Miller Manguno Professor Otis American Literary Cultures 11 April 2024 Exploring Identity in Passing and The Minister’s Black Veil Both Reverend Hooper and Clare Kendry share one unique trait; however, the difference resides in how they approach it. Written by Nathaniel Hawthorne, The Minister’s Black Veil, recounts the life of the Reverend and his commitment to his “black veil”. Hooper dons the dark fabric to cover his face, symbolizing the hidden sin present in his churchgoers. On the other hand, set in the 1920s, Passing presents the struggles and limitations of the lives of colored people in Harlem. Clare Kendry is born with the black veil, or in her case, is born with dark-colored skin. She desires to conceal her identity by stripping the black …show more content…
Their deviant behavior arises from the concept that opposing communities often enforce rigid expectations about how one should live and portray themselves. While Hooper adds his symbolic layer, Clare peels hers away, yet their relationship in imagery continues to their respective deaths. As Clare transforms her identity to be white, she perishes in the pale snow; as Hooper’s identity becomes the black veil, his demise is sealed in a dark coffin. Although societal impacts help display the ultimate danger of changing identity, they are not the only example of the consequences. Hooper’s sudden shift in identity is not without its own relational consequences. The Reverend’s wife is blindsided by the introduction of the black veil, as she expects her partner to keep his intentions clear. Hooper, however, refused to detail the significance of the veil and rejected any of Elizabeth’s desires to remove his new identity. Elizabeth exclaims, “’Lift the veil but once, and look me in the face,’ said she. Never a snare of ‘Never! It cannot be!’ replied Mr.
In the collection of short stories written by Nathaniel Hawthorne, Hawthorne explores the idea of perfection and how it is something that is not necessarily achievable, which is blatantly stated by Salvador Dali when he once said “Have no fear of perfection - you’ll never reach it”. Furthermore, James Stephens once stated, “Finality is death. Perfection is finality. Nothing is perfect...”. This idea that perfection is not an attainable objective till death is exemplified in three of Nathaniel Hawthorne’s collection of short stories. These three stores all evaluate the subject of perfection slightly differently.“The Birthmark” delves into the idea that nothing is perfect, “The Minister’s Black Veil” analyzes the concept that finality is death, and “Rappaccini’s Daughter” tests the idea that perfection is finality.
Mr. Hooper the minister’s is perceived to be a “self-disciplined man”. When he was wearing the veil people in his village believed that he went insane and is guilty of a dark and terrible sin. “He has changed himself into something awful, only by hiding his face” (1253).The author explains how Mr.Hooper would wear a mask to hide his sins and face which cause people to believe he was awful. The veil becomes the center of discussion for all of those in the congregate the mask all the people wore around others to hide their sins and embraces there guilty. Elizabeth in the story ends her relationship with Mr. Hooper because he will not remove the veil that he's wearing. The veil actually symbolize for the puritans belief that all people souls are black from
“Sinners in the Hands of an Angry God” by Jonathan Edwards and “The Minister’s Black Veil” by Nathaniel Hawthorne are both 1700s Puritan works of literature with similarities, as well as differences, from their theme to tone and to what type of literary work they are. Edwards and Hawthorne are both expressing the topics of how people are all sinners, especially in regards to their congregation and that questions their congregation’s faith.
The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.
Witchcraft and a Black Veil The setting of “The Minister’s Black Veil” by Nathaniel Hawthorne occurs in Milford, Massachusetts which is less than 60 miles from Salem, a small town famous for putting hundreds of people on trial and sentencing several to death as a result of accusing them of witchcraft. The thematic historical similarities between the Salem Witch Trials and Hawthorne’s “The Minister’s Black Veil” is apparent through the use of gothic imagery, supernatural effects on the funeral and wedding, and hysterical emotion elicit on the townspeople by Mr. Hooper’s veil. The use of gothic imagery is subtly present throughout the tale of Mr. Hooper, a minister who one day begins to hide his face behind a stark black veil.
