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I was surprised how quickly I caught onto Hunter’s style and how much I enjoyed it. Especially with this story. If someone were to tell me Three Things You Should Know about Peggy Paula consisted of eight sentences in six pages, I would have been curious but perhaps intimidated to read the story or maybe even discouraged. But readers can easily follow along and what struck me most was how connected we felt to Peggy Paula-- a person so clearly on the outside-- and one Hunter wants us to always see on the outside. We see her abnormalities in every section, but we are also sympathetic for her and much of this is because of the way the story is told. Again, if these segments were broken up into more sentences, we would feel a separation. The story …show more content…
I wonder, too, how Hunter came to decide that her story would be styled this way. Did she start writing it like this, or did she go back and combine the thoughts, ideas, actions, and adjectives together because she envisioned a certain effect? I also imagine the editing process being difficult with this story because the writer may have been thinking about her readers--what they need in terms of structure or understanding-- but without altering her visions for the work. In the following stories, the run-on sentences are still prevalent but they are not as abundant as the first. This slows the stories down; however, the run-ons provide us with the same bursts of description, action and thought. We feel connected, as if we are watching everything happen over the characters’ shoulders. One of my favorite stories in the collection, Dishes, has this balance. The balance, though, makes the run-ons jump out because readers are not as used to them. On page 26 the story opens with the first paragraph in four sentences. These sentences set-up the scene for us in a common structure. In other words, the sentences are all grammatically correct. They have a clear beginning, middle and end and have nouns, prepositions and verbs in all the common places. I
The essay Four Menus by Sheila Squillante challenges mainstream pieces of writing in various ways. This essay closely resembles poetry with its metaphors and symbolism. This similarity is not a surprise given that Squillante is also a poet. Most essays explain an idea in a structured format which is greatly different from this piece. Four Menus jumps from scenes starting at a Korean restaurant and later at a house. Within the essay she tells flashbacks of times with her friends. These flashbacks are rather random and there seems to be scattered ideas. While pondering all of these aspects of her work I came the conclusion that an essay does not have to be black and white; as long as a main idea is covered it can be left as is. Most of us grew
	The poems of Robert Hunter have diverse and variegated themes; most, however relate either to folk stories or the vivid emotions and scenes he creates in order to illustrate his point. Hunter's lyrical themes can be divided into three main categories. First are themes used in a traditional vein, written about classical ideas and told in a folkloric fashion. Second are themes employed in a contemporary tone, about modern concepts and written in a more current style. Last are themes that are either used frequently in both contemporary and traditional ways, or transcend the division of contemporary/traditional and form their own categories.
All in all, the story was rather sad but eye-opening. I believe Porter’s approach to writing this story allowed readers to reflect back on their own lives and examine both the good and not-so-good times. It shows people not to just live life through the motions, but rather, to look at it as beautiful journey as no one wants to end up like Granny Weatherall and realize that with she never really lived.
Whitney introduces the secondary theme, being that hunters usually have no empathy for their prey. This is one of the first uses of irony in the story. Metaphors and Similes are often used in this story, so the reader has a better image of the setting, this is something, and I find Connell did incredibly well, for instance when he refers to the darkness of the night as moist black velvet, the sea was as flat as a plate-glass and it was like trying to see through a blanket. Rainsford begins his epic struggle for survival after falling overboard when he recklessly stood on the guard rail, this is our first example of how Rainsford manages to conquer his panic and think analytically and there by ensuring his survival.
With an evident attempt at objectivity, the syntax of Passage 1 relies almost entirely on sentences of medium length, uses a few long sentences for balance, and concludes with a strong telegraphic sentence. The varying sentence length helps keep the readers engaged, while also ensuring that the writing remains succinct and informative. Like the varying sentence length, the sentence structures vary as complex sentences are offset by a few scattered simple sentences. The complex sentences provide the necessary description, and the simple sentences keep the writing easy to follow. Conversely, Passage 2 contains mostly long, flowing sentences, broken up by a single eight word sentence in the middle. This short sentence, juxtaposed against the length of the preceding and following sentences, provides a needed break in the text, but also bridges the ideas of the two sentences it falls between. The author employs the long sentences to develop his ideas and descriptions to the fullest extent, filling the sentences with literary elements and images. Coupled...
