In this semester, we have visited three public art agencies of NYC, which are the Percent for Art Program, the MTA’s Arts for Transit program, and Creative Time. These public art organizations commission public art to the public. They integrate and apply arts to sites through process and research based on artists’ practices. Public art agencies have similar goal that is to put artworks in appropriate sites and to get response from audiences. In this paper, I will discuss the three agencies we visited vary in rules of agency and patronage practices.
The Percent for Art Program and the MTA’s Arts for Transit program are public agencies that they have imposed rules and their projects are site-specific. The Percent for Art Program, which is part of the city’s Department of Cultural Affairs, makes art accessible and visible throughout our city. After the enactment of the Percent for Art law, the Percent for Art Program began in 1983, requiring that one percent of the budget for eligible City-funded construction projects is spent on artwork for City facilities. The purpose of this program is to enrich New York City’s civic and community buildings. The program commissions artworks specifically for City-owned buildings throughout the five boroughs. Its projects integrate a variety of media into architecture, including painting, mosaic, glass, textiles, and sculpture. The site selection of MTA’s Arts for Transit program is more concentrate than the Percent for Art Program. Its projects only exhibit in subway and commuter rail stations throughout five boroughs. Considering the unique sets of conditions within the subway system, artworks are made of durable materials that can easily be maintained, such as bronze and glass. MTA’s Arts fo...
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.... I like the Gran Fury’s Kissing Doesn’t Kill: Greed and Indifference Do, 1989 the best. The significant of this project is not only to offer visual appealing, but also to leave instant impact. Firstly, it is a movable artwork travelling by buses that can catch more audiences’ attention. It is not limited in one specific site causing inestimable influence. Secondly, the visual effect of the poster is strong. There are three couples, which are young men and women in biracial and multiethnic heterosexual kissing on the poster. The sidebar depicts the topic of HIV/AIDS disease. Thirdly, after the instant view, audiences can keep thinking by the strong visual impact: people misunderstand the spread of HIV, and it is necessary to respect and think equality of race, gay and lesbian. It is a smart public art that through social power to get government’s and people’ notice.
New York City is known for its extensive collection of art museums ranging from the Metropolitan Museum of Art which is usually the most renowned to others such as the the Solomon R. Guggenheim or the Whitney Museum of American Art which are popular in their own rights. This abundance of art museums makes the city very attractive for foreign visitors. However, this abundance of choice can overwhelm even the most informed visitors who have a finite amount of time to explore what the city has to offer. Although all of the above mentioned museums have great collections of their own, the often unheralded Frick Collections might trump them all in terms of exceptional works which include some of the world's most celebrated Western artists, such as Goya, Manet, Monet, Rembrandt, and Renoir.
West 31st Street, NY: Chelsea House, 2009. Print. Fitzpatrick, Virginia. Art history: a contextual inquiry course.
The Tampa Museum of Art was not always the same museum that we see today. It went through multiple stages throughout the years. The works vary, creating a large spectrum from the old to the new. The social angles change with the exhibits in the museum, combining to create the diversity we see today. Visiting this museum in person helped me to appreciate it even more than I would have thought possible. Observing and analyzing the other visitors helped me to understand the museum’s impact on the community more than I would have been able to just by reading about it. This museum is much different from others than I have visited.
Turbide, Anne F. "Why Art Programs Are Beneficial to Students." The Synapse. N.p., 15 May 2015. Web. 10 May 2016.
The benefits of this communication are varied perspectives influenced by one’s social class, gender, age and moral values. Within the painting all in attendance are from the same social class as shown by their clothes and hair styles. Both men and women are present ranging in age from the older gentleman on the right to the young girl. Most importantly, their facial expressions depict their varying reaction to an ethical issue. The young girl and her crying mother are the most illuminated in the entire painting representing their level of
...ey acknowledges its permanent collection as being its most valuable asset. As I have stated earlier in this essay, with a collection consisting of over 12,000 paintings and representing more than 2,000 artists, the Whitney can fully present the most complete overview of twentieth century American art. With this wide range of modern American art, the visitor is offered a chance to experience fully the direction art has taken in America for the past one hundred years while also representing contemporary artists. The museums collection is also recognized as for its in-depth commitment to a number of key artists. From the first half of the century, such seminal figures as Edward Hopper (Figure 3), which the Whitney has acquired his entire estate. This demonstrates the Whitney’s dedication to key figures in American art and also which artists they perceive as being worthy or such attention, ones that in the Whitney’s vision have contributed most to the American art scene during their time and influential past their lives works. By dedicating two entire floors to the display of the permanent collection, the Museum reaffirms the collection's central role in the Whitney Museum experience.
