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Primo Levi’s If This is a Man recounts with scientific and horrifying accuracy, Levi’s ten-month incarceration in Auschwitz. He encounters various individuals, who’s actions enabled him to survive and grow through the ordeal, in particular Charles, a 32-year-old French political prisoner who stayed with him in the camp hospital’s, the Ka-Be, room 13. In the final chapter of the memoir, Chapter 17: The Story of Ten Days, Charles, a teacher who had entered the camp the week before, is introduced. Although his memoir is structured like a novel, Levi does not dwell on the atrocities committed by the Nazis, but rather describes, with clinical detachment, the effects that actions have on the people around him, hence his keen observation of Charles, who’s actions had far reaching effects in the Ka-Be. With freedom in sight, chapter 17 not only signifies …show more content…
The prisoners already had intense physical proximity as the Nazi had turned them into cattle by herding masses in attempt to break spirits. The emotional closeness that ensued as a result of this extreme physical proximity ended up becoming a positive, creating a support network. Levi’s, however, had been taken from him when Alberto, his best friend of many years, left on the final march. Charles provided that lost connection, “…felt ourselves become men once again. … the eight invalids did not lose a syllable, even those who did not understand French.” (Levi, 2004, p191) Charles’ sincerity transcend the language barriers, allowing the prisoners, most importantly Levi, to trust and confide in him. Charles emphasises the need for and normalises the notion of real friendship which Levi often thanks him for. Levi condemns the camp for forcing men to wait for their neighbour to die so that they can eat which contrasted against Charles’ selfless, friendly
There are unexpected aspects of life in the camp depicted in “This Way for the Gas, Ladies and Gentlement” by Tadeusz Borowski. The prisoners were able to make very obvious improvements to their lived in the camp, without reaction by the SS officers; the market was even made with the support of the camp. The prisoners actually hoped for a transport of prisoners, so as to gain some supplies. The true nature of the camp is never forgotten, even in better moments at the camp.
Six million Jews died during World War II by the Nazi army under Hitler who wanted to exterminate all Jews. In Night, Elie Wiesel, the author, recalls his horrifying journey through Auschwitz in the concentration camp. This memoir is based off of Elie’s first-hand experience in the camp as a fifteen year old boy from Sighet survives and lives to tell his story. The theme of this memoir is man's inhumanity to man. The cruel events that occurred to Elie and others during the Holocaust turned families and others against each other as they struggled to survive Hitler's and the Nazi Army’s inhumane treatment.
Change is an unpredictable and inevitable thing. One cannot know what alteration it may bring but it can, without doubt, be expected said Hazel M, an Honor English student (par.1). Eliezer, the protagonist in Night, encounters change numerous times. One of the mainly considerable changes he comes across, while in the concentration camps, is that of his relationship with his father. Before the Holocaust, Eliezer’s relation with his father was very distant, I will say non existent. Throughout the novel, enormous remarkable changes occurred in the father son relationship between Eliezer’s and his father. To highlight a few, we will discuss Eliezer and his father’s emotional change, the connection between them as father and son, and how their build trust in their relationship. Eliezer’s relationship with his father is quite important as it allows them both to live through the anguish and despair brought upon them. And their love for each other helped them both stay alive during the course of torture that Jews people were put through.
Through segregation, loss of identity, and abuse, Wiesel and the prisoners around him devolve from civilized human beings into savage animals. The yellow stars begin separation from society, followed by ghettos and transports. Nakedness and haircuts, then new names, remove each prisoner’s identity, and physical abuse in the form of malnourishment, night marches, and physical beatings wear down prisoners. By the end of Night, the prisoners are ferocious from the experiences under German rule and, as Avni puts it, “a living dead, unfit for life” (Avni 129). Prisoners not only revert to animal instincts, but experience such mental trauma that normal life with other people may be years away.
Wiesel and his father were harshly testing their bond as a family during the progression of their stay. It is remarkable how such appalling conditions can bring people together in ways unimaginable. Before Wiesel came, he never did much regarding his father. While they were at the camp, Wiesel couldn’t stand being without his father. Wiesel is surprised to see how the camp changed his father.
Primo Levi’s tales of his labors in “Survival in Auschwitz” connected Marx’s ideas with work under extreme and unique circumstances. In the Lager, workers suffered extreme working conditions, were deskilled in labor, became one with the masses, and were dehumanized. Through Marx’s four estrangements (estrangement of man from the product of his labor, estrangement of man from the act of labor, estrangement of man from humanity, and the estrangement of man from man), it became evident the ways in which the Holocaust is a product of a heightened version of capitalist modernity.
Between Night and The Hiding Place, comradeship, faith, strength, and people of visions are clearly proved to be essential in order to survive in these death camps. Corrie, Elie, and other victims of these harsh brutalities who did survive had a rare quality that six million others unfortunately did not.
