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Chapter 4 ancient chinese civilization
Chapter 4 ancient chinese civilization
Chapter 4 ancient chinese civilization
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Recommended: Chapter 4 ancient chinese civilization
Max Reiff
Confucian Classics
“The Personification of Ancient Chinese Women by the Shijing”
The Shijing or Book of Odes is a collection of poems from ancient China, dating back to the tenth century BC. The Odes served many purposes: refining culture, providing a shared store of knowledge and commenting on legendary history. The Odes were also used as the coin for official discourse, the guide for ethical training and as a didactic instrument for schooling. The Book of Odes is the richest and most authentic source of social life in ancient China, which serves as a common thread that ties all men together. In Analects VIII.8, Confucius refers to the Shijing as the foundation for all education; it is only after being awakened by the Songs that one can advance to ritual and music. Again, in Analects XVII.9 Confucius praises the Songs for their social, educational and political usefulness. (Samia, 44) The Book of Odes served as the educational foundation, from which an individual’s social disposition was developed.
Despite the Odes beneficial contribution to ancient Chinese society, they served as a detrimental force that stripped women of their rights and freedoms in ancient China, providing a repressive and deprecating stereotype of women. Several poems from the Book of Odes vividly depict females as an inferior sub-human race by disclosing the turmoil that ensued, when women acquired sufficient knowledge or influence in ancient Chinese society. A few of the Odes go beyond story telling and provide vindictive guidelines for the treatment and handling of women. Despite many of the Odes’ dehumanizing projection of women, a few in particular illustrate ancient Chinese women as highly emotional beings who possessed feelings and emot...
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...ing regard for women, which almost appears as a dehumanization of the female gender.
An amazing aspect of the Shijing is its ability to capture all dimensions of society. It does not just contain the thoughts of noble men and kings. It holds the thoughts, beliefs and desires of all men and women. “Boat of Cypress” is a powerful Ode which confirms the multi-faceted nature of the Shijing. “Boat of Cypress” shows a woman’s response to oppressive Chinese culture. It emphasizes that ancient Chinese women possessed feelings and were in fact human beings, who resented the way they were treated by society and often wanted to evade their lives. The Shijing is a multi faceted historic text, which offers insight on all aspects of ancient Chinese society. The Shijing is an invaluable text that presents ancient China for what it really was, a society dominated by patriarchy.
Power and Money do not Substitute Love and as it denotes, it is a deep feeling expressed by Feng Menglong who was in love with a public figure prostitute at his tender ages. Sadly, Feng Menglong was incapable to bear the expense of repossessing his lover. Eventually, a great merchant repossessed his lover, and that marked the end of their relationship. Feng Menglong was extremely affected through distress and desperation because of the separation and he ultimately, decided to express his desolation through poems. This incidence changed his perception and the way he represents women roles in his stories. In deed, Feng Menglong, is among a small number of writers who portrayed female as being strong and intelligent. We see a different picture build around women by many authors who profoundly tried to ignore the important role played by them in the society. Feng Menglong regards woman as being bright and brave and their value should never be weighed against
“The Death of Woman Wang”, written by Chinese historian Jonathan Spence, is a book recounting the harsh realities facing citizens of Tancheng country, Shandong Province, Qing controlled China in the late 17th century. Using various primary sources, Spence describes some of the hardships and sorrow that the people of Tancheng faced. From natural disasters, poor leadership, banditry, and invasions, the citizens of Tancheng struggled to survive in a devastated and changing world around them. On its own, “Woman Wang” is an insightful snapshot of one of the worst-off counties in imperial Qing China, however when taking a step back and weaving in an understanding of long held Chinese traditions, there is a greater understanding what happened in
Lessons for Women was written by Ban Zhao, the leading female Confucian scholar of classical China, in 100 C.E. It was written to apply Confucian principles to the moral instruction of women, and was particularly addressed to Ban Zhao’s own daughters. As her best remembered work, it allows the reader insight into the common role of a woman during this fascinating time-period. The work starts off by Ban Zhao unconvincingly berating herself, and claiming how she once lived with the constant fear of disgracing her family. This argument is rather implausible, for the reader already knows the credibility of Ban Zhao, and how important her role was in ancient China.
Some of the more fascinating documents of the Han period in ancient China were arguably those written by women. The writings were at once contradictory due to the fact that they appeared to destroy the common perceptions of women as uneducated and subservient creatures while simultaneously delivering messages through the texts that demonstrated a strict adherence to traditional values. Those are the paradoxical characteristics of prominent female scholar Ban Zhou’s work called Lesson for a Woman. Because modern opinions on the roles of women in society likely cloud the clear analysis of Zhou’s work, it is necessary to closely examine the Han’s societal norms and popular beliefs that contributed to establishing the author’s perspective and intent.
