For my concert i had to attend I decided to go to the Wind Symphony conducted by Dr. Karen LaVoie which was help May 1, at Dever stage. When arriving I was kind of surprised by the large attendance and surprisingly Dever was having one of it’s cooler nights. At first I was surprised to see older people joining the students in the ensemble on stage but after looking through the program learnt these musicians were former Alumni. I love that idea of inviting alumni to still be apart of the symphony it allows students to learn from these people but also invites people from our community to come back to WSU.
First off being a former brass player I was drawn to watching this section during the performance. I use to play trombone and baritone, I couldn’t see much of the baritone so I mainly watched the 1st trombone. Growing up I learned that the brass is the beat and bass of the band and I was them doing a strategy I learned:
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tapping your foot.
Far more than any other section all trombone players had one foot tapping to the beat almost thought the concert. I was surprised to see the diversity of the ensemble, I thought a wind symphony would only have woodwind instruments and some string instruments but boy was I wrong. The most surprising section of the ensemble was all of the percussion players, I think i counted 6 plus the pianist. All of the percussion instruments were on display during the second piece Liturgical Dance by Hosinger, at one pint I heard a chimmy noise that I really liked and could not tell you how it was produced. My favorite piece was The Gladiator because I felt like I wanted to march and play along with that song, like most marching songs are suppose to inspire their crowd to do. I loved being able to hear
the different dynamics of the highness of the trumpet followed by the low bass of the trombone and that was on full effect during this piece. Another thing I was taken aback from was how half of these composers are still alive; in my ignorance I thought that no one still writes for symphonies and classical ensembles that all of the good writers write electronic music. But after really thinking of this I realized that without composers like this movies, commercials, and sporting events (organist) would be limited in what they could use as back music which would take away from all of these modern day uses of classical music. Like most non-music majors will admit I didn’t really want to go to the concert, but as soon as it started I was pleased. I thought it was going to be slow and sound like every other classical piece I ever heard but I was wrong. Being in the theater feeling the music’s bass is unlike any that a car can produce and that was my favorite part about being at this performance. Like I mentioned before the brass section I thought was great, watching them makes me miss playing a little. Lastly I really liked the conductor's choice of pieces because they really were very different from a lot of older classical pieces that we have heard and was evident by the vast change in dynamics throughout the concert.
On Wednesday, June 14, 2017, I had the pleasure of watching the Chicago Symphony Orchestra perform Symphony No. 9 in D minor, Opus 125 by Ludwig Van Beethoven. The original performance was recorded and put on YouTube, May 7, 2015, in honor of its first premier 191 years before when Beethoven decided to share his 9th Symphony with the world even though he couldn’t hear it himself. The symphonic masterpiece was recorded at the beautiful Symphony Center Orchestra Hall in Chicago and conducted by Riccardo Muti. The performance was completely deserving of selling out every single seat for one hour and twenty-two minutes. In fact, the musicians did not disappoint, Stephen Williamson was in the first clarinet chair, alongside colleagues Mathieu
On February 17th, I attended the “UIC Jazz Ensemble” at 7 in the evening. The concert was located at the Illinois room in Student Center East. The concert director was Mr. Andy Baker, and he is one of the music professors at UIC. Besides, he is a lead trombonist of the Chicago Jaz Ensemble, co-leader of the sextet BakerzMillion. He is also a first-call theatre and studio musician. The lights in the room were pretty dim, and the room was filled with audiences. I noticed that there were a total of nineteen musicians performing that evening, and a lady jazz singer accompanied the musicians throughout the concert. There were sixteen members playing the wind instruments, including the trumpet, trombone, saxophone, flute, and French horn. Some of them were standing, and some were sitting. Besides wind instrument, the concert also included a guitar, drum and piano into the performance. They were played by Edwin Garcia, Aaron Gorden, James Wenzel and Will Gingrich respectively.
