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American literature history
American literature history
American literature history
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Linda Pastan and Larry Levis are both are fitting into the American literary tradition. Linda Pastan has also reputation determined upon the subject through short poems, such as family life, domesticity, motherhood, the women's experiences, death, aging, fear of loss and the loss of life and well-known vulnerabilities create a relationship (Linda Pastan poems), while Larry Levi’s poems are short and shaped by his own instincts or his imagist gesture of Surrealism (Wakoski). Levi's continues to develop and mature as a poet during the 1980s. He uses his poetry and imagination to find the symbol and this influences the lives of others (Wakoski). In selecting Larry Levis’s the poem “Winter Stars” and Linda Pastan’s the “The Obligation to be happy”,
there are some comparison and contrast to consider. In comparison, there are represent the story related to author’s family, which is huge influenced to their career as a writer and those themes based on their other works. Since the late 1970s, Linda Pastan has been writing quiet verse on marriage, family, parenting, and grief. For the next decade, Pastan put poetry aside to raise her family even though that success, after her husband urged her, she returns to writing. During those 10 years, Pastan concentrated on pregnancy, childbirth, raising a family, keeping a house and cultivating a relationship, all essential but tough things. Rewarding yes, but clearly also requiring consideration, persistence, effort and constancy. Pastan tries to release herself of that very thing in her poem, “The Obligation to Be Happy.” this vulnerability from a woman who seems able to handle it all, and do so much. It’s not easy to be happy (it’s harder than love, Pastan says, Linda Pastan, line 3) (Rollender).
In the most recent of years Alan Shapiro has not been as popular as he was some years ago, but no matter what Alan Shapiro poems will forever be engraved in the poetry world as the poems that many people of the world can relate to and I think that this will help him remain a staple in the poetry world for years to come.
Influenced by the style of “plainspoken English” utilized by Phillip Larkin (“Deborah Garrison”), Deborah Garrison writes what she knows, with seemingly simple language, and incorporating aspects of her life into her poetry. As a working mother, the narrator of Garrison’s, “Sestina for the Working Mother” provides insight for the readers regarding inner thoughts and emotions she experiences in her everyday life. Performing the daily circus act of balancing work and motherhood, she, daydreams of how life might be and struggles with guilt, before ultimately realizing her chosen path is what it right for her and her family.
In Teresa Acosta's poem "My Mother Pieced Quilts", Acosta uses imagery in the form of a quilt to display the amount of love a mother is capable of having for
In her poem entitled “The Poet with His Face in His Hands,” Mary Oliver utilizes the voice of her work’s speaker to dismiss and belittle those poets who focus on their own misery in their writings. Although the poem models itself a scolding, Oliver wrote the work as a poem with the purpose of delivering an argument against the usage of depressing, personal subject matters for poetry. Oliver’s intention is to dissuade her fellow poets from promoting misery and personal mistakes in their works, and she accomplishes this task through her speaker’s diction and tone, the imagery, setting, and mood created within the content of the poem itself, and the incorporation of such persuasive structures as enjambment and juxtaposition to bolster the poem’s
“Those Winter Sundays” tells of Robert Hayden’s father and the cold mornings his father endures to keep his family warm in the winters. In “Digging” Heaney is sitting in the window watching his father do hard manual labor, which has taken a toll on his body. In “My Father as a Guitar” Espada goes to the doctors office with his father and is sitting in the office with his dad when the doctor tells him he has to take pain killers and to stop working because his body was growing old and weak. The authors of the poems all look at their fathers the same; they look at them with much respect and gratitude. All three poems tell of the hard work the dads have to do to keep their family fed and clothed. “The landlord, here a symbol of all the mainstream social institutions that hold authority over the working class” (Constantakis.) Espada’s father is growing old and his health is deteriorating quickly but his ability to stop working is not in his own hands, “I can’t the landlord won’t let me” (774.) “He is separated from the homeland, and his life in the United States is far from welcoming” (Constantakis.) Espada’s Grandmother dies in Puerto Rico and the family learns this by a lett...
Poems are forms of communication that give an applicable view of the past, present and future events. Reading the poem titled “America”, written by Richard Blanco brought me memories from my childhood in my parent’s house and also what is happening now in my house as a parent. The poem explains how one person doesn’t have all the knowledge about something. It also, describes the daily life struggles I experienced during my childhood, when my parent 's and I moved from our hometown to live in another town becuase of their work and it brings to light the conflict of cultures I and my children are going through since we moved to United State of America .