The second prisoner was a young boy who was being hanged for the fact that he stole weapons during a power failure. The significance of this particular hanging was the young boy’s lack of rebellion, his quiet fear and the unbearable duration of his torment. The boy had lost all hope and was one of the only victims who wept at the knowledge of their demise. What made this case different from the rest was not only his youth, but also his silence, and emotion and the fact that it took a half an hour for him to die, as a result of the lightness of his young body. Even though he was constantly tortured and provoked by the guards before he was hanged, he still said nothing, unlike the two people who joined him, who both shouted in defiance. His quiet courage really stood out as an unspoken and unannounced rebellion not only for the Jews, but it showed the doubts that some of the guards began to have. “This time, the Lagerkapo refused to act as executioner.” Although this quote is one sentence it still shows the effect the boy had on everyone in the camp. Even though the prisoners had been living with the constant presence of death, the execution of this young boy made them feel emotion they believed they had lost forever. This death was an unsaid act of rebellion in the sense that it showed the audience that there was indeed still some sensitivity left no matter how much both the prisoners and the guards were dehumanized: the prisoners as merely a number, and the guards as ruthless
A fifteen-year old boy, Elie Wiesel, and his family are overwhelmed by the thought of uncertainty when they are forced out of their home; as a result, the family would be forced into a cattle car and shipped to Auschwitz. At first, the Jews have a very optimistic outlook while in
Others weep for the ones lost. They then got prison clothes that were ridiculously fitted. They made exchanges and went to a new barracks in the “gypsies’ camp.” They waited in the mud for a long time. They were permitted to another barracks, with a gypsy in charge of them.
“A traumatic experience robs you of your identity,” says Doctor Bill, an author and business entrepreneur. In the book “Night” written by Holocaust survivor, Elie Wiesel, Elie describes his life during the traumatic event. Elie was taken from his home in Sighet, Transylvania in 1944 to be put into a concentration camp. He was only 15 at this time. Throughout the book, you can clearly see how Elie’s identity is altered in many ways, for worse as well as better, as more and more terrible things occur to him as well as others.
Irish Playwright, George Bernard Shaw, once said, “The worst sin toward our fellow creatures is not to hate them, but to be indifferent to them; that's the essence of inhumanity.” Inhumanity is mankind’s worse attribute. Every so often, ordinary humans are driven to the point were they have no choice but to think of themselves. One of the most famous example used today is the Holocaust. Elie Wiesel’s memoir Night demonstrates how fear is a debilitating force that causes people to lose sight of who they once were. After being forced into concentration camps, Elie was rudely awakened into reality. Traumatizing incidents such as Nazi persecution or even the mistreatment among fellow prisoners pushed Elie to realize the cruelty around him; Or even the wickedness Elie himself is capable of doing. This resulted in the loss of faith, innocence, and the close bonds with others.
Every day millions of people put on their durable denim jeans without thinking where they came from or how they got there. When in fact those jeans have had had quite the controversial journey. There are two billion jeans produced annually according to the Environmental Justice Foundation and your pair is one of them. How many gallons of water, fertilizer and chemicals do you think went into them ? These are questions that make many of us cringe and they are questions that need to be answered. The production of these jeans is such an intimately global event that we all play different roles in their production and consumption. So now lets take a deeper look at where those Levi’s really came from and see how global it really is.
Primo Levi: From a letter to the translator of the German version, reproduced in The Drowned and the Saved (New York: Simon & Schuster, 1988), p. 174. Ibid. Is it a sham p. 83 Primo Levi: Survival in Auschwitz: The Nazi Assault on Humanity (New York: Simon & Schuster, 1996) [first published as If This Is a Man], p. 62.
Primo Levi was an Italian Jewish Anti-fascist who was arrested in 1943, during the Second World War. The memoir, “If this is a Man”, written immediately after Levi’s release from the Auschwitz concentration camp, not only provides the readers with Levi’s personal testimony of his experience in Auschwitz, but also invites the readers to consider the implications of life in the concentration camp for our understanding of human identity. In Levi’s own words, the memoir was written to provide “documentation for a quiet study of certain aspects of the human mind”. The lack of emotive words and the use of distant tone in Levi’s first person narration enable the readers to visualize the cold, harsh reality in Auschwitz without taking away the historical credibility. Levi’s use of poetic and literary devices such as listing, repetition, and symbolism in the removal of one’s personal identification; the use of rhetorical questions and the inclusion of foreign languages in the denial of basic human rights; the use of bestial metaphors and choice of vocabulary which directly compares the prisoner of Auschwitz to animals; and the use of extended metaphor and symbolism in the character Null Achtzehn all reveal the concept of dehumanization that was acted upon Jews and other minorities.