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Alfred Hitchcock biography
Alfred Hitchcock biography
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There is one name that comes to mind when you think of a great director of the suspenseful film industry. That name that you immediately think of is Hitchcock. Sir Alfred Hitchcock is the greatest director there is for intense movies, and he is the master of suspense. Hitchcock did things with movies that other directors can only dream of accomplishing. He directed many major films in his career that a lot of directors can’t even get close to. Hitchcock was truly a remarkable. Alfred Hitchcock was born in London, England to very strict, Catholic parents. He was obese as a child which was one reason he had a very sheltered and lonely childhood. Alfred’s parents did not help the situation at all. They had very unusual ways of punishing young …show more content…
Alfred. He once told how his mother would force him to stand at the foot of her bed for several hours a punishment. This is important and left an imprint on Hitchcock’s life. A scene for one of his most famous movies is just like the punishment his mother gave him. He also remarked that his father asked an officer to put him in jail for about 10 minutes for behaving badly. All the harsh treatment and neglect he received would later become a big influence on Hitchcock’s films. (Alfred Hitchcock Biography, Document 1) There is a Jesuit school called St. Ignatius College that Hitchcock attended, and took art classes, before he attended the University of London. Eventually a cable company called Hanley’s hired Hitchcock and gave him a job as a draftsman and advertising designer. Alfred started to submit short articles for the in-house publication while he was working at Hanley’s. From his very first piece it was obvious that Alfred was into suspense. He employed themes of conflicted emotions, false accusations, and twist endings with impressive skill. When he first entered the film industry he was in a full-time position designing title cards for silent films at the Famous Players-Lasky Company. It wasn’t long and Hitchcock was working as their new assistant director. All of the many things he done as a young man truly show how gifted he was for suspense. (Alfred Hitchcock Biography, Document 1) Hitchcock, in 1924, was the assistant director for a movie shot in Berlin called The Blackguard (1926). Germany had extraordinary sets, and the German filmmakers used sophisticated camera pans, tilts, zoom, and tricks for forced perspective in set design. Hitchcock made sure he took advantage of the German’s technology and all the skills that the German filmmakers had. The Germans used dark, moody thought-provoking topics such as betrayal rather than adventure, romance, or comedy. Hitchcock really took to this kind of filmmaking. In 1925, he got his debut as director for The Pleasure Garden (1926). (Alfred Hitchcock, Document 2) Hitchcock left England in 1939 and started his journey to Hollywood. Rebecca (1940) was the very first film he made in Hollywood, and it won an Academy Award for best picture. Psycho (1960), The Birds (1963), and Marnie (1964) are just some of his most famous films. Hitchcock’s movies became recognized worldwide for their depictions of violence, although many of his plots were just to function as decoys meant only to serve as to in order to understand complex psychological characters. Many things that Hitchcock did made him a cultural icon. He had cameo appearances in all of his own films. He had his own television program called Alfred Hitchcock Presents (1955-65). All of his interviews and film trailers helped majorly with his popularity. (Alfred Hitchcock Biography, Document 2) Hitchcock’s tremendous career spanned over six decades. In all those years he directed more than 50 feature films. He left an imprint that every person in the film industry will never forget. In 1979, Alfred received the American Film Institute’s Life Achievement Award. Hitchcock died peacefully in his sleep in Bel Air, California one year later on April 29, 1980. (Alfred Hitchcock Biography, Document 2) Psycho (1960), Alfred Hitchcock’s powerful, complex psychological thriller, is the “mother” of all modern horror suspense films.
This movie single-handedly ushered in an era of inferior screen ‘slashers’ with blood-letting and graphic, shocking killings. This was Hitchcock’s very first horror film, and since it debuted he has been labeled as a horror film director ever since. It was a low-budget film, only costing 800,000 dollars. Although it had a low-budget, it was brilliantly edited. It was a stark black and white film. Psycho also broke all film conventions by displaying its leading female protagonist having a lunchtime affair in her sexy white undergarments in the first scene. It also had a brilliantly edited shower murder scene. It was truly a master piece and will remain a master piece as long as it stays around. (Psycho (1960), Document 3) Sir Alfred Hitchcock is the greatest director there is for intense movies, and he is the master of suspense. It would be extremely hard for someone took take that title from Hitchcock. He has directed over 50 feature films, including maybe the greatest suspenseful horror film of all time. Hitchcock had many influences throughout his life that affected the way he directed and helped him master the art of directing horror films. Sir Alfred Hitchcock is truly amazing and there will never be anyone that could ever compare to him. Hitchcock truly is in a league of his
own.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.
...ormation of novel to film, sees Hitchcock’s responsibility as auteur. Suggesting Hitchcock as ‘creator’, attributes to Vertigo’s “perfection” (Wood, p.129) as Wood argues. Stylistic features known classically to Alfred Hitchcock movies is also what defines Hitchcock as a classic auteur, his style generates a cinematic effect which mixes effectively with his use of suspense. In returning to Cook’s discussion, she references Andrew Sarris, who argues that the “history of American cinema could be written in terms of its great directors,” (Cook, p. 411) showing the legitimacy of authorship in popular American cinema. Ultimately Cook goes on to address the changes in authorship from the 1950’s until today, featuring developments in authorship within Cinema. Overall, both Cook and Wood presented a balanced discussion on the legitimacy of Alfred Hitchcock’s auteur status.
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
Hitchcock’s techniques in North by Northwest to create suspense is unquestionable, because we have seen some of the elements of the mise en scene and camera shots he used to keep the audience guessing throughout the film. The film is “the wittiest, most sophisticated thriller ever made” (Ehrenstein par1). The film have “extraordinary technical skill or martini-dry sense of fun” (Ehrenstein par2), therefore, it is clear that North by Northwest is one of the most suspenseful movies of all
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Alfred Hitchcock developed his signature style from his earlier works The Lodger and Blackmail. These films were the framework for his signature films later on. His themes of “an innocent man who is accused of a crime” and “the guilty woman” were first seen in these two films and are repeated throughout Hitchcock’s cinematic history
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
In conclusion, all these factors made Vertigo a great film and made it much more enjoyable for the audience. All the Hollywood Classical Film characteristics that are used in the film enhance the power of Vertigo. Everyone should see Vertigo, since it is a perfect example of a Hollywood Classical Film. In my opinion Alfred Hitchcock was a genius and Vertigo is one of the greatest Hollywood films ever created.
The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Studies of the Auteur Theory in film have often looked toward Alfred Hitchcock as an ideal auteur: an artist with a signature style who leaves his own mark on every work he creates. According to the theory, it does not matter whether or not the director writes his own films, because the film will reflect the vision and the mind of the director through the choices he makes in his film. In the case of Hitchcock’s earliest films when he was still under the control of his producers, there is still a distinct stamp upon these images. Hitchcock has said that he was influenced by the German Expressionists, and admired their ability “to express ideas in purely visual terms”. It is this expression of thought and psychology that Hitchcock achieves throughout his films, even early on. Even the psychology that is in the films can be particularly a signature of Hitchcock - critics have found throughout his films a fascination with wrongful accusation and imprisonment. They are present in even his earliest films. A particular sequence of Hitchcock’s 1935 film The 39 Steps bears the mark of Hitchcock through the visual expression of the fear of wrongful accusation and confinement.