The poem “Those Winter Sundays” displays a past relationship between a child and his father. Hayden makes use of past tense phrases such as “I’d wake and hear the cold splintering, breaking” (6) to show the readers that the child is remembering certain events that took place in the past. Although the child’s father did not openly express his love towards him when he was growing up, the child now feels a great amount of guilt for never thanking his father for all the things he actually did for him and his family. This poem proves that love can come in more than one form, and it is not always a completely obvious act.
Robert Hayden poem ”Those Winter Sundays” explores his father as an unsung hero and it also presents an acknowledgement of poets lack of gratitude for his father. The speaker reflects on the childhood memories of his father and goes on to find all kinds of disabilities he had in terms of realization regarding the pain father bared for the poet. Story is very emotional in the way that the speaker reveals sacrifices of his father during his childhood throughout the poem. It is agonizing and the words used in the poem are really an expression of desperation and sadness as he is really missing that time. There are a number of sacrifices made by the father during the harsh winter season of writer’s childhood. In his childhood he was not actually aware about the harshness of those lovely and affectionate feelings that his father had about him. In the poem ”Those Winter Sundays” Robert Hayden uses imagery and sound devices to portray his father as an unsung hero and to acknowledge his own lack of gratitude
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
“Lives of The Dead” conclude the collection, and contains an interlude of a nine-year-old girl named Linda. Linda was the ‘love’ of Tim’s life, a ‘girlfriend’ in the young schoolyard. Depicted as the ‘girlfriend, in the qualities of physical appearance and pictured ‘feminine’ fragility: “She had poise and great dignity. Her eyes, I remember, were deep brown like her hair, and she was slender and very quit and fragile-looking.” (O’Brien 228). A ‘girlfriend’, the happy comfort: “Linda Smiled at the window.” (O’Brien 229).
In the poem “Spinster” by Sylvia Plath, a girl and her lover take a walk through the woods on a spring day. As they are walking, the lover attempts to make romantic gestures towards the girl, which frightens her. The girl’s physical withdrawal from spring and her act of embracing winter is a metaphor for her fear of love and longing for the predictability and control that is not found in love.
Plath and Sexton's lifetimes spanned a period of remarkable change in the social role of women in America, and both are obviously feminist poets caught somewhere between the submissive pasts of their mothers and the liberated futures awaiting their daughters. With few established female poets to emulate, Plath and Sexton broke new ground with their intensely personal, confessional poetry. Their anger and frustration with female subjugation, as well as their agonizing personal struggles and triumphs appear undisguised in their works, but the fact that both Sexton and Plath committed suicide inevitably colors what the reader gleans from their poems. However, although their poems, such as Plath's "Daddy" and Sexton's "Little Girl, My String Bean, My Lovely Woman," deal with the authors' private experiences, they retain elements of universality; their language cuts through a layer of individual perspective to reach a current of raw emotion common to all human, but especially female, understanding.
In Issa’s poem the transition from the image of melting snow to that of children falling on the village is abrupt and jarring. In Muldoon’s poem, the transition is smoo...
Robert Hayden’s poem “Those Winter Sundays” is a reflection the speaker has regarding his father. An analysis of the poem’s tone and language reveals the speaker regrets his father did so much for the family and “no one ever thanked him”. It is obvious the speaker feels regret for the way he behaved toward his father in the past by examining the phrases in the poem, particularly with the description of the father. The connotations of the language used in this description denote the father in a certain way that the speaker did not see him as before. The tone and feeling of regret or sorrow is evident in the poem not only through language and word choice on the literal surface, but also in the structure of the poem itself.
Primo Levi’s If This is a Man recounts with scientific and horrifying accuracy, Levi’s ten-month incarceration in Auschwitz. He encounters various individuals, who’s actions enabled him to survive and grow through the ordeal, in particular Charles, a 32-year-old French political prisoner who stayed with him in the camp hospital’s, the Ka-Be, room 13. In the final chapter of the memoir, Chapter 17: The Story of Ten Days, Charles, a teacher who had entered the camp the week before, is introduced. Although his memoir is structured like a novel, Levi does not dwell on the atrocities committed by the Nazis, but rather describes, with clinical detachment, the effects that actions have on the people around him, hence his keen observation of Charles, who’s actions had far reaching effects in the Ka-Be. With freedom in sight, chapter 17 not only signifies