Shakespeare’s “Othello,” one of his most well-known works, tells the story of a Venetian Moor named Othello and his tragic fall at the hands of a manipulating and deceptive Iago. The 1995 film adaptation of “Othello” by Oliver Parker attempts to capture the spirit of the play that Shakespeare envisioned. Though trying its best to stay as true to the original play as possible, it does at times depart from Shakespeare’s version. In Oliver Parker’s version of Othello, the film relies heavily on the setting, costumes and acting of the actors, portrays the characters differently than they are presented in the original work, and adds a variety of scenes while removing other aspects of the play.
The film begins by showing a beautiful nighttime scene
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This can be seen in Laurence Fishburne’s portrayal of Othello. Unlike in the original play, Othello seems to not play a huge part in his own demise. This is essential in a true tragedy, where a hero is undone by his own faults, but the film seems to deemphasize Othello’s contribution to the tragedy. On the other hand, Irene Jacob does a wonderful job in playing Desdemona. She comes off as pure and innocent, which is partially aided by Jacob’s gentle features and adorable accent. Jacob’s Desdemona shows complete love and devotion throughout the film, asking Iago after being treated so poorly “What shall I do to win my husband back?” (Parker). Even as she dies, she gently and lovingly caresses the face of Othello, her husband and murderer, proving her true purity and devotion. But perhaps the most interesting character in the film is Iago played by Kenneth Branagh. In Shakespeare’s play, Iago’s motives are unclear, as he gives several flimsy excuses attempting to justify his actions, or sometimes simply saying he “hates the Moor” (Shakespeare 1.3.366). However in the film, Iago seems to be motivated by boredom. It’s as though Iago is simply causing mischief for sport, without any rhyme or reason. The audience feels connected to Iago through the frequent soliloquies he has with the audience, and thus the audience feels most connected to the events of the story through him. This causes …show more content…
The first hint of additional scenes is when Othello retells the story of how he won Desdemona’s heart, where Othello’s lines are read as the audience is shown a flashback to Barbanzio’s house. Soon after this first addition, the audience is introduced by Iago to chess pieces, which he uses to illustrate his plan. He uses several pieces, such as the White Queen and the Black King, which obviously refer to Othello and Desdemona. These will make reoccurring appearances as the film progresses. During the climax of the movie, as Iago says “This is the night that either makes me, or fordoes me quite,” (Parker) Iago knocks the two pieces into a well, as they slowly sink to the bottom. This foreshadows the events that will ultimately follow. One of the most noticeable additions to the film is the inclusion of a sex scene between Othello and Desdemona. This is a huge departure from the original work, as the play is ambiguous as to whether or not Othello and Desdemona had actually consummated their marriage. In the play, Othello and Desdemona are interrupted both times that they go to bed, which could have conceivably meant that their marriage had not yet been consummated. This is further supported by Desdemona’s request that “If I do die before thee, prithee shroud me/In one of those same [wedding] sheets,” (Shakespeare 4.3.22-23). This is because if their marriage
The biggest things that one notices in the plot, are the great losses incurred by Othello. A key loss of Othello was that of his best companion, his wife, Desdemona. Desdemona was the closest person to him; no one can get closer to a guy than his wife. They were able to share their thoughts with each other and that is very powerful. The unfortunate part to it was that it only took a couple untruthful words from Iago to change Othello's opinion of her. "O, beware, my lord, of jealousy!/ It is the green eyed monster…" (III, iii). From words like this, and just a little more suggestions, Othello killed his wife. Its hard to believe that just a few well-placed words like this started a chain reaction that caused great harm to Othello.
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Both Iago and Othello are emotional characters with a lot to offer. Othello is a gullible character who places too much trust in the wrong people. He trusts Iago over his own wife, Desdemona, allowing Iago to manipulate his mind. Iago instills doubt in Othello about anyone he has ever trusted, making them all seem untrustworthy. More than anything, Iago uses pathos to appeal to emotion.
In a passage from William Shakespeare’s Othello, Iago dramatizes a subsequent conflict between Othello and Desdemona when he warns the former of a green-eyed monster, the manifestation of jealousy. As the play progresses, Othello becomes more like this beast that Iago told him about. Instead of being the honorable and respectable character he was, Othello now displays a more questionable personality, one that causes him to doubt his wife of infidelity. Even though Iago does play a role, it is mostly due to Othello’s insecurity that transforms him into a monstrous person.
