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Hollywoods effect on the American people
Hollywood's Influence on Global Culture
Hollywood influence on global culture
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Hollywood- Los Angeles, California
Sometimes some places leave everlasting impressions on your mind, and you never forget the experienced that you have enjoyed there. I had that kind of experience. I visited Hollywood that has become a landmark of American culture. Hollywood is a range situated toward the west and northwest of downtown Los Angeles, California. All through history, Hollywood has been the home of film stars and motion picture studios. When you think about the focal point of the American stimulation industry, you consider Hollywood.
It was like, I entered the place of money, fashion, glamour and dreams, and it is none other than Hollywood, where the smoky hills mesmerized the visitors by shining with the light and the colors of the glamour. Hollywood is not only a place to the fashion boutiques, glamour and restaurants, but it is a hub of industrial complexes, sound stages, studios, sound proof booths and the city possesses all the elements required for film
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Furthermore, the streets of Hollywood are captured by the magicians and the street dancers who are actually adding magic to the city. The city provides the great shopping experience to its visitors through its high end shopping malls and the eye catching products available in these malls.
The people living in Hollywood belong to different ethnic groups and it is mostly known for the large diversity of its residents. As there is a large diversity in the country people possess different opinions about the city. The various, multinational populace of Los Angeles today recognizes the city as the social center point of the Pacific Rim. Truth be told, Los Angeles is one of just two U.S. urban areas without a greater part populace. Individuals from 140 nations, talking around 86 distinct dialects, as of now call Los Angeles
The overall appeal of the cinema to the masses was particularly evident during the interwar era. Audiences worldwide wanted to watch the variety of films, particularly American produced films, and they always went back. The visibly attractive and glamorous Hollywood movies often depicted the success of the underdog over unjust authority. Values of cash over culture were often a theme in the early American films and societies with restricted social mobility, such as those in Europe, could dream of such a triumph. The working class and unemployed could fantasise about wealth, fame and freedom which America as a country was portrayed as offering.
Sunset Boulevard directed by Billy Wilder in 1950 is based on how Norma Desmond, a huge Hollywood star, deals with her fall from fame. The film explores the fantasy world in which Norma is living in and the complex relationship between her and small time writer Joe Gillis, which leads to his death. Sunset Boulevard is seen as lifting the ‘face’ of the Hollywood Studio System to reveal the truth behind the organisation. During the time the film was released in the 1950s and 60s, audiences started to see the demise of Hollywood as cinema going began to decline and the fierce competition of television almost proved too much for the well established system. Throughout this essay I will discuss how Sunset Boulevard represents the Hollywood Studio System, as well as exploring post war literature giving reasons as to why the system began to crumble.
The poem titled “ Love Poem to Los Angeles “ by Luis J. Rodriguez is about Luis Rodriguez’s experience towards Los Angeles . He has mixed feelings about the city and Los Angeles past. One of the symbols the poet use “ Hollywood sign “ . The symbols represent famous people it truly is live and work in Hollywood . Evidence in poem that suggests this meaning is found stanza #3 it states, “ beyond the fantasy - induced Hollywood spectacles . This quote is saying that the outsiders of Hollywood wouldn’t know what hollywood is like . For example ,
Hollywood is not simply a point on a map; it is a representation of the human experience. As with any other location, though, Hollywood’s history can be traced and analyzed up to present day. In 1887, Harvey Henderson Wilcox established a 120-acre ranch in an area northwest of Los Angeles, naming it “Hollywood” (Basinger 15). From then on, Hollywood grew from one man’s family to over 5,000 people in 1910. By then, residents around the ranch incorporated it as a municipality, using the name Hollywood for their village. While they voted to become part of the Los Angeles district, their village was also attracting motion-picture companies drawn in by the diverse geography of the mountains and oceanside (15). The Los Angeles area continues to flourish, now containing over nine million people, an overwhelming statistic compared to Wilcox’s original, family unit (U.S. Census Bureau 1). However, these facts only s...
From the lavish mansions of Hollywood stars to the cigarette smoke filled offices of broke screenwriters, the 1950 noir movie Sunset Boulevard remains a timeless classic with a stunning story of an actress gone mad, and a screenwriter just trying to squeak by. This film is the first pre-1960’s flick that has left me with a feeling of awe. The first word that comes to mind after the credits begin to roll is just“wow!”. I was struck by the intriguing plotline and brilliant execution of the story. Not only is the film a classic for its gripping story, and twisted power dynamics, it also shows amazing camera work and brilliant acting.
