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Narrative techniques
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Throughout life, certain phrases and situations seem to reoccur with the same uniformity as if it were occurring for the very first time. Whether it is a coach’s motivating speech that you can recite after hearing it year after year or the principal’s first day of school disciplinary commands that you can regurgitate like your favorite theme song; so many situations in life have become cliché, uniform, and most of all mundane, but that is what I believe Orozco perfectly captures in his short story “Orientation”. Specifically, Orozco captures this mundane concept by the lack of dialogue and the repeated use of common-sense statements such as, “This is a microwavable oven. You are allowed to heat food in the microwave oven” (52). Additionally, the repeated use of the pronouns this, that, these, and those highlights uniformity because by constantly referring to objects as this or that, I believe Orozco is identifying an underlying action we as humans commit; how often do we view decisions and aspects of life as this and that …show more content…
While she admits that some days one will have to cram 12 hours of work in an 8 hour workday, the narrator also admits that some days one must expand a 1 hour workday to fill the 8 hour quota. Orozco hits the nail on the head with this rule because when one thinks of work in America, does it not entail that it should be 8 hours? I believe so and Orozco recognizing that some days will be crammed while other days will be spent essentially idling speaks volumes about how the typical workday. Why do we not work at our own pace and have days longer and shorter than others instead of filling this illogical 8 hour quota? In conclusion, Orozco’s “Orientation” comically depicts a fictional orientation. Nevertheless, throughout this piece, Orozco pinpoints certain parallels that are comical yet unequivocally evident in the American
This is critical for the readers to know the show the bias, injustice, and premeditated ignorance of the United States educational system. It also demonstrates that Chicano Studies is not important regardless of the Hispanic population in this supposed “free” country. It seems as if the Chicano Studies was made only to fail by keeping it under funded and understaffed. By doing so, it has an affect on keeping away good scholars to maintain the historical development of Hispanics in the United States as well as its own history.
What do many important things “inevitably,” have in common? (Klosterman, 136) The answer to this question can be found in the essay “Being Zach Morris,” (Klosterman). In the essay, the author and narrator, Chuck Klosterman, provides anecdotes from his early adulthood. The topics discussed throughout the essay include Klosterman’s experience making mixtapes and the role of a once popular television series. The point of these anecdotes is to serve as proof of his theory that “important things are inevitably cliché,” (Klosterman, 136). A major theme present throughout the essay is psychoanalysis. To help the reader to better understand the anecdotes and why they were included, Klosterman analyses the thoughts and feelings of his peers, as well
Daniels history of starts in 1957, being born to Nicaraguan immigrants who worked union jobs at San Francisco Bay Area candy factories. Daniel grew up in Daly City, California and went to college at University of Stanford with his course work including pre-med, math, psychology, and film and broadcast communication. He worked throughout his younger years as an office assistant in San Francisco; this was where he worked up until his thirty’s. While working there, he got the inspiration and motivation to write, and this is where his famous short story “Orientation” came into light for him.
The Postwar Period in New York City was an intriguing time to read fiction in. The literature we read in this unit was the play “The Oxcart” by Rene Marques and novel “Manhattan Tropics” by Guillermo Cotto-Thorner. Each piece was set in New York City of Puerto Rican families trying to strive for the American Dream. In “The Oxcart” by Marques was a piece we lightly touched on. Although we only read Act III of the play it set a lot of focus on the dynamics of how America set in the characters. Juanita is considered a modern girl and not following the standards of a Puerto Rican woman. She gets “gifts” for a “job” that is frowned upon her brother Luis. She isn’t like the women back home who would not act the way she does. Luis is
In today’s society, people are very quick to judge others based on what they look like or how they dress. Recently we have been studying “Martin”, a narrative essay, written by Nick Vaca. This narrative has many beneficial lessons within the story, but one message stands out more than the others. Vaca learns to make assumptions about people, as a result of his childhood experience with Martin.
While writing, authors use a variety of literary devices to allow the reader to comprehend the main idea that needs to be taken from the story. Included in these literary devices is diction, and diction is crucial in the author’s development of the tone and theme that is produced. Without precise word choice, the reader would not know what kind of emotions to feel or what kind of ideas to think about the piece of writing. In the futuristically set short story, television runs everybody’s lives, and nobody can be who they are anymore due to their sitting in front of a television screen. The use of Bradbury’s selective wording throughout his story leads the reader to step into an eerie, yet strangely familiar setting. In the short story, “The Pedestrian”, Ray Bradbury uses diction to emphasize the morbid tone displayed throughout the story line and to emphasize the overall theme that technology can replace individualism.
