Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
One page paper on the history of halloween
One page paper on the history of halloween
One page paper on the history of halloween
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: One page paper on the history of halloween
Growing up in a religious home, Halloween always had the underlying reference of being an “unholy” holiday. However, much like nonreligious people may remove the religious sentiments from typically religiously sentimental holidays like Christmas and Easter, yet still celebrate them, I still grew up wearing costumes, going trick-or-treating, and celebrating a night of fun terror on October 31st. I began watching horror films at the age of seven, and from then on have always found pleasure in being frightened— the more intense the scare, the more fun. This amusement ranges anywhere from scary movies to heights. I believe there is something in human nature that attracts us to what makes us uncomfortable as long as whatever it is lies on the safe …show more content…
All of the movies, the haunted houses, the scary costumes, I believe play into that human desire to be frightened, to feel something exciting and to feel alive. Now, I know there is some dark, more serious story about the origin of Halloween, which, I’ve heard, involves cults or something of the sort. Frankly, I have never looked into it, because I do not care to. Whatever the origins of Halloween are, they will not affect my view or desire to participate in the holiday any differently. As far as the costumes, decorations and all the gimmicks, I am actually surprised to realize that I have never given them much thought. Halloween is something I just grew up participating in so I never questioned it, but really, it’s a very strange practice when you break it down. I suppose it could largely be an economic ploy. I can only imagine the revenue that Halloween creates from all the costumes, decorations and candy that people buy. From another perspective, it could be a mechanism of family bonding. Parents and older siblings who are normally too busy to take the time to entertain young children take the night to go around the neighborhood with little dressed up kids and sometimes even go as far as to dress up with
Halloween grossed over $60 million, and was a surprise hit; it was one of the most successful independent films ever made. The meaning in this film, I believe, is the idea that everyone who dies in the film is sexually promiscuous, while the “innocent” virgin heroine survives. With the main character “Laurie” a virgin, she is able to escape mostly unharmed as does Tommy Doyle, but others who are more promiscuous and sexually active are less fortunate and suffer deadly consequences as victims. In this film, murders often occur after sexual encounters when victims are distracted and off-guard. It is almost seen as some kind of “punishment” for those who are sexually active and use drugs.
Halloween is rife with psychological scares that affect its audience greatly. “Symbolism, dreamlike imagery, emotional rather than rational logic” are present in Psychoanalytic criticism. Siskel and Ebert talked about how the movie makes you feel as if you are the protagonist, scared for your life and feeling every bit of suspense (Siskel and Ebert). The movie is purely fueled by emotional responses to what is happening to the characters and focuses itself purely on how the audience will respond. In the clip shown, the main protagonist talks about how she killed the killer but he is shown alive. The movie is not concerned with the logic; otherwise, the killer would have at least been slowed down by the injuries he sustained. Siskel and Ebert laud the movie on its set up of scenes, score, character development, and use of lighting to make the audience feel the terror the characters undergo.
The genre of horror when associated to film, it reflects on a vast variety of issues but when examined for the cultural significance it is narrower to what the aim is. This review surveys multiple scholarly sources from different aspects of the purpose of horror films. This literature review justifies that horror is derived from the fear and guilt within our psychological minds. I will argue that the cultural significance of this genre relates back to the emotional appeals that are conjured up when viewing these films.
Often times I wonder if people go to see horror movies for enjoyment, or is it something much more than that? I have mixed feelings about the idea that, “the horror film has become the modern version of public lynching” (King 562). Horror movies do promote violence and can influence the mindset of the audience, but sanity people is not based on the excitement we receive from watching a horror film. Instead, it is based on what is already within us, not what we witness on a movie screen, but what we experience throughout our lifetime.
Paranoia has always been an enemy to me in the darkness. This irrational fear has accounted for many sleepless nights, and horror only fuels the fire. Yet, I am still captivated by something that produces such unpleasant results. The culprit just might be one thing-- the characteristics, events, and situations that humans all share that are the ingredients to what makes things such as emotions and ambitions exist; otherwise known as the human condition. Based on these two notions, it is safe to say that in the article “Why We Crave Horror,” Stephen King is correct in claiming that humans crave horror to display some sort of bravery, to reassure feelings of normality, and simply for the fun of it.
