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Emilia othello character analysis
Relationship between Othello and Desdemona
Analysis of othello characters
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Act V, Scene ii., lines 122-134
Emilia. O, who hath done this deed?
Desdemona. Nobody--I myself. Farewell. Commend me to my kind lord. O, farewell!
[She dies.]
Othello. Why, how should she be murd'red?
Emilia. Alas, who knows?
Othello. You heard her say herself, it was not I.
Emilia. She said so. I must needs report the truth.
Othello. She's like a liar gone to burning hell! 'Twas I that killed her.
Emilia. O, the more angel she,
And you the blacker devil!
Othello. She turned to folly, and she was a whore.
Emila. Thou dost belie her, and thou art a devil.
Othello. She was as false as water.
Emilia. Thou art rash as fire to say
That she was false. O, she was heavenly true!
Othello's grief and his deep love for Desdemona led to a series of actions and dialogue located at the climax of the story. The chosen passage came near the end of this work--just after Othello smothered Desdemona with her pillow. Shakespeare, simply and probably tritely put, was a genius. His artful mastery of meter, diction, imagery, and tone is matchless and captivates interest and thought like no other.
Meter in a literary work, just like all other components, can be a key factor in affecting the reader's thoughts and mood. Of course, this being Shakespeare, meter was utilized with a definite purpose. Because this portion of the play is dramatic and suspenseful, an erratic, loose structure is appropriate. The author "changed things up" and "kept the reader guessing" with regard to the structure and meter--thus causing even more suspense than what the plot had already provided.
In this group of dialogue, Othello loses his usual poetic eloquence. His mental and emotional composure were compromised, thus impairing his diction. This temporary breach in character displayed his internal conflict and how it was affecting him as a person--for Othello's dignified speech, just as the way anyone speaks, was a part of him as a person.
Displayed in many other works, contrasting imagery, or perhaps simply contrast in general, is present in my excerpt from Othello. For example, Emilia calls Desdemona an angel, while designating Othello a devil. Also, Othello says Desdemona was "as false as water" while, in the subsequent line Emilia accuses Othello as being "as rash as fire." By including these contrasts, Shakespeare heightened the intensity of the moment as well as expressed the mood and thoughts of the characters.
There are many words that can describe the tone at this point in the play: chaotic, confused, angry, impulsive. Emilia's thought process is not so much shared by the reader as empathized by the reader--though we know what's going on, we can identify with her anger and confusion.
Chekhov Anton Pavlovich, The Lady with the Dog and Other Short Stories, Fairfield, 1st Library Society, 2005, Print
This story mostly takes place in a vacation spot called Yalta. Throughout the whole story Yalta is explained as peaceful, romantic and with magical surroundings. The weather is warm and the scenery consists of white clouds over the mountaintops. The flowers smell of sweat fragrance and there is a gold streak from the moon on the sea. The two main character’s Gurov and Anna visit this vacation spot to get away from the lives that they are unhappy with. Both are unhappily married. The author explains Gurov as a women’s man, women are always attracted to him. However he thinks of women as the lower race. Knowing that women liked him, he always just played the game. He was always unfaithful to his wife. When he sees’s Anna walking around in Yalta with her dog he thought of it as just another fling. The character Anna is a good honest woman. When she is unfaithful to her husband for the first time she starts to cry to Gurov. She explains how she despises herself for being a low woman. This was the first time a person was not happy with Gurov. The soon realizes that she is unlike other women and describes her as strange and inappropriate. The story then takes a twist and Anna is to return home to her husband who is ill. This was their excuse that they need to part ways forever and stop this affair. Yet when Gurov returned home to Moscow he found himself lost without her. The
Othello says, “If she be false, heaven mocks itself! I’ll not believe ‘t.” This is an example of how turbulent Othello’s state of mind is. The steadfast determination expressed using the falcon image sort of “melts” when he sees Desdemona, and he immediately professes denial that she could be untrue to him. Yet, just ten lines earlier (l. 308), Othello says, “She’s gone! I am abused!”
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
In every rags to riches story, the protagonist eventually must decide whether it is better to continue to associate with impoverished loved ones from the past, or whether he or she should instead abandon former relationships and enjoy all that the life of fame and fortune has to offer. Anton Chekhov gives his readers a snapshot of a young woman in such a scenario in his short story Anna Round the Neck. While this story certainly gives a glimpse of the social climate in Russia during the nineteenth century, its primary focus is the transformation of Anyuta (Anna) Leontyich from a meek, formerly impoverished newlywed into a free-spirited, self-confident noblewoman. Throughout the story, the reader is drawn to pity Anna’s situation, but at the
"The Lady with the Dog" by Anton Chekhov was a marvelous story that expresses that love can come out of nowhere. The mood of the story in the beginning was simply just a man casually looking for an affair, and he would prey on women who are just traveling out of their city’s passing by on the streets of Yalta. The mood changes from the beginning from Dmitri, the main male character, just wanting a random hook up, to him falling madly in love with this lady that came to his city with her dog at the end.
Through studying Shakespeare’s and Cinthio’s Othello, I explored the concept of ‘The Moor’. ‘The Moor’ is a disrespectful and racist term , often used by white Europeans referring to arabs and blacks, and people of other races with relatively dark skin, such as Othello. During Shakespeare’s time, blacks are considered to be outsiders and are inferior to white people. In Cinthio’s work, it stated that moors are hot-headed as evident in this quote ‘you moors are of so hot a nature that every little trifle moves you to anger and revenge’ which is evident that moors are hot-headed. In scene 1 of the play, Iago told Desdemona father that his daughter was robbed by a thief, Iago uses metaphor to describes Othello as a “black ram”. Desdemona’s father was shocked that his daughter will fall in love with a black man. He believed that Othello must have use some magic to make his daughter fall in love with him; as there is social class difference at that time and it is unimaginable that a white woman will love a black men.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Othello’s speech that begins on line 178 of act III Scene iii is absolutely central to the meaning of the scene as well as to the meaning of the entire play. Beginning with out right denial, Othello’s speech ends up working its way through all possible outcomes until he is left with only confusion and doubt regarding Desdimona’s fidelity. He goe...
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
Chekhov, Anton. “The Lady with the Dog” The Lady With the Dog and Other Stories. Macmillan, 1917. Rpt. in Custom Course Materials: ELIT 217. Ed. Peter Paul Stephan. Bilkent University, 2013. 82. Print.
Fulford, Robert.“Surprised by love: Chekhov and ‘The Lady with the Dog’.” Queen’s Quarterly. n.d. Web. 17 November 2013.
...conduct the night of the wedding feast. Othello is one who believes in justice and fairness and will make no exception, even for the love of his life. Ultimately, he murders her because he is, “One that loved not wisely but too well.” (V, ii, 398) This, above all, gives the play its powerful end.
William Shakespeare’s dramatic and poetic techniques and his use of hyperbole are used to describe the characters emotions and weaknesses. The use of dramatic irony is used to create personal conflict. This is done throughout the play to describe the characters concerns and their situations.