Tony Kushner, in his play Angels in America, explores a multitude of issues pertaining to modern American society including, but not limited to, race, religion, and sexual orientation. Through his diverse character selection, he is able to compare and contrast the many varied experiences that Americans might face today. Through it all, the characters’ lives are all linked together through a common thread: progress, both personal and public. Kushner offers insight on this topic by allowing his characters to discuss what it means to make progress and allowing them to change in their own ways. Careful observation of certain patterns reveals that, in the scope of the play, progress is cyclical in that it follows a sequential process of rootlessness, desire, and sacrifice, which repeats itself.
Diaz, Junot. “Fiesta.” The Heath Analogy of American Literature: Sixth Edition. Ed. Paul Lauter. Boston: Wadsworth, 2006. 4070-4080. Print.
In each of the authors essays in this book, is the truth of the smut and other things of the American ideal. You could say it is a liitle bit Weber's Protestant Ethic meets Larry Flynt. In each scenario, whether through agricultural facility and personal liberties, in the case of marijuana criminalization; immigrants in search of a better life, in the case of stigmatized farm workers; or punishing a successful businessman because of his lack of morals, Eric Schlosser returns to the unpleasant image of America as a bundle of hypocrisies.
Tan, Amy, and Samuel Cohen. "Two Kinds." Literature: The Human Experience. By Richard Abcarian and Marvin Klotz. 11th ed. Boston: Bedford/St. Martin's, 2013, 2010, 2006, 2002. 386-94.
Daniel Orozco surprises his audience with his exceptional short story, the “Orientation.” The story is about a job orientation for a new employee leaded by the narrator, who is another worker. Although the new employee is the main character, he is not important to the story, not even the job he is starting. Orozco never states the identity of the narrator or the main character, but he includes a number of details regarding the other workers’ lives. The “Orientation” is unique since it seems more like a conversation: the narrator, the only one who speaks, is having a typical discussion with the main character, the new employee. In my opinion, the unusual method Orozco uses to tell the story encourages
The fundamental conflict that led to their arrest and unfair trial was a clash between Mexican-Americans and the dominant White American culture. Acting as a host, El Pachuco is the spirit of the ideal, defiant Pachuco and serves as Henry’s Reyna’s alter ego throughout the play, intermingling past Mexican culture with the current Zoot Suit culture. El Pachuco serves as a corrective to illustrate the heavy biases that the court and media displayed throughout the 1940s against Chicano people. Through his constant interjections during the courtroom scene, and his final confrontation with the reporter at the conclusion of the play, he points out the injustices that Mexican-Americans had to endure. El Pachuco highlights each point in which the court discriminates or treats the Zoot Suiters unfairly.
In the simplest form, there is a basic structural pattern to narratives, as expressed through Tzvetan Todorov’s explanation of narrative movement between two equilibriums. A narrative begins in a stable position until something causes disequilibrium, however, by the end of the story, the equilibrium is re-established, though it is different than the beginning (O’Shaughnessy 1999: 268). Joseph Cam...
The very existence and success of Tony Kushner’s Angels in America suggests a decline in prejudice and an increase in tolerance. And while this forward movement has certainly occurred, the content of the play challenges the congratulatory and affirmatory outlook we may be inclined to offer the present, and rather suggests that inhospitality and impracticality characterize the present. Through a coupling of emotional resonances and a series of binary disruptions of the clear divides we rely on to navigate the world: right and wrong, heterosexual and homosexual, fantasy and reality, and past and present, Kushner debases our prevailing worldview as inadequate, exclusionary, and inaccurate. And as this emphasis on the shortcomings of our world
Personal experiences affect everybody. Just like in the stories “Abuela Invents The Zero” by Ortiz Cofer and “Home” by Anton Chekhov. Constancia and Yevgeny, from the stories, both have small problems that lead to dramatic changes in their values. Constancia values what her peers think of her and Yevgeny values work more than his son. The authors of “Abuela Invents The Zero” and “Home” have both shown how small moments can change a person’s values forever.