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
The united States Declaration of independence states that all men are equal, but aren’t all women as well? Nowadays, the numbers for the population are at an increase for the support in gender equality, with the capture of feminist labels. The seek for equality between men and women, and criticize the privileges that arouse by gender differences. However in Old China, males control almost everything due to a patriarchal society. At that time, not only men, but also women are influenced by male chauvinism. In the Jade Peony, written by Wayson Choy, female characters are affected by an unequal perspective despite their age group.
In his poem, “Notes from the City of the Sun”, Bei Dao utilizes obscure imagery consistent with the Misty Poets and veiled political references to illustrate the struggles in Chinese society during the Cultural Revolution. The poem is sectioned into fourteen short stanzas containing imagery that are symbolic of the cultural hegemony in China under the rule of Mao Zedong. Bei Dao, born Zhao Zhen-kai, is an anti-revolutionary poet and one of the founders of a group known as the Misty Poets. The Misty Poets wrote poems that protested the Cultural Revolution led by Mao Zedong. Therefore, a lot of Bei Dao’s poems speak out against the Cultural Revolution and the restrictions that it placed on any form of art. Bei Dao’s poetry is categorized as “misty” because of the ambiguity in its references to Mao Zedong and the Cultural Revolution. An obscure imagery that occurs twice in “Notes” is the sun imagery. Another imagery that depicts the injustice of the Cultural Revolution is the description of freedom as scraps of paper. In the poem, Bei Dao also equates faith to sheep falling into a ditch; this is a depiction blind faith during the Cultural Revolution. The purpose of this essay is to analyze how Bei Dao’s use of the Misty Poet’s ambiguous imagery and implicit political context in the poem “Notes from the City of the Sun” to illustrate the cultural hegemony in China under Mao.
In the patriarchal, Confucian influenced, Han dynasty, a woman’s role and social status was far from equal to that of a man. In Ban Zhao’s work Lessons for a woman she depicted the role of a woman, as a lower-class member of society. Hidden beneath the stereotypes of what a woman was supposed to be, Ban Zhao was a rarity of her time as she excelled as a historian and teacher.
Chen, Jo-shui. "Empress Wu and Proto-feminist Sentiments in T'ang China." In Imperial Rulership and Cultural Change in Traditional China, edited by Frederick P. Brandauer and Chün-chieh Huang. 77-116. Seattle: University of Washington Press, 1994.
Cao Xueqin’s Story of the Stone is a classic in Chinese literature, showcasing the life and exploits of the wealthy Jia clan during the feudal era. Through Cao’s depiction, the reader is afforded a glimpse into the customs and lifestyle of the time. Chinese mode of thought is depicted as it occurred in daily life, with the coexisting beliefs of Confucianism and Taoism. While the positive aspects of both ideologies are presented, Cao ultimately depicts Taoism as the paramount, essential system of belief that guides the character Bao-yu to his eventual enlightenment.
In a village left behind as the rest of the China is progressing, the fate of women remains in the hands of men. Old customs and traditions reign supreme, not because it is believed such ways of life are best, but rather because they have worked for many years despite harsh conditions. In response to Brother Gu’s suggestion of joining communist South China’s progress, Cuiqiao’s widower father put it best: “Farmer’s have their own rules.”
The second part of the journey visits, ancient China in 1500 BCE, a thousand years prior to the formation of the Daoism school of thought. (Brodd, Little and Ny...
In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese. In order to analyze how gender ideals in the Heian society were formulated and how they were expressed in the Genji Monogatari, it is necessary to have an understanding of the Chinese society from which they were derived. The Chinese works often alluded to in the Genji Monogatari are primarily from the Tang dynasty period of China(618-907AD), which formed the basis of the flourishing of Japanese culture during the Heian period.3 Therefore, an analysis of Heian gender ideals must begin from the Tang dynasty court-life culture. At the center of Japanese and Chinese politics and gender roles lies the teachings of Confucius. The five relationships () of Confucius permeated the lives of all within the Heian and Tang societies.4
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
In discussing the Chinese dynasty’s and during the Han Dynasty, Ban Baio, a famous Chinese historian, wrote “Lessons for a Woman,” (200-300 CE) outlining the position and duties of women in society. As time changed and civilization emerged, so did history as it began to bel less biblical and more focused on social change. McNeill notes that, “cultural borrowing,” was in fact a huge part of civilization. This document in particular can serve as an example in which Baio felt was a set of instructions for the proper behavior and attitude of women, particularly with regard to their