One reason why I’m enjoying this book is because page 252. What happens in this part of the story is that Jaxter gets hurt trying to break out from the Dowager’s walls. I really liked this part because the author did a good job at explaining it, so that I can picture it in my mind. I like that because when I visualize it helps me understand the text better. Another reason why I really enjoyed this part is because Jaxter gets hurt, not that I want him to get hurt, but it’s because I like when people get hurt cause I really want to see what the other characters will do to help him. That interests me because I really like helping people, and so if they decide not to help it justs helps me react and get into the story, which is why I really like this part of the story. Another reason why I like this book is because of pages 242-244. What happened in pages 242-244 is that they were putting their plan in action, but the only problem was that the Dowager didn’t show up so Jaxter had to find her. Once Jaxter found her, they began talking to each other. That was good because Jaxter was distracting the Dowager. I like this part because the Dowager is willing to let out the truth and it just shocks me that she would do that, and tell the truth, and that really got me into that part which is why I like that part. Another reason why I like this part is because I like telling the truth, I really like that because she is being loyal to |Tyrius”(which was Jaxter) while Jaxter lied to the Dowager. The last reason why I am really enjoying this book is because of pages 245 and 246. What happens in this part
The author uses short, simple sentences that manage to say a lot in a few words. The author also uses imagery. He also puts in his book references to historical events. These references increase the understanding and appreciation of Billy's story by suggesting historical and literary parallels to the personal events in his life. The novel does not have smooth transitions from one event to the next.
In contrast, syntax provides a new perspective to the narrator s behavior as sentence structure draws attention to her erratic behavior. By her last entry, the narrator s sentences have become short and simple. Paragraphs 227 through 238 contain few adjectives resulting in limited descriptions yet her short sentences emphasize her actions providing plenty of imagery. The syntax quickly pulls the reader through the end as the narrator reaches an end to her madness.
One way the author tried to accomplish this was by the way that he used his figures of speech. Many of the authors' statements were very similar if not exact. For example, the author says a few times that 'the dust would rise and choke me.'; This figure of speech is repetitious, which I feel is one way that the author tried to capture the consistent style that he was looking for. Also, the author said, 'my pace was steady and rather fast.'; This statement is also used repeatedly as another way that he develops this consistent style.
Watching as Judge Hunter enters the courtroom, Jerry thought about the power one single man had over so many people’s lives. I wonder if he ever considers the enormous power he possesses. When the deputy called the court to order, Marlene walked in dressed in a baggy orange jump suit. Jerry questioned, “How could a woman like that murder her mother?”
...ary devices covered in this paper cannot even begin to cover the entirety of a great short story. The point of view, the symbolism, and the setting are just a few things that make these stories so memorable. The ability of Shirley Jackson to make a reader question the way society allows as normal with its traditions, families, and customs causes the reader to think that this can happen anywhere. Charlotte Perkins Gilman makes the reader wonder throughout the story is she crazy or is she possessed. The ability to make the reader sit white knuckled holding the book is amazing and the writing styles of Charlotte Perkins Gilman and Shirley Jackson will forever go down in literary history.
Vonnegut’s uniqueness of style includes not only the descriptions of events but their arrangement as well. The narrator tells his friend that “It is so short and jumbled and jangled Sam, because there is nothing intelligent to say about a massacre” (Vonnegut 24). Starting du...
Raymond Carver uses strategic dialogue and point-of-view to illuminate the themes of his stories. After reading “What We Talk About When We Talk About Love” and “ Cathedral” the reader is able to mend each piece of work together and understand how Carver creates his short stories.
It is hard to believe that women only 60 years ago were still viewed and inferior to males and had little to no rights to protect themselves. When men returned from World War II some men resulted to domestically violate as a way of punishing his wife for something she did and to affirm dominance that he previously lost. Assaults that were inflicted on to women during the 1950s were seen being a part of male aggression and something that is normal. Women who did report the crime were viewed as being the actually perpetrators and the assault was actually their fault because they were unable to defend themselves. Domestic abuse during the 1950s was not considered as a crime but as a family matter, and law enforcement would not get involved. Since women were unable to defend themselves from abuse and assaults during the 1950s, the excuse that it was the woman’s fault was an excuse that was popularly used.
To demonstrate (lead in) “Fay sat in the car, staring up in amazement at this awful, beautiful thing, but out of curiosity I got out and walked over to the entrance,]....)”(1) (evidence). The periodic sentence was used in order to draw out the long description and then go on to explain why that description even mattered (commentary). In using this style of writing Ballard entices the reader thus urging them to read on (commentary). Another common sentence used throughout the story is the compound form (lead in) “Finally, apparently convinced I was sold, he switched on the house”(5)(evidence). By using short sentences the author can quickly state a segway and minor detail to the story and continue into his next periodic sentence (commentary). As a result these sentences plus the author’s use of diction provide the reader with more intrigue and information to maintain a satisfied read through the end of the story (concluding/transition