The Met provides the public with further resources, activities, creativity, and knowledge through a variety of programing. “Met Speaks,” offers discussions, films, and forums to explore present issues by applying them to the collections and exhibitions. “Met Celebrate” are special events to celebrate different cultures with art, performances, storytelling, and demonstrations. “Met Creates” allows the participants to look at art in a creative way by doing hands on
Completed projects include: the Strand Theater in Brooklyn with Leeser Architects, Harlem Stage Gatehouse with John G. Waite Associates, the Visitors’ Center and Exhibit at the Brooklyn Navy Yard with Beyer Blinder Belle, Renzo Piano’s High Line Park Facility, Maya Lin’s chapel for the Children’s Defense Fund, and The Friends Meeting House in Manhattan. We’re currently working with Toshiko Mori on the renovation of the Brooklyn Public Library and with Beyer Blinder Belle on the Von King Cultural Center Auditorium in
The images above are just a few other example of how Keith Haring used similar ideas to create different artworks about stopping the AIDS epidemic. We know that he used his fame in the art world to create a platform on stopping this deadly disease. These piece of artwork all revolve around Keith Haring’s persistence to keep the public eye open about
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
In this essay, I will be analyzing the meaning of the two pictures shown above that are found on the internet. Both pictures are very vivid with minimal use of color. The two images such as the ones shown are used to spread awareness against the use of dirty needles, along with the risk of HIV/AIDS that come with it. The first picture caught my attention due to the giant needle stretched across the entirety of the image. While as the second picture did a good use of using the one white/ clean person that separated it from all the red/infected people. Each picture has a unique way of expressing the idea and creating a suspense towards the viewer's feelings. The two pictures display very bold statements along with their art. Although the first picture used superior words, the second picture does a better job of putting it into perspective. Neither picture display bad views, nor do they lack in the sense of making a viewer think about the statement being made. The two pictures follow the same color scheme; black, red, and white. The variety of dark black and off white with bright red, make the two pictures appealing to the bystanders eye. Both pictures display or lack
For the recent last decades, art market has become very popular with a boom in total sale revenue worldwide. People start to participate and pay attention to the art world more interactively and frequently. For example, art institutions have gained more admissions than ever before; museum visits surged globally and more people are willing to pursue an art-related career. Generally speaking, art world is broader than the art market. The art world is a overlapping subcultures held by a belief in art. They spread out globally but cluster in art capitals such as New York, London, Los Angeles, Berlin, and the emerging market such as Hong Kong, Beijing and Dubai. The market refers to the people who participate in the art business transaction that is artists, first and second market dealers, curators, collectors and auction houses experts. However in the business operation side, dealers are responsible for channeling and deflecting the power of all the other players, while critics, curators and artists are not directly involved in commercial activities on a regular basis. Most importantly, the art world is a sphere that the cultures and art works themselves play the most fundamental parts while wealth and powers also have a crucial influence on market.
Having realized art as a structured cultural phenomenon, and having emptied its direct and apparent meaning, it is possible to identify all its possible significations. Interestingly enough, I find that art reveals many diametrically opposed significations: expression and oppression, bias and acceptance, individual and society, creativity and confinement, and freedom and convention, among others. Art signifies the de-politicization of our culture, for even the most political of pieces cease to cause a stir among the masses.
Although The Institute of Contemporary Arts (ICA) of Boston was the only place dedicated to contemporary art for more than 50 year, it is having trouble growing into a pillar of the art industry (Reavis, 2010, pg.1). The main problem is the organization’s powerless leadership. According to Peter Northouse (2015), leaders must possess an effective influencing power in order to motivate followers (pg.47). The leaders prior to Jill Medvedow failed to get the local community fondly interested in contemporary art or an environment that showcases it. Therefore, there are no investors, donors, or patrons breaking down the door to fund or see the exhibits presented in the old