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The analysis of the birthmark
Melville and hawthorne writing themes
The analysis of the birthmark
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In the collection of short stories written by Nathaniel Hawthorne, Hawthorne explores the idea of perfection and how it is something that is not necessarily achievable, which is blatantly stated by Salvador Dali when he once said “Have no fear of perfection - you’ll never reach it”. Furthermore, James Stephens once stated, “Finality is death. Perfection is finality. Nothing is perfect...”. This idea that perfection is not an attainable objective till death is exemplified in three of Nathaniel Hawthorne’s collection of short stories. These three stores all evaluate the subject of perfection slightly differently.“The Birthmark” delves into the idea that nothing is perfect, “The Minister’s Black Veil” analyzes the concept that finality is death, and “Rappaccini’s Daughter” tests the idea that perfection is finality.
The short story “The Birthmark” demonstrates that nobody can be perfect. Georgiana’s birthmark is a physical representation of this
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This idea contradicts the interpretation that is shown in “Rappaccini’s Daughter”. In “The Minister’s Black Veil” perfection is not finality. The black veil is a symbolic figure that is the embodiment of human’s inherent nature to sin. This is displayed when Hooper says “if I hide my face for sorrow, there is cause enough, and if I cover it for secret sin, what mortal might not do the same?” (Hawthorne, Elements of literature 245). This line in the short story is a rhetorical question that is used to state his actual intentions for wearing the veil. The perception of finality being death is truly exemplified when Hooper decides to be buried with his black veil. This insinuates that when death comes, we will not be able to escape the sins we have committed, rather we will die forever bearing our sins. This alludes to the idea that finality is simply death for if we are all die with our sins then we cannot reach that state of perfection or salvation in our
“Sinners in the Hands of an Angry God” by Jonathan Edwards and “The Minister’s Black Veil” by Nathaniel Hawthorne are both 1700s Puritan works of literature with similarities, as well as differences, from their theme to tone and to what type of literary work they are. Edwards and Hawthorne are both expressing the topics of how people are all sinners, especially in regards to their congregation and that questions their congregation’s faith.
...t to acknowledge that fact than to live your life a lie. By keeping sin secret from the world like Dimmesdale, your conscience eats at your spirit until you are no longer able to live a healthy, normal life. Hooper's demeanor and sermons scared everyone into seeing their own sins and when looking at his black veil, they saw their own faults, which petrified them for they knew they were pretending to be one of the elect, and that none of them could be perfectly sinless. The horror and the hate people felt towards both the black veil and the scarlet letter was an outward manifestation of the horror and hate they all had for their own sins. Thus it brings us back to the theme that Hawthorne makes so clear in both the Scarlet Letter and "The Minister's Black Veil," that though manifested sin will ostracize a person from society, un-confessed sin will destroy the soul.
In “The Minister’s Black Veil” Mr. Hooper shocks his townspeople by putting a veil permanently on his face. The veil is a paradox of concealment and revelation (Carnochan 186). Although it is concealing Mr. Hooper’s face, it is made to reveal the sins in society. The townspeople first believed that the veil was being used to hide a sin that Mr. Hooper had committed. Mr. Hooper says that the veil is supposed to be a symbol of sins in general, however the townspeople ignore the message and still focus on his sinfulness. The townspeople know that they have sinned, but they use Mr. Hooper as their own “veil” to hide their sins. Because the townspeople are so caught up on his sins, they fail to figure on the message behind Mr. Hooper’s action and
By, using “Young Goodman Brown”, and “The Masque of Red Death”, Hawthorne and Poe develop the common theme that denial of societal imperfection leads to isolation from society. Both authors use their short stories to illustrate that one must accept imperfections, as a normality of life. They teach this lesson in order to present to the reader that the avoidance of the problems one faces in life, will not make life easier, one only loses the chance to gain knowledge from overcoming the obstacle. The knowledge an individual gains from overcoming a problem can then be used to the conquering of future obstacles.
In the short story The Birth-mark, Aylmer: scientist, philosopher and perfectionist, is married to Georgiana, a woman of unthinkable beauty and possibly the closest woman to ever reach perfection. However, the tiny hand shaped mark that lay on the surface of her cheek aggravates Aylmer and he thinks day and night of how he may get rid of it in order to help Georgiana reach the perfection that he longs for. The actions that he proceeds to take, prove that he is indeed the villain and the one to blame for Georgiana’s death. He does so by tearing her down with crude words, making Georgiana feel insecure and self-conscious about her outward appearance as well as keeping his failed experiments a secret to her.
I think Hawthorne may be implying in these stories that perfection is unattainable and the quest for it may be unrewarding, even fatal. In these and some of Hawthorne's other stories, I believe he is reminding people of the delicate blessings of life. Our pursuit of happiness outside of a connection with other people and our reckless endeavor to supersede the power of the supernatural may result in temporary satisfaction, but is ultimately unfulfilling and even dangerous.
The birthmark is a compelling story of one man’s obsession with his scientific ability to produce perfection. Aylmer, a scientist, is married to a Georgiana who is a very beautiful woman. Not long after getting married Georgiana’s birthmark, which is in the shape of a tiny handprint on her check, really begins to bother Aylmer. He sees it as a flaw in an other wise perfect woman. Georgiana knows that her birthmark disgusts him and, having grown up not bother at all by it, begins to hate it herself. He asks if she has ever considered having it removed. This is not something she has considered since other people in her life, especially men, have always seen it as a “charm”. Aylmer being an amazing scientist almost sees himself as god and feels that he has the power to remove this imperfection. Georgiana, bothered by her husband’s reaction to her birthmark, agrees to let him try to rid her of it. She is taken to his laboratory and he immediately begins to experiment. After she finds Aylmer’s book of experiments, which all end in failure, she for the first time, has some doubt about how this will work and confronts him. He reassures her and begins to try a multitude of methods, with the help of his assistant Aminadab, which do not work. At one point, there are several experiments going on and he even refers to himself as a “sorcerer” (Hawthorne 232). Finally, he produces a potion, which she drinks, and the birthmark begins to disappear! Slowly though, even as the experiment is working, Georgiana is fading away. He finds that ultimately, the birthmark was connected to her very soul and in his trying to act god like he actually kills her. Really this short story just proves that science has its limits and no man should try to act like G...