A new edition to the course lineup, this week's film classic, Sunset Boulevard. This film will focus on the culture and environment of the Hollywood studio system that produces the kind of motion pictures that the whole world recognizes as "Hollywood movies." There have been many movies from the silent era to the present that either glamorize or vilify the culture of Hollywood, typically focusing on the celebrities (both in front of and behind the camera) who populate the "dream factories" of Hollywood. But we cannot completely understand the culture of Hollywood unless we recognize that motion pictures are big business as well as entertainment, and that Hollywood necessarily includes both creative and commercial
Paramount, one of the big five Hollywood studio corporations, controlled the most amount of theatres in the United States during the 1930s and 40s. This meant they had an advantage when the economy in the US turned around after the great depression. This being said, many more factors come into play when defining to what extent the studio is a typical representation of a major Hollywood studio corporation in the 1930s and 40s. In this essay I will be going in depth into what extent Paramount is a representation of other key studios in Hollywood in the 1930s and 40s. I will be discussing how Paramount’s methods as a corporation such as exhibition, distribution, star system and genre to see how it is a typical representative of a Hollywood studio corporation. I will be using material such as Richard B. Jewel’s The Golden Age of Cinema, Hollywood 1929 – 1945 to go into detail in explaining my points.
As of the end of 2013 the all time box office top 5 films include Avatar, Titanic, Marvel's The Avengers, The Dark Knight and Star Wars: Episode I – The Phantom Menace. This is clear evidence of the audience growing appeal for Hollywood spectacle. But what is the Hollywood spectacle?
The Western portion of the United States includes thirteen states that are home to around 80,000,000 Americans, yet it remains one of the most sparsely settled regions in the country (U.S. Census Bureau 2010). In a sense, the American West is the closest thing left to a “frontier” in the modernized United States. One can travel to Montana and become immersed in a world not dissimilar to that of their forefathers, just as easily as one could travel to California, widely considered to be the epicenter of growth and modernization in the States. With Silicon Valley and Yellowstone all in one region, there is a unique sense of space presented within the West that is unattainable from the American North, East, or South. For instance, a trip to New York City may be fairly comparable to a trip to Pittsburgh, but a trip to San Francisco as opposed to Rapid City provides an entirely different cultural experience. If the West was just a replica of the American East, Kerouac’s On the Road would have never come to be. The wide disparity among spaces in the New West is a main reason behind the effectiveness of Coupland’s Generation X. Without the spaces of the American West the comedic genius of Portlandia would be nonexistent!
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
Los Angeles: A Diverse Metropolis. People always wonder why the City of Angels is different from other cities. This paper will answer this question and explain the uniqueness that makes L.A., “L.A.” Los Angeles, since its birth as an embryonic city, has become one of the most diverse metropolises, offering to the public what no other city can. This paper will emphasize the relationship between the federal government and the western United States.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
Culture, defined as the art and other manifestations of human intellectual achievement regarded collectively. This can be anything from human’s paintings to their photography. Or, it could be their films. The endless movies that come out year after year, some even simple remakes of ones made years ago. But, even if they are simply remakes, we pay to view almost every last one of them. Movies impact everyone. And doing so impacts, what was defined prior, culture. In society today, the movies bombards teens with images and trends. Movies show popular culture; what the trends are, what people should be wearing, what they should be listening to, how they should act, and what they should look like. Pop culture, in turn, defines what one should
Once upon a time, I saw the world like I thought everyone should see it, the way I thought the world should be. I saw a place where there were endless trials, where you could try again and again, to do the things that you really meant to do. But it was Jeffy that changed all of that for me. If you break a pencil in half, no matter how much tape you try to put on it, it'll never be the same pencil again. Second chances were always second chances. No matter what you did the next time, the first time would always be there, and you could never erase that. There were so many pencils that I never meant to break, so many things I wish I had never said, wish I had never done. Most of them were small, little things, things that you could try to glue back together, and that would be good enough. Some of them were different though, when you broke the pencil, the lead inside it fell out, and broke too, so that no matter which way you tried to arrange it, they would never fit together and become whole again. Jeff would have thought so too. For he was the one that made me see what the world really was. He made the world into a fairy tale, but only where your happy endings were what you had to make, what you had to become to write the words, happily ever after. But ever since I was three, I remember wishing I knew what the real story was.