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Picasso, Head of a Woman, 1961, interpretation
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Pablo Picasso created his painting Women in Profile in 1901 using oil paint on paper board mounted on particle board. Just as the title suggest, the painting’s subject is a women extravagantly dressed showing one side of her profile (face). The painting is currently being exhibited at The Metropolitan Museum of Art in New York City. It is relatively an average size painting at 20 ½ by 13 ¼ inches. Just looking at the painting the viewer can get a sense of the women’s attitude painted on the particle board.
The painting belongs to a small group of pictures of extravagantly dressed women that evoke the Parisian demimonde of dance halls and brothels. Most striking about this painting is the artist's extraordinary ability to capture the very intensity
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The electric palette and broad dabs of paint relate it to other works that Picasso painted in Madrid in spring 1901. The image of the women painted is facing a certain direction (from the viewer’s point of view she is looking to her left). We view her as someone who seems serious with no facial expression. With the minimum use of colors and the use of non-vibrant colors (a mix of primary and secondary colors), Picasso has truly created a masterpiece. The colors create an image that gives the women painted a personality. The painting is mostly low Chroma and desaturated colors. The background is painted light and mellow with yellows and oranges as well as, a little mix of a soft green color. Within this painting, you can see that Picasso has incorporated some white within the background to bring more light to that section of the painting. He combines the same colors of the background within the women itself. The face of the women is painted with an off white color making her appear pale. The eyelids are painted with a soft, light blue, and the lips as well as the cheek is …show more content…
It appears as though the image of the women itself is roughly painted due to the brush marks. The colors are not blended in together, this being because the brush strokes indicate that Picasso used heavy paint and dabbed the paint on using the brush to paint his vision. His brush work indicates that the background and the women’s clothing are not as important as the face. The face is the only portion of the painting that is painted smoothly and clearer than the other parts. This tells us that Picasso wanted his viewers to focus on the women’s facial expression rather than what she is wearing and what the background is supposed to be. The paintings main focus is the women’s facial
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
He is known how to combine three main colors and balance it to his artwork, green tone combined with red tone on her clothes represent that a woman is one of a lower class in society at this time, brown tone is a background color bring to viewer a heavy feeling, and this color was emphasized to face of the woman a little bit of sadness, a little bit of hopelessness in her life and her children. In this artwork, he used a rectangular shape of a wall and circle shapes for a child. They both give a viewer feeling about pressure and straitened for women. If we are noticing that in this artwork has leading lines. This line comes from three of her kids, it is creating a triangle.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
· Penrose, Roland. Picasso at Work. With introduction and text. Photographs by Edward Quinn. New York: Doubleday & Company Inc., n.d.
Pablo Picasso is well renowned as an artist who adapted his style based on the changing currents of the artistic world. He worked in a variety of styles in an effort to continually experiment with the effects and methods of painting. This experimentation led him to the realm of cubism where Picasso worked on creating forms out of various shapes. We are introduced to Picasso’s nonrepresentational art through the advent of the cubist style of painting. During his time working on this style, Picasso developed the painting Woman in the Studio. A painting created late in Picasso’s artistic career, this painting displays many of the characteristics common in cubism. The painting’s title serves as a description of the painting and explains the scenario depicted by Pablo Picasso. In analyzing this work, it is important to observe the subject matter, understand the formal elements of the painting, and attempt to evoke and comprehend the emotions represented in the painting. Woman in the Studio is a painting of cubist origin that combines the standard elements of cubism in order to produce a monochromatic depiction of a woman associated with Picasso.
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
Pablo Picasso is certainly a genius who has left an indelible mark on his time. Consequently, many artists all over the world have had their own career influenced by his work. Among those artists can be listed Willem de Kooning, a Dutch American painter, and the Cameroonian artist Koko Komegne. For instance, both artists have had their early work, and later their career impacted by Picasso’s cubism. While de Kooning spent hours looking at each detail of Picasso’s paintings, Koko Komegne learnt to paint by reproducing the master’s artworks. Another thing both artists shared with Picasso through their career was the woman as subject matter. Unsurprisingly, de Kooning and Komegne have extensively painted the woman in their own career. Among all those pieces, Seated Woman, 1940, from Willem de Kooning and Toilette, 2006, from Koko Komegne are very similar; the characters on both pieces are ladies, and they have the same pose. However, although the two paintings are similar in term of descriptive subject matter, de Kooning and Komegne draw from their environment and their personal style to highlight their specificities.
Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.
From 1904-1906 Picasso used “rosey” colors to convey his work. During this period, he meets his one-day model, Fernande Olivier. She would eventually become his mistress and thus encouraging the start of The Rose Period. He focused his work on harlequins, circus’s, and street performers. More often then not he showed them, not doing acts but on the side alone. (Fox). The majority of colors used were of pinks and oranges. This is the start of his use of primitivism in work. Primitivism is an expression of unsophistication,
With just a quick glance, Guernica may look like it was painted from a standard Cubist point of view but once you examine it closely, it gives off a whole other meaning to it. The first thing in particular was of the colors that Picasso
“The Grafin von Scholfeld with her Daughter” is oil on canvas art piece painted in 1793. It is a painting of a woman holding her daughter on her lap, the woman being “The Grafin von Schonfeld.” The woman is dressed in clothing that is from the upper class or a royalty stature in the late 1700’s. The clothing looks rich in material and sleek like silk in the colors of wine and a rich green. She has a covering on her head that looks like an extravagant scarf that drapes over her shoulder on one side, also made of the same silky material used for her dress. The woman has pale skin, reddish brown hair, bluish eyes, and rosy cheeks. Her eyes look very real and penetrating when you examine the painting. The daughter is about the age of 5 or 6 years old. Her arms are around her mother’s neck and legs draped across her mother’s lap. The daughter is wearing a white fluid dress that looks thin in material with a red sash around her midsection. The daughter has the same reddish brown hair and rosy cheeks. The mothers and daughters eyes are equally as big in size, while the child’s eyes seem also very real and youthful.
Picasso ignored the traditional aesthetic canons governing the representation of the female nude. The bodies are deformed. The woman sitting presents both his back and his face. The influence of African art, which replaces that of Orientalism of the nineteenth century, is very clear in the
The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...
We are accessible only to a limited quantity of resources around us. Considering the current usage and availability of resources, it has become very important for us to use them as wisely as possible. As an industrial engineer my aim is to find ways to eliminate wastefulness and enhance the efficiency of the process or service being provided. I would like to enhance my knowledge and in order to achieve this, I wish to pursue my Master’s degree in Industrial Engineering at the Arizona State University. I aspire to do my PhD after my Masters to fulfil my long term career goal of carrying out postdoctoral industrial research while becoming a tenured professor.