“The essence of being human is that one does not seek perfection,”(George Orwell) is a relevant idea pertaining to the theme, how striving for perfection in humanity is foolish. Aylmer is a late 18th-century scientist who recently retired so he could marry his love Georgiana. Georgiana has a small birthmark on her cheek in the shape of a small hand. Most men who liked her found the birthmark attractive. Some women on the other hand said that it messed up an otherwise flawless face. Georgiana did not have a problem with it until one day, until one day Aylmer says he does not like the birthmark. He feels as though Georgiana would be perfect and flawless if it were just removed. Georgiana is crushed, because Aylmer thinks the birthmark is ugly, so of course she now thinks she is ugly. For Aylmer, the birthmark is a symbol of human imperfection. Aylmer has a dream in which he tried to remove the birthmark on Georgiana’s face. The deeper he cut, the deeper the birthmark would go. Until it was, finally, all the way down to Georgiana's heart. In the dream, he keeps cutting through her heart to finally get it out. Georgiana is disturbed and upset by this dream. She decides that she will let Aylmer find a way to remove the birthmark to make his unhappiness stop. Of Aylmer already has been working this at his laboratory. He has set up a room for her to stay while he comes up with a solution to remove the birthmark. When the antidote is finished,
This short-story’s most pronounced theme throughout itself is that of the persistent determination to attain perfection, which is shown in the main character Aylmer’s will to perfect his wife’s appearance by removing Georgiana’s crimson blemish. This goal engulfs Aylmer’s thoughts to the point where he dreams of them and coincidently sleep-talks when Georgina is listening, so she too is burdened to confront his discomfort with her imperfection/flaw (Hawthorne). In general the author is trying to suggest to the reader that perfection can only be attainted in the heavenly world, were as, on earth humans are reminded of our imperfections by the defects that we have. In the process, Aylmer not only kills his wife but he also destroys himself because his obsession with perfection blinds him from seeing the good wife that he had. Georgiana seems to be ...
Written in 1843, Nathaniel Hawthorne’s short story “The Birthmark,” may be interpreted as a metaphorical representation of disability. The plot revolves around Aylmer, an alchemist, and his quest to rid Georgiana, his wife, of a facial birthmark. Aylmer’s crusade for the ideal female form ultimately results in Georgiana’s unfortunate demise. In the narrative, a tiny handprint-shaped birthmark graces Georgiana’s otherwise beautiful left cheek. Because it limits her activities and results in derogative treatment, the birthmark symbolizes disability and thus Georgiana represents the disabled. Meanwhile, Aylmer illustrates pro-normative, ableist society. That attached scene in particular manages to represent Georgiana’s fatal shift in perspective,
As Aylmer continues to criticize Georgiana’s birthmark, he is unaware of the harm and ruination he is
Every man before has always complimented Georgiana on her sweet imperfection. People would tell her all the time that true beauty was in that little blemish. Aylmer, being the man of Science wanted to change what nature had created. Typically, we all know better than to go against Nature, but not Aylmer. Georgiana finally agreed to let her husband remove the birthmark due to a frightening dream Aylmer had encountered. Aylmer started working on a potion to remove Georgiana 's birthmark. As soon as Georgiana sipped the potion, she suddenly falls into a deep coma-like state. The birthmark magically disappears from Georgina 's face. However, as the birthmark fades away, so does Georgina 's life. Hawthorne uses Georgiana 's character to symbolize beauty in this story. Georgiana is already made perfect in the eyes of Nature and all other men, expect Aylmer. Aylmer, representing Science, tries to change Georgiana 's beauty that Nature has created. Aylmer was successful in removing the birthmark, but unsuccessful in keeping Georgiana alive. Aylmer was too intertwined in Science to realize that Georgiana was perfectly made by Nature. Nature paid Aylmer back for trying to correct Georgiana 's face by taking the life of his beloved
As Aylmer works to remove it, he unintentionally kills his wife. By using abstract themes and symbolism, Nathaniel Hawthorne explores the never-ending debate between science and nature. [Themes] In “The Birth-Mark”, there are two main themes: perfection and mortality. Within the story, the theme of perfection is first introduced.
Though she consents to having her birthmark removed, Georgiana’s initial reaction to Aylmer’s shock at her facial defect is to redden “with momentary anger” before dissolving into tears (645); though her secondary reaction fits into the stereotypical female response to a physical critique, the fact that her initial reaction is anger implies that she is more than merely a docile housewife. However, her actions still reflect those of a docile housewife; when he confines her to a dimly lit apartment, she acquiesces solemnly and quietly spends her days doing as Aylmer
Aylmer thinks that his scientific expertise is sufficient and efficient in removing the birthmark at Georgiana has left cheek. Aylmer boasts of his confidence in the practicability of removing the birthmark. Georgiana appears to trust Aylmer scientific expertise and bestows him with the daunting task of removing the birthmark. However, Georgiana confesses that the birthmark makes her disgust and horror to Aylmer (Hawthorne 3). Hence, she is brave to face the imminent danger that can emerge from the delicate scientific procedure of removing the mark.