. Jean Paul then cast his line when it accidentally got caught in a tree. The lure hooked onto his face and sliced at his chest, hurting him severely. The other boy then pulled Jean Paul into his canoe and paddled them all the way to the doctor, despite the boy’s original intention to avoid doing anything. A thought-provoking storyline transpired throughout the text.
This essay will explore how the poets Bruce Dawe, Gwen Harwood and Judith Wright use imagery, language and Tone to express their ideas and emotions. The poems which will be explored throughout this essay are Drifters, Suburban Sonnet and Woman to Man.
Presentation of Family Relationships in Carol Anne Duffy's Poem Before You Were Mine and in One Poem by Simon Armitage
Australian poets Bruce Dawe and Gwen Harwood explore ideas and emotions in their poems through vivid and aural poetic techniques, the poets also use symbolism to allow the readers to relate to the text. In Dawes “Homecoming”, the poet explores the ideas in the text using language techniques such as irony, paradox and visual imagery to construct his attitude towards war and the effect. While in Gwen Harwood’s, “The violets”, she uses prevailing imagery and mood to emphasize fertility and growth. Contrastingly, In Bruce daws, “Life cycle”, the poet uses the idea of sport to symbolise and represent religion with the use of clichés and juxtaposition to convey his ideas of religion, myths and Christianity in the language use, similarly Harwood poem
“Lost Brother” by Stanley Moss is a poem dedicated to a fallen brethren, an ancient tree that had lived a long, noble life. As bizarre as it may seem to mourn a felled tree, the speaker wants the reader to share in his sorrow through extended metaphor and personification to prove that the tree was full of humanity undeserving of its untimely fate and whose life should serve as an example to others.
On November 16, two mill workers, Gertie Watts and Mary Gledhill, reported that they had been attacked by a man while they were walking on Old Bank Lane between Barkisland and Ripponden. They quickly ran to a nearby house for help. Blood was pouring continuously from their heads. Their wounds appeared to be caused by a razor blade (Glover
Ours is a violent world where even the most common folk can find themselves faced with unspeakable horror through little or no intention. In Flannery O’Connor’s “A Good Man is Hard to Find,” the characters find themselves at the mercy of armed men because of a faulty memory and a few wrong turns. In Tobias Wolff’s “Hunters in the Snow,” a young man winds up shooting his friend in an apparent accident which culminates in a debate between saving that friend or whether it is more important to preserve the self. The stories work together to explore what humans will do when faced with terrible violence.
Simon Armitage has written about different kind of poverty in his poems. This includes the poems “to poverty” and “hither, “Gooseberry season”, “about his person”. I will write her more about Simon Armitager poems and his tequnies.
In the poem “Self-Pity’s Closet” by Michelle Boisseu, the speaker’s main conflict is self pity, and the author used diction and imagery to show the effects that the conflict has on the speaker. Phrases like “secret open wounds,” (3) show the effects with the word “secret” meaning pain that others are not noticing, which leads up to the speaker getting hurt, but no one indicating to notice it. Another effect is the speaker becoming more self concerning and thinking more about her negatives. This effect portrays through “night raining spears of stars,” (19) because night tends to be the time when people have the most thoughts about themselves and also the word “spears” make up an image of pain piercing through the speaker. “Tangy molasses of
Through his poem, Ogden recites the tale of a Hangman who emotionlessly slaughtered an entire town. At first, they watched on “[out] of respect for his Hangman’s cloak”. Soon, as he took the life of another to “test the rope when the rope is new”, the village learned to part way “[out] of the fear of his Hangman’s cloak”. The opportunity presented itself time and time again, but only one person spoke against the murderer and was executed for doing so. The rest gave
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
Living in fear and trying to survive to be last man standing is a way of living in many cities around the country. In a world where men have to wear their manhood on their sleeves and solving their problem with violence, lives are not as meaningful. In “My brother’s murder” the author Brent Staples narrates the story of how his brother Blake choses to be part of this violence to survive in a dangerous neighborhood in which they were both raised. These decisions leaded to his early death at only 22 years old. Blake could of leave the toxic environment, chose a different lifestyle, or accept his brother help when he offered. All the differences decisions he could of take instead of following the violence path could have save his life, making him responsible for his own death
...o trust him at all. The reader cannot really believe that the narrator could hear the beating of the dead man’s heart. So they think and they might realize that it is one of the police men’s pocket watch, because earlier in the story the narrator describes a beating heart as a pocket watch wrapped in cotton. Now with narrator completely mad and his reader confused and dazed Poe ends his story to leave it filled with suspense.
“Then came the march past the victims. The two men are no longer alive. Their tongues were hanging out, swollen and bluish. But the third rope was still moving: the child, too light, was still breathing. And so he remained for more than half an hour, lingering between life and death, writhing before our eyes.