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Narrative bibliography about police brutality
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Narrative bibliography about police brutality
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Once inside the inner sanctum of his bedroom, Booker ran a shaky hand through his dark hair. His confrontation with Tom had left him feeling confused and more than a little guilty. He had thought his affection for his fellow officer was a thing of the past, but he now realized his devotion was as powerful as ever before. For the briefest of moments, he had relished in the sensation of his friend writhing beneath him, locked within the sexual energy flowing from their two bodies, while savoring the uniqueness of Tom’s vibrant juices. But the intensity of their coupling had been fleeting, destroyed by memories of rape and abuse, leaving them both resentful and unfulfilled. With a sigh, his eyes focused on the naked man lying asleep on his …show more content…
Jorge stood in the bedroom doorway, his dark eyes blurred with sleep. There was a childlike innocence in his unabashed nakedness, but for Tom, it was a flagrant display of exhibitionism, and he lowered his gaze again, his cheeks flaming red. But Booker showed no signs of embarrassment, and walking across the room, he laid his palm against the young Latino’s sleep-flushed cheek. “It’s okay, Jorge. We’re only talking. Go back to bed.” Jorge’s eyes narrowed as he studied Tom’s partially hidden face. “Is that Tom?” he asked quietly, his lower lip pushing into a soft pout. “Yes, it is,” Booker replied gently. “But now’s not the time for introductions. Go back to bed and I’ll—” The loud slam of a door cut Booker off mid-sentence. He didn’t need to turn around to know Tom was gone, the smug glint in Jorge’s eyes relayed the information as effectively as a public newscast. For a fraction of a second, he considered running after his friend, but he was too weary, and he honestly did not know how to begin to explain his situation with Jorge. It was a delicate issue, and after Tom’s near slip up, he needed time to think, otherwise, he risked jeopardizing their relationship before it had even
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
After feeling ostracised by the township, the alienated Brennan family are driven to leave the town of Mumbilli at 4:30am. With hardly any peer support, Tom begins to lose his sense of security, resulting in his transformation into an unconfident teen who is afraid of public opinion. It is no wonder that Tom is unable to move on in his new town as he is being held back in fear of revealing his past. Burke tactfully illustrates Tom’s emotional kaleidoscope through phrases such as “I felt the knot snap” and “my guts landing at my feet” (Burke, pg 172) when reflecting on the accident. On the contrary, with encouragement from family members, Tom begins to step out of his comfort zone and face the future that is to come.
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
The Puerto Rican Dummy and the Merciful Son, is a narrative about watching a TV show with his four year old son, Clemente. While, watching the television a ventriloquist appears on the screen with nothing less than “Puerto Rican'' dummy.” This figure was polished off with the characteristics of a, “pencil mustache, greased hair and a jaw breaking Spanish accent'' (page 34). As you read on, you realize that Martin has become quite disturbed by this interpretation. He begins to analyze the images portrayed on the television of Latinos and begins to wonder how he will educate his son on how to deal with the racism that surrounds him.
“As long as Latino kills Latino… we’ll always be little people,” stated Ernesto Quinonez. This statement comments on the integration of society within an individual’s identity and it’s long lasting effects. The perception of who we are behind closed doors and who we are in public greatly influences our state of mind and our internal well-being. Throughout Quinonez’s Bodega Dreams, the reader can clearly see how one’s traditional culture and perception of private vs. public image is valued amongst the characters. At times, the reader may notice an internal struggle within multiple characters. The thought of going against what may be considered “normal” can be quite nerve-racking for
This was not the life that Booker wanted to have. His mind was set on someth...
Toni saw this opportunity to write this particular article into a novel to show people how the days of slavery were and the sacrifices those that had run away would make if they stood a chance to be recaptured. The novel also introduces us to the spirits of the souls that were lost and how they never rested in peace until they finished what they had left behind. Toni really captures the audience’s attention in this particular novel.
“Wait a second? Is that… Tom? OH MY GOODNESS, IT IS TOM! Tom oh brother, you've been gone for
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
Toni Morrisons novel 'Beloved' demonstrates how the African American people, oppressed by marginalization and racism, endure the strain of slavery even after they are liberated from it. The establishment of slavery’s horrific dehumanizing, through the estrangement of families and destitution of fundamental human rights is distinctly existent in the novel. Opposite from this setting, Morrison moves us from one location to another; with movements in time through the memories of the central characters. These characters yearn to repress the painful memories of their pasts and are often driven out from a character’s mind or contained securely within; Paul D functions by locking his memories and emotions away in his imagined “tobacco tin”. The case
...tyle that alludes to the multitude of constantly changing and sometimes even contradictory elements in each characters journey to racially and sexually define themselves. Audre, Miguel and Leticia hold multiple racial and sexual identities in a fluid constant that change depending on their location and social context. Instead of serving as a bridge for their families, these characters break free of their place of origin and connect the multiple elements that inform their realities in order to adapt them to their present. Race and sexuality are inextricably linked. To believe in one true sexual or racial identity allows for a feeling of safety, as the aim is then find a definable, core sense of self; however, these three texts illustrate that a singular form of identity is insufficient at defining the complexity of human racial and sexual experiences.
...panic” as they slip “precipitously from his control”(125). He feels nothing constructive, but he feels panic, which is a typical reaction to being unable to cope with one's surroundings and situations. It is this moment which affords us most clearly a view of how Tom has been consumed by his ambitions.
Booker. Even the name sent a wave of desire rippling through his body. What was it about the brash, conceited officer that had him feeling so hot under the collar? Was it his dark, mischievous eyes? His confident swagger? His tilting grin? The bad-boy biker look?
It was a gloomy day in Jenna’s eyes. She was laying in her hard cold bed thinking about her life. “What can I do, what can I change” Everyday Jenna lived was long and dark. “Jenna it’s time for dinner” her mother yelled up the stairs. Jenna slowly rolled to the side of her bed, and sat at the edge. Her feet were dangling off the side as her legs swung back and forth. She gently pushes her body off her bed, her feet touched the cold wood floor. Jenna dragged her feet to the door and put her small hand on the handle. As Jenna was opening the door, she felt a cold gust of wind come through the small crack. She instantly got goosebumps. Jenna felt dry, cold hands wrap around her ankles, she quickly grabbed the door handle with both hands. Both