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An essay on character development
An essay on character development
An essay on character development
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The Defective Curtain: How to be a Good Detective A girl, young, perhaps a even a child to you, sits, sits in her favorite chair. She thinks, she figures it out. She can’t do anything about it, nothing. She can try. Yet all she do can do is hope, wait, maybe she’ll get lucky, and someone will believe her. If you’ve ever read Peter Abrahams Behind the Curtain, you know how good a detective, Ingrid can be, and if you’ve seen the animated short The Defective Detective, you know how imaginative ( a bit too much, and a tad bit morbid as well…), and defective a detective can be. If you haven’t read or seen either of those, well here's a recap. Ingrid brings down a drug ring, her best friends brother, and her own. The Defective Detective infers what is happening, even though what actually is happening, isn’t the truth at all; and the short is about an obviously defective detective, but he …show more content…
When he heard gunshots and sees tomato sauce on the window, he thinks it is blood and someone got shot. He’s not the sharpest tool in the shed. After the Detective sees “blood” dripping from the ceiling, he goes up to investigate and get the entire story backwards. The viewer feels dramatic irony, this is where the viewer knows more than the characters do. In this case, the viewer knows that no one is actually being murdered--there is just a rat in the kitchen while the old lady is making tomato soup. This illustrates the idea that the Detective doesn’t know what he is doing, that is how he got his name, the Defective Detective. He infers to much and doesn’t wait to absorb the information like Ingrid does. He just jumps in and does whatever he wants to counter that happens in his head, as I said this is what makes him a defective detective. To the Detective, everything is a red
In the fact pattern provided, Mark Quickdraw, a detective is conducting an investigation case whose main mission is to capture a drug dealer named Sally Martin. Detective Quickdraw relies on what he heard about the drug dealer. That leads him to believe that she will be selling cocaine in the street she lives in. In connection to his belief, that shows the reasonable suspicion he had towards the drug dealer. Followed by reasonableness, he sends an informant Sneak Pete to her residence with police money in attempt to buy cocaine. The informant comes back and hands over a small bag of cocaine he obtained from a man in the residence. He also informs the detective that he suspects the drug dealer to be having amounts of drug since he observes a white plastic bags and digital scales. Not satisfie...
Because police investigators are usually under pressure to arrest criminals and safeguard the community, they often make mistakes. Sometimes, detectives become convinced of a suspect 's guilt because of their criminal history or weak speculations. Once they are convinced, they are less likely to consider alternative possibilities. They overlook some important exculpatory evidence, make weak speculations and look only for links that connect a suspect to a crime, especially if the suspect has a previous criminal record. Picking Cotton provides an understanding of some common errors of the police investigation process. During Ronald Cottons interrogation, the detectives did not bother to record the conversation “But I noticed he wasn 't recording the conversation, so I felt that he could be writing anything down”(79) unlike they did for Jennifer. They had already labelled Ronald Cotton as the perpetrator and they told him during the interrogation “Cotton, Jennifer Thompson already identified you. We know it was you”(82). Jenifer Thompson 's testimony along with Ronald Cotton 's past criminal records gave the detectives more reason to believe Ronald committed the crime. Ronald Cotton stated “ This cop Sully, though, he had already decided I was guilty.”(84). Many investigative process have shortcomings and are breached because the officials in charge make
Terrified of your predicament, worried about your family, and no one answering any of your questions, you start feeling a panic attack come on. As you are about to go insane for the never ending silence, finally the detective
the play is that it is a typical detective story. This is due to the
The genre is murder mystery and detective so the audience expects it to be quite interesting and mysterious as most murder mystery stories have a twist in the plot and are difficult to understand until the end where all will be revealed. The stage directions at the start suggest that there is quite a joyful mood on the stage but in the next scene it is all about to change: "The lighting should be pink and intimate until the Inspector arrives. " The Inspector's character is that of an intelligent and dominant man. He was a Socialist, but always waited till the right moment to express his emotions and views.
Mysteries have always held great fascination for the human mind, not least because of the aura that surrounds them and the realm of the Unknown into which they delve. Coupled with the human propensity of being particularly curious about aspects which elude the average mind, the layer of intrigue that glosses over such puzzles makes for a heady combination of the literary and the popular. In the canon of detective fiction worldwide, no detective has tickled the curious reader’s imagination and held it in thrall as much as Sir Arthur Conan Doyle’s Sherlock Holmes. The 221-B, Baker Street, London ‘amateur’ detective combines a rare blend of intellectual prowess and sharp wit to crack a series of baffling riddles.
As Poirot is finishing his last conversations with the remaining passengers and gathering background information, he announces to his assistant, M. Bouc, that he can “now open our court of inquiry without more ado”(Christie 89). Even though Poirot is initially described and portrayed as a man with inexperience and lack of initiative, he breaks the first appearance given by his physic by his use of language commonly applied in court, or at a jury. The detective’s language conveys the idea that in the inside, Poirot is a man of great passion and initiative in the search for justice, which is opposite to what his appearance and characterization portrayed about him. Furthermore, during the process of solving the murder mystery, Poirot reveals one of his true morals about life as he tells M. Bouc that he believes that “the impossible cannot have happened, therefore the impossible must be possible in spite of appearance”(Christie 189). Poirot’s statement exposes one of his key beliefs that has helped him to solve many crimes, that despite of the appearance, everything has a second meaning and is possible even if it is viewed as impossible at first.
Pos-Ho. Critical survey of mystery and Detective Fiction. Englewood Cliffs, New Jersey Salem Press, 1988. pgs 1332-1337
The detective is the one who attempts to solve the mystery. SETTING - Another element