Oliver Parkers film interpretation of Shakespeare's Othello uses cinematic techniques to express to the audience two major themes present in the original play. Appearance verses reality and racial discrimination are both significant themes that Parker focuses on throughout the film. Through the use of camera angles, language, tone, symbols, costuming and voice-over, Parker conveys clarity of the themes for the audience to interpret.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.
...race, beauty and status put her on a pedestal like a goddess allowing him to idolize her and therefore never truly deserve her. Beneath his noble persona on display for all to see, the idealistic view of his wife, leads him to believe that she will never be able to fully reciprocate the love he has for her. Iago’s exploitative tactics used for revenge trigger Othello’s fatal insecurities to surface for the ultimately climactic ending in which he smothers Desdemona with a pillow before discovering “honest” Iago had been deceiving him, as well as the majority of the other characters, the entire time. Outraged, Othello attempts to stab Iago as revenge for being manipulated into killing his beloved wife, however when his hasty murder attempt fails, the heartbroken and worn-out man stabs himself next to the already dead Desdemona, whom he never believed he was worthy of.
There exists a kind of person who can be called by no other name than by “Magnificent Bastard”. They are masters of deception, bloody brilliant, unstoppable in achieving their goals even when it means grinding others into the dust, and yet they have such a flair, such a charming disposition, that they are often admired by even those who are wronged by them. Iago in Shakespeare’s play Othello is one such character. The audience may love or hate him, but either way they must admit that he commands the spot-light. In spite of this, the reason why Iago acts as he does is shrouded in mystery. Even when directly speaking to the audience about his motivations, Iago is not always truthful. In reality, while Iago derives great pleasure from manipulating others, his driving motivation throughout the entire play is his own jealousy; from being unrecognized for his greatness, to an impossible love for Desdemona, and of the virtuous characters all around him.
11 Dec. 2011. The "Othello". Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht.
Although in William Shakespeare's tragedy Othello, Iago initially provokes Othello’s insecurities and anger towards Desdemona, it is Othello’s lack of self confidence that make him responsible for the murder. Despite being a foreigner from Africa, Othello has gained his war hero reputation and greatness from his excellence on the battlefield. He earned the respect from his troops and when dealing with military matters, his confidence is at it’s peak. Othello’s insecurities are put into the background while he receives this war hero fame, however, Iago is able to poke at these hidden feelings and slowly break down Othello’s character. Othello’s lack of confidence is considered one of his biggest flaws, eventually causing the death of Desdemona.
One notable difference between William Shakespeare’s The Tempest and Julie Taymor’s film version of the play is the altered scenes that made quite a difference between the play and the movie version. This difference has the effects of creating a different point of view by altering the scenes affected the movie and how Taymor felt was necessary by either by keeping or deleting certain parts from the play. I use “Altered Scene” in the way of how Julia Taymor recreates her own point of view for the movie and the direction she took in order to make the audience can relate to the modern day film. I am analyzing the way that the altered scenes changes to make a strong impression on the audiences different from the play. This paper will demonstrate
Othello’s true flaw is not vile, destructive jealousy, but rather pure and prevailing love. He has a very strong character of virtue and nobility that is intact up to the horrid end. Iago’s deceit and trickery are more the cause of Othello’s tragic fall than any fault of Othello himself. This innocence and greatness of the tragic hero unequaled in any other Shakespearean tragedy is what gives the play its terrible irony and passion. Othello plays on the most powerful of all human emotions: faith and love, both embodied to the fullest in the great and honest Othello.
Shakespeare uses Iago and Othello as the main characters of the play, showing how Iago manipulates Othello into believing his wife is cheating on him. Iago, or “honest Iago”, the villain of the play, a perfectionist at manipulation, that manages to influence people into thinking his deceitfulness is an act of honesty. He spends all of his time plotting against Othello and Desdemona, eventually convincing Othello that his wife has been cheating, despite the fact that Desdemona has been completely faithful. Othello, Venice’s most competent general, and the protagonist of the play. He was a noble and respected war hero, and a loving husband, however he was the target of Iago’s atrocities, which lead him to become an irrational, violent, and insanely jealous husband who murders his own wife at the end of the play.