Patriarchy In The Yellow Wallpaper

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Liberation from Nineteenth Century Patriarchy Charlotte Perkins Gilman, one of America’s early feminist authors, examines the consequences of a male dominant society on women’s mental health in her captivity narrative, “The Yellow Wallpaper.” The journal-like entries by the unnamed narrator describe the ineffective ‘medical’ treatments John, the narrator’s husband and physician, advises to ameliorate her illness. The narrator defies her husband’s orders, by expressing herself through writing and by immersing her thoughts into the “sprawling flamboyant patterns” of the yellow wallpaper of her cell (Gilman 648). This resistance to her husband’s advice eventually leads to her complete liberation from the shackles of his regressive and oppressive mindset. Gilman’s allusion to …show more content…

Rula Quawas, founder of the University of Jordan’s Women Studies Center, encapsulates the nineteenth century expectations of women in “A New Woman's Journey into Insanity: Descent and Return in the Yellow Wallpaper,” describing them as the “cult of true womanhood” (Quawas 35). Labelling these constraints as a “cult,” Quawas outlines critical expectations of women during the nineteenth century - the time at which “The Yellow Wallpaper” was set. Furthermore, Quawas describes the quintessential traits of “true womanhood” as "piety, purity, submissiveness, and domesticity" (Welter qtd. In Quawas 152). Put together they "spelled mother, daughter, sister, wife--woman" (Welter qtd. In Quawas 152).” - re-emphasizing the societal role assigned to “true” woman in the nineteenth century. Quawas goes on to contend that “only those women who adhered to such qualities were believed to be happy, contented and powerful in their home.” John embodies the universal male figure that justifies patronization and oppression of his wife

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