“You gotta play this piece like an English military band would,” said Jules during band one day while rehearsing the first movement of Gustav Holst’s Second Suite in F. “1. March” begins with four notes played by the low brass which is then echoed by the upper woodwinds. The trumpets have a noble melody which broadens when the entire ensemble joins in. Next, the piece lightens up with an upper woodwind melody. Later on there is a euphonium solo, and following that is a grand theme with an extremely distinguished style. After, there is a change in style and time signature. One simple theme repeats with different dynamics and instrumentations every repetition. The Wind Ensemble played this piece at the Winter Band Concert on December 11, 2013. This work, though easy looking at first glance, was genuinely difficult to put together. It had few layers, so mistakes or intonation problems were extremely noticeable. Furthermore, the style of the piece was extremely intricate and hard to master. Therefore, “1. March” had positives and negatives regarding intonation, balance and blend, articulation, style, and dynamics throughout the entire ensemble and the low instrument section.
Overall, I was very impressed by the concert and I feel that the rest of the audience was also. The expectations for the members of the Chamber Orchestra are high and those were met but I feel that the expectations for the choral group were not as high. My expectations for the choir were not very high and they were immensely exceeded. The level of talent in that group was something that I was really not expecting at all. Emotionally, I was brought in by The Lord Nelson Mass and it was an interesting experience. Technically, I feel that everyone was flawless though I do not have a lot of experience in music. The type of music performed will never be my favorite; however, it is something that I can really appreciate.
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
The rest of the trumpet section was also very lively; I felt they carried the main theme in almost every song which certainly kept me interested in the performance. The conductor kept the band on time, and to me they never missed a beat. One could tell they were certainly well rehearsed and truly knew how to use their instruments. A lot of music these days has become focused on generating the catchiest lyrics or chorus, so seeing this jazz ensemble was very refreshing. I was delightfully surprised to see such remarkable music talent at a performance of that size and caliper.
The Boston Symphony Orchestra was a group I just did not know that was out there in the beginning. The opportunity to explore such a historical symphony will make me continue to explore others. I thought it was absolutely inspiring that Andris Nelsons had his wife perform along his claimed orchestra. It showed lots of long lasting love for music in a couple. The symphony itself is honored to have Andris Nelsons as a
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
One performance that stood out to me during the concert was a song called Sinfonia #3 by J. C. Bach (Wind Ensemble Concert program). The reason I enjoyed this song was because it was performed by nine saxophone players. I would say
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
The Los Angeles Philharmonic Classical Music Concert Report. I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias, who was the conductor, and Martin Chalifour, who was the LA Phil commanding Principal Concertmaster and Bach violin player.
The event I attended was “An Evening of Jazz” concert held at the Fine Arts Hall on November 17 at 7:30 p.m. The performing groups were The Santa Fe Rhythm and Blues Review, The Santa Fe Jazz Combo, and Santa Fe Big Band. The event was to for me to understand, experience Jazz music and know the instruments used.
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
Attending for the first time at a jazz concert was a great experience; it was performed at the Wolfson Campus. The instruments that took part of it were the drums, piano, saxophone and bass. The piano was the one that mostly called my attention, the pianist was Lynne Arriale, even though at first she had troubles adjusting the amplifier, the melody and rhythm of it was perfect, it made me want to follow the rhythm during the whole concert. The swing and syncopation, improvisation, bent notes and modes helped to keep a great rhythm during the whole performance.
The final and twelfth piece was made up of excerpts from a longer work called Five Short Pieces for Clarinet and Bassoon. To me, maybe because the concert was beginning to get long or maybe because I did not have many notes over it, the last piece seems fairly similar throughout its movements, or “Short Pieces.” The first was an up-beat piece with a distinct melody. The clarinet and bassoon alternated, with the clarinet playing the higher notes. The second movement had a have complete feel to it. The two instruments played at the same time, close to it. The third movement was an impressive sounding mix of ups and downs. It seemed that the performers were working very hard and it sounded very complex.