Orson Welles' Citizen Kane
Having success the first time around is very uncommon. Orson
Welles's first feature film richly realizes the full potential
of excellent craftsmanship. Citizen Kane is almost indisputably the
greatest achievement in the history of filming. In 1941, this film was
considered by many as the best film ever made. This film is about the
enormous conflict between two twentieth-century icons, publisher
William Randolph Hearst and the prodigy of his time, Orson Welles. The
rather overwhelming beginning of an opening sequence is still as
electrifying as any in the history of movies. That tarnished sign on a
forbidding black wire fence is the first thing we see in Orson Welles'
Citizen Kane. Citizen Kane is a movie about perception and
projection. Indeed, with the complex theme the whole movie seems to be
placed in a kind of psychological trauma for the viewers. Citizen Kane
is a portrait of a public and private figure that remains tantalizingly
unfinished. Excellent acting was revealed for the first time as these
new roles played out. Orson Welles was a director ahead of his time
and his portrayal of Kane shows his acting ability. This film is one
of the first films to rely heavily on style and visuals, Citizen Kane
uses camera, lighting, and set techniques to show Kane's rise and fall
from power. The movie as a whole -- though as artistically satisfying
as a picture can get -- also leaves us with certain unexplicated pieces
of Kane's life that only we, as viewers of Citizen Kane, can put
together for ourselves.
There's no doubt that Citizen Kane is a great movie. It is a
pioneering film that forever changed film making. Its plot is
one of the most creative and original in all of movie history. Citizen
Kane is a brilliantly made film. I can't really take the full impact
of it because it was made in 1941, and all the film techniques Welle's
used, are used frequently today. Nowadays, a film has to be
emotionally involving and have an original plot to get recognition.
But back in the 40s, no one had ever seen some of them before, and so
it was new and original.
Conversely, the film features rapid montage sequences
permitting sudden ellipses of time and space for the first
time. This was a special technique that Orson Well used time
progressing. Opening and concluding with the famous NO TRESPASSING
sign outside of his palace, Xanadu, the film depicts newspaper giant
Charles Foster Kane's economic and spiritual rise and his eventual
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in this work of art is totally unconscious of the stage she is on and the front line situate its eyewitness involves. Its semi-sexual story is resounded in Rear Window, and it catches strikingly the experience of living in New York: the a large number
...be protected from sin and evil. Paul goes on to say pray for the Lord’s people and to also pray for him as well. Chapter 6 ends with a conclusion where Paul gives Tychicus the authority to bear this epistle and he considered him and faithful servant of the Lord. The end if concluded with grace and love from the Father and the Lord Jesus Christ.
As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...
Psycho is an American horror film directed by Alfred Hitchcock in 1960 based on a 1959 novel with the same name. Alfred Hitchcock typically uses certain elements in almost all of his films. In Psycho the following elements appear; blonde woman, conversation that is not important to the story, alcohol, Hitchcock appearance, Mcguffin, pursuit, the camera looks around, a P.O.V., creating suspense by letting the audience in on a secret, mother figure, birds, stairs, and a narrow escape.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.
Costanzo, M., & Krauss, D. (2012). Forensic and Legal Psychology: Psychological Science Applied to Law. New York: Worth Publishers.
There is one name that comes to mind when you think of a great director of the suspenseful film industry. That name that you immediately think of is Hitchcock. Sir Alfred Hitchcock is the greatest director there is for intense movies, and he is the master of suspense. Hitchcock did things with movies that other directors can only dream of accomplishing. He directed many major films in his career that a lot of directors can’t even get close to.
Roesch, R., Zapf, P. A., & Hart, S. D. (2010). Forensic psychology and law. Hoboken, N.J.: John Wiley & Sons.
Forensic psychology is one of the newest sections of psychology and has been recognized by the American Psychological Association (APA). Psychology is known as the science of mental processes and behavior. The term forensic means different scientific techniques and tests that correlate to a discovery of a crime. When combining the two together, forensic psychology can be defined as “The use of psychology in evaluating mental processes and behaviors within the application to several justice systems” (Bartol & Bartol).
Brigham John C., What is Forensic Psychology Anyway? , Law & Human Behavior, Vol. 23, No.3, pg. 274-275, 1999.
Using Forensic Psychology “Comes from the word "forensic" comes from the Latin word "forensis," meaning "of the forum," Where the law courts of ancient Rome were held” (ABFP). Having many different branches of forensic psychology in 2001 the American Psychological association named it a branch of clinical psychology. Forensic psychology is the study or practice of the law and expands to all aspects of law enforcement. Working closely with the court forensic psychologist is typically appointed to assess the client and their mental state, and determine the client sanity level before entering the court room.
The world knows him as the Master of Suspense. He has also changed the way people look at film. Alfred Hitchcock was born at the turn of the century in England. His was raised in a very religious upbringing. He went to college at the University of London only to leave after the death of his father and to support himself he worked for Henley Telegraph and Cable Company as a technical clerk. His skills at this job would only propel him into the world of the film industry. His attention to the tiny details helped him land his first films at Players-Lasky Corporation. He would go to Germany to work on his first two films where he would meet his future wife, Alma Reville, also a film director and editor. Hitchcock and his wife are later married
Police psychology is broadly defined as the application of psychological principles and methods to law enforcement. With the popularity of television shows like Criminal Minds and Law & Order: SVU, the job of a police psychologist has become more well known and even popular. As seen on these shows, a police psychologist can be helpful in profiling a criminal, but they also provide many other services to the members of a police department. Although the development of this field has a long history, police psychology as a separate entity is still relatively recent and growing. This intimate relationship between psychology and law enforcement can be traced back to almost a century ago.[1] It first developed out of a need for a variety of psychological services in the law enforcement field, including screening applicants and counseling during grief and stress situations. In the time that it has been around, it has proved to be a valuable resource for the law enforcement profession.
“The Great Dictator”, an elegant speech composed by the magnificent Charlie Chaplin, was a particularly moving one that has gained widespread recognition and praise since it was given back in the 1940s. On the surface, it appears as if Chaplin is directing soldiers to think for themselves and to break away from dictators’ indoctrination, as “dictators free themselves but they enslave the people!” is a line that is reprehended throughout the speech. Further analysis of Chaplin’s speech seems to reveal, however, that he rather wants the soldiers to break away from the deeper aspect of tyranny that has been embedded within them, essentially controlling them. Chaplin wants the audience to take action and think for themselves; to help one another and to save humanity from war using three key rhetorical tools: ethos, organization and pathos.