Just as a mirror reflects one’s face, the horror genre is a physical representation of how fear is portrayed to discuss the social anxieties of one’s time period. Representations of fear have continued to vary in accordance to reflect a particular time period’s social anxieties. Robin Wood, in the essay American Nightmare: Essays on the Horror Film, articulates how the ‘true subject of the horror genre is the struggle for recognition of all that our civilisation represses or oppresses.’ He contended that the way in which any given horror narrative determines this conflict, uncovers its ideological orientation, and further, that most of these compositions will be conservative; stifling desires inside of the self and disavowing it by projecting
Siskel and Elbert critic Halloween and how the differently the audience takes the movie. In other words, the movie might be taken as either an offense to the audience or an entertainment. In the video Siskel and Elbert discuss that the “difference between a horror movie and a freak show” (Siskel and Elbert) might not even occur to the reader. The movie happens to come across many interpretations as how it can easily offend anyone who doesn’t think of this movie as an
When I learned that I would have to do my ethnographic report on what I did during Halloween, I was worried because I live in Turnpike and the most excitement that happens in turnpike is the sound of the garbage truck when it comes to pick up the Wednesday trash. Fortunately something did happen to me and I realized I would not have to write a boring paper of how I woke up and just stayed in my room the whole day. Well the day started off with me waking up and walking to the bathroom to take a shower, as soon as the turned the water on I realized I had left my shower and rather than turning off my shower I stayed in because the warmth of the hot water was too seductive for me to get out and get my towel. In the shower I had my usual thoughts about life, death, and comebacks to old arguments. Afterword I got out of my shower and reached for my toothbrush, which was located in a cupboard behind the toilet, but I grabbed at it too quickly and it fell in the toilet. I stood over my toilet for about five minutes just staring at my toothbrush in the toilet not believing what just happened, after that I started blaming myself for being too impatient. When I was done feeling sorry for myself I went into my room in search of another toothbrush but unluckily I couldn’t find one, so I had to go walk to the local store at around 7:30 in search of a toothbrush. While searching for a replacement toothbrush I realized that not that many people were in the store, I had always thought that stores were busiest in the morning and evening but apparently that’s not true. Once I got my new toothbrush I finished brushing, got dressed and went to catch the 11 to the Transit Center.
“As a broad answer, we might say that horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. Horror movies exploit timeless themes of sex and death, the self and the soul, and our own beastly inner nature – fears that exist within our collective unconscious – as well as more topical fears such as, for example, atomic radiation in the 1950s, environmental contamination in the 1970s and 1980s, or, more recently, post-911 tourist horror with films such as Touristas (2006), The Ruins (2008), and the two Hostel films (2005, 2007).” (Grant ?)
A Mexican holiday called The Day of The Dead is greatly compared to the Americans celebrated holiday called Halloween. There are a few similarities between these two holidays, but we’re here to talk about the many differences they have. From the food that’s eaten, given, and received to how they are celebrated and the symbols used to represent these holidays will show you how these holidays are different.
Those creepy-crawlies on the big screen usually reflect the common fears of the times. These societal fears can be described as the ‘Horrors.’ In the 1960’s, the horror of personality was shown the cult classic Psycho (1960). Norman Bates is the unassuming antagonist, caring for his mother (Derry 164). Psycho was different in that “traditionally, acts of horror took place in old dark houses with lots of shadows; although psycho presents a dark house, the most horrible act takes place in the whiteness of a shower stall” (Derry 164). This movie made horror not specific to dark, cliché spooks, but the modern world. Other movies followed the example: Whatever Happened to Baby Jane? (1962), Strait-Jacket (1964), Hush Hush Sweet Charlotte (1964), and Pretty Poison (1968) (Derry 164). These horror films have many similarities such as a lesser fear of fatality replaced with fear of anxiety, violence as a social normality, and a very present fear of corporal disfigurement (Derry 163). The weapons are invariably man made claw-like extensions such as knives, hatchets, or axes (Derry 164). The core terror in these movies is that “everyone is potentially insane… thus making an...
I can’t hold in my excitement as I run to the foyer. Mom looks at me worriedly, but I ignore her and throw open the door before the person standing behind it can knock. He looks at me with boredom lacing his expression, obviously expecting my weird gift to tell the future. I quickly hug him and grab his pale hand, pulling him outside. Tonight is Halloween, and the only time my pale blonde friend visits me. He’s my first and only friend, so I don’t mind that he doesn’t play with me the other three hundred sixty-something days in the year.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
Philosophy in Horror Film “Good film often outdistance even the combines creative intentions of those who create them.” (Why Film and Philosophy, p.15) A lot of companies know that honor and thrilling movies are not everyone first choice to watch, the scary movie is made to give negative emotion to the audience, and those movies often will not be in the top movie of the year, but they still make those movies every year. Same with me, they believe that there are still some people like to enjoy the horror movie.