In “The Minister’s Black Veil” Mr. Hooper shocks his townspeople by putting a veil permanently on his face. The veil is a paradox of concealment and revelation (Carnochan 186). Although it is concealing Mr. Hooper’s face, it is made to reveal the sins in society. The townspeople first believed that the veil was being used to hide a sin that Mr. Hooper had committed. Mr. Hooper says that the veil is supposed to be a symbol of sins in general, however the townspeople ignore the message and still focus on his sinfulness. The townspeople know that they have sinned, but they use Mr. Hooper as their own “veil” to hide their sins. Because the townspeople are so caught up on his sins, they fail to figure on the message behind Mr. Hooper’s action and
For example, the main character in “The Minister’s Black Veil,” Mr. Hooper, is the town’s parson who one day, wore a black veil “swathed about his forehead, and hanging down his face, so low as to be shaken by his breath” ("The Minister's Black Veil"). His common friends and neighbors expressed ghastly from his sudden change in appearance such as: an old woman muttered, “he has changed himself into something awful,” and “‘our parson has gone mad’ cried Goodman Gray” ("The Minister's Black Veil"). Additionally, many people were mystified and offended by his persistent presence with the black veil, even at a funeral “when Mr. Hooper came, the first thing that [the guests’] eyes rested on was the same horrible black veil, which added deeper gloom to the funeral” ("The Minister's Black Veil"). Eventually, Hooper became an outcast after refusing to remove the veil for anyone, even his wife, and his life ended alone as “a veiled corpse” ("The Minister's Black
Nathaniel Hawthorne in “The Minister’s Black Veil” is able to show the hypocrisy and the overemphasis of the Puritan people and their beliefs by engaging the reader in this short story by using “a gentlemanly person” (409) who decides to start wearing a black veil over his face. As Milford’s finest gather on “the porch of [the] meeting house” (409) and enjoy the hope of another Sunday service, the townspeople’s sunny disposition and picturesque setting soon changes as Parson Hooper emerges with a “simple piece of crape” covering his face. This unusual appearance of the Reverend to the townspeople even has some of them feeling faint and forcing some women “of delicate nerves to leave the service” (410). Even though Parson Hooper’s demeanor and his polite and gracious behavior is the same as always, and his preaching is much more interesting and entertaining, the townspeople perceive their minister far differently. As Parson Hooper continues to don the veil, people start to stare at him and rumors begin to fly, especially since his sermon dealt with the topic of secret sin. As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous.
Nathaniel Hawthorne, a well-known American novelist in the Romantic era, wrote and published the short story, “The Minister’s Black Veil,” in 1836. The story provides an intriguing case of the moral and psychological facet of a religious man and his community during New England and Puritan Age. The tale begins with the villagers gathering on the front porch of the Milford meeting-house to wait for Reverend Hooper. Parson Hooper arrives, and to their astonishment, wearing a black veil obscuring his face. The villagers wonder among themselves and follow him into the meeting-house where he speaks on secret sin. The crowd is greatly affected by the veil, and leave confused of its significance. After the sermon, a funeral is held for a young woman, and his veil now becomes “acceptable”. After a few prayers, the funeral ends and someone mention that it seems “the minister and the maiden’s spirit were walking hand in hand”. He attends and brings gloom into a wedding the same night. His wearing the veil and refusal to remove it leads to the village isolating him, his fiancée leaving after an offer of redemption, and a life as a good clergyman. When it comes time for his death, he once again refuses to take off the veil, and accuses everyone to having a black veil. As Daniel Webster said, “There is nothing so powerful as truth, and often nothing so strange.” Character, symbolism, and solemn tone create a theme of rejection, socially and psychologically.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.
It is no secret that Nathaniel Hawthorne’s “The Minister’s Black Veil” is a parable. Hawthorne intended it as such and even gave the story the subtitle “a parable.” “The Minister’s Black Veil,” however, was not Hawthorne’s only parable. Hawthorne often used symbols and figurative language to give added meaning to the literal interpretations of his work. His Puritan ancestry also influenced much of Hawthorne’s work. Instead of agreeing with Puritanism however, Hawthorne would criticize it through the symbols and themes in his stories and parables. Several of these symbols and themes reoccur in Hawthorne’s “The Minister’s Black Veil,” “Young Goodman Brown”, and The Scarlet Letter.
416), while it gave Hooper a more intimidating, enigmatic and somewhat inhuman demeanor that isolated him from the community his services were still available for his community. The book even says that it “enabled him to sympathize with all dark affections” (pg. 416) as many people, particularly the ones who were guilty of ‘secret sin’ felt comfortable and/or compelled by Hooper into confessing their sins. The people felt that they could tell him everything they kept secret, because the veil’s “gloom” and foreboding aura gave him the same aura of mystery. The black veil kind of symbolizes a cover-up that humans use every day to hide their real feelings and thoughts, as many people are never truly honest with others and each convey some sort of secret. It appears that the idea in this story is that humans by nature are sinful and are all guilty of some hidden sin that they try to keep in the dark because having sins is not considered human or moral. It’s not a very positive outlook on humans, but the book does seem to convey that idea, as Reverend Hooper himself is a flawed man guilty of secret sin as revealed in the end, making him no different from the rest of the townsfolk who have their own sins that they hide. However, it also shows that humans are hypocritical by nature because they are so flawed as in the end Hooper proved that he did exactly practice what he