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A short note on shakespearean theatre
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Considered by many to be Shakespeare's greatest tragedy, Othello’s influence on the arts is illustrated both by the frequency of its production and by its influence on many playwrights and directors over the years. Nearly 400 years have passed since the first production of Othello in 1604 and there hasn’t been much change in the way it has been produced as they all explore the deterioration of Othello due to one tragic flaw - jealousy, which is the major theme of the play. As many of Shakespeare’s works, the productions of Othello have been recontextualized in an attempt to make it more understandable to audiences of that time, often being produced in settings other than the original, offering a different interpretation of the play or allowing …show more content…
The director recontexualized Othello to a rather rural setting where the political arena is dominated by the gangsters appointed by major political parties in India. Even though the settings differ by years and culture, Vishal Bhardwaj, managed to include the main elements of the story which includes the themes of revenge, deception, and love. The only obvious difference between the play and the movie is the characterization of Omkara (Othello.) In the play, Othello is the successful military leader of Venice while Omkara is a godfather type character of a political gangster killing off the rivals in a gang war. Some other differences include that cell phones are used where Shakespeare employed eavesdropping and a bejeweled cummerbund replaces the handkerchief as a symbol of fidelity. In the original play, Othello’s tragic flaw is his jealousy, which is a quality that Iago successfully exploits from him. Omkara stays true to this central theme and weaves its other conflicts around it, focusing on Omkara’s (Othello) and Tyagi’s (Iago) dynamic. Bhardwaj explored many contemporary issues in India such as political deceit, caste warfare, and violence against women, allowing it to relate to Indian audiences (Dionne). The film transforms the play into one that an Indian audience understand and relate to without removing the essence of Shakespeare’s play. The popularity of the film lies primarily in its poetic language, its music, cinematography and that it includes all the excitement a Bollywood film it can offer its audience. Even with the differences, it proves the universality of Shakespearean tragedy and that it can be played out in any setting no matter how different the context is. This adaptation of Othello is a tremendous one, as
The film ‘O’ directed by Tim Blake Nelson is a recognised contemporary interpretation of Shakespeare’s classic tragedy Othello, which addresses a number of issues that are relevant to a modern day audience compared to that of the past. The director of the film has changed crucial parts of the play which makes the play such a classic, which has essentially ruined the literary value of Othello. This is evident for a number of concepts including, the overt links between the play and film, the power of words and language and Iago and his motives
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
11 Dec. 2011. The "Othello". Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht.
Right from the opening scene, Othello presents an aura of evil and disloyalty. The play begin...
The play “Othello” by William Shakespeare was written in 1604 during the Elizabethan era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success on the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that caused his downfall is jealousy.
Essential to the success of Othello is the fact that the issues and themes explored in this tragedy, written by Shakespeare in about 1604, are still relevant to the modern audience. The interest of an audience is held by themes that are fundamental to the human condition, as these reflect our world and examine human nature. Othello explores the issues of racism, gender, domestic violence, the supernatural and the pathology of the entirely evil person, which are all remarkably relevant to our time. Thus the interest of the audience is held, as issues that affect the viewers and readers of the play spark individual opinions, reflection and thought.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
Othello teaches us much about our current postmodern culture. The play connects to our ideas of sexism, male-bonding, racism and capitalism. Shakespeare uses these universal and timeless flaws in humanity along with our use of language and truth to tell his tale. Iago, over a period of about three days, uses these facets of humanity to turn Othello against his wife Desdemona and his friend Cassio. Othello reveals both the struggle of the British people of the early 1600's and Americans in the late 1900's with sexism, capitalism and racism.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full support to the inevitable and unavoidable fall.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
"Othello." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht. 2nd ed. Vol. 2. Detroit: Gale, 2007. 649-87. Gale Virtual Reference Library. Web. 30 Oct. 2013. .