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Essay about evolution of the opera
Evolution of opera
Opera history paper e
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Question 1: The development of Opera through the ages varies in many ways. What was going on in the world at the time changed the way the music was produced and the operas over time changed immensely. The main elements of opera are the overture, recitative, aria, chorus, and ballet. The genre of opera was developed by Henry Purcell, he created an english version of Opera. Opera started in the late renaissance era and continued through baroque, classical, romantic, and modern era. Opera became one of the most significant new genres in the Baroque Era. A well known composer in the Baroque Era was Henry Purcell, he wrote the glorious opera Didos and Aeneas. Early operas would be used to honor royal weddings and similar celebrations. In the classical era operas were affected by extensive social changes …show more content…
A famous composer in the classical era was Wolfgang Amadeus Mozart. One of mozart’s most known chamber works is Eine Klein Nachtmusik, translated it is A Little Night Music. In the romantic era the operas experienced an enormous transformation. It was bringing together and connecting drama and music. It was combining feelings of emotion of love, passion, and tragic deaths. A acclaimed composer in the romantic era was Frank Schubert, one of his most renowned works was Elfking. In the modern era operas started evolving with the times. A distinguished modern composer was George Gershwin, who wrote the folk opera Porgy and Bess.
Question 2: There are several musical changes in sacred music between the middle ages and renaissance era. During the middle ages sacred music was used in the catholic church
Wolfgang Amadeus Mozart and Ludwig van Beethoven are very famous past composers that have created many pieces that have influenced not just people of their time, but people in modern times as well.
Some of the most well known composers came to be in the in the classical music period. Ludwig van Beethoven was one of the composers, along with other greats of the time like Haydn and Mozart, which helped to create a new type of music. This new music had full rich sounds created by the new construction of the symphony orchestra.
John Warrack, author of 6 Great Composers, stated, “Any study of a composer, however brief, must have as its only purpose encouragement of the reader to greater enjoyment of the music” (Warrack, p.2). The composers and musicians of the Renaissance period need to be discussed and studied so that listeners, performers, and readers can appreciate and understand the beginnings of music theory and form. The reader can also understand the driving force of the composer, whether sacred or secular, popularity or religious growth. To begin understanding music composition one must begin at the birth, or rebirth of music and the composers who created the great change.
McGee, Timothy J. Medieval and Renaissance Music: A Performer’s Guide. Toronto: University of Toronto Press, 1985.
Wolfgang Amadeus Mozart is one of the most renowned composers of the classical period, who has, over the course of his lifetime, composed hundreds of popular works including sonatas, symphonies, masses, chamber music, concertos and operas.
I imagine in the future a new wave of opera will surface. We will see more use of robots, computers, social network, and virtual reality. We might see breakthroughs in stage design, such as a circular stage. We will see opera performed under different settings. Shows will become even more interactive, adaptable, personal, and modular. All in all, we are seeing a transformation in opera. The challenge lies in keeping the essence of the art of opera and striking a balance between modernization and preservation, so that it can continue to engage its audience yet distinguishes itself from all other types of musical performances.
During the classical era the social function of music began to change from earlier aristocratic and religious connections toward more public and secular activities associated with the middle class. The rise of public concerts, the spread of commercial opera houses, the growth of music publishing, the increased number of musical pieces composed and played were all direct effects of the changing musical times.
Opera in the Romantic Period was a time when opera changed drastically, especially in the country of Italy. The recognition of singers as being important, almost irreplaceable, in the art of “bel canto” opera changed the idea of a vocalist in opera forever. A singer’s voice was prized and Italian composers, like Rossini, Donizetti, and Bellini wrote operas and works to showcase the voice, it’s color, range and agility. These Italian composers were moving away from the normal style of composition of the time, and the composer Rossini, who set the stage for many other followers. Many of the operas written during this time are still performed today and are highly acclaimed. For the most part, before Italy became a main player, France and Germany were the main areas for music. These composer’s lives were extremely important in the development of the romantic period of opera and they really put Italy in the eye of the public for their amazing operas and musical styles.
During the nineteenth century, opera stories most of the time had a theme of passion and romance. That is one of the reasons that this century is also called the Romantic Era. What is an opera? Opera is a theatrical work that is set to music for people to sing. People that sing regular music probably never tried to sing opera because the singers never had a microphone to use and the opera houses that they did the operas in were big
Mozart, Beethoven and Joseph Haydn are considered the three main composers of this time. The Classical Period took place from 1750-1820. During this time, scientific advances changed the world view. People gained faith in the power of reason and began undermining traditional authority. Music and visual arts stress balance and structure. String, woodwind and some keyboard and brass instruments were used in this era. Classical music shows a contrast in mood, both between and within movements. It also shows flexibility in rhythm, by using multiple rhythmic patterns in a piece. Classical music is mostly homophonic, but with frequent shifts. Classical music also has a tuneful, easy to sing melody. Emotions were expressed in shades of dynamics, which was related to the development of piano. In the Classical era, orchestras grew in size (though they’re still smaller than today’s). Instruments worked in four movements: fast (first), slow (second), dance-related (third), and fast (fourth). Public, ticket buying concerts became common and the rise of the music instrument manufacturing industry began. Vienna became a place where musicians came to study and seek recognition. The most common compositional forms during this time were sonatas, concerti, and
When approaching a performance, accomplished musicians often consider the historical context from which a piece originates. They most often think of such considerations in the application of that context as it pertains to early music that is, the Baroque era or earlier. For any era, such historical considerations are called performance practice, and may include the use of vibrato, ornamentation, dynamic levels, tempi, instrumental timbres, performance setting, and balance. Vibrato and ornamentation are two important areas of consideration that vocalists must explore when aiming to give an authentically Baroque performance.
In many respects, and with hindsight, it seems natural that the Romantic composers and writers would take a new direction in their approach to expression, reacting against the classical and neo-classical ideas of reason and order from the previous age. It was a revolt against classicism, and against the pre-prescribed rules that defined it. The main catalyst for this change was the French Revolution in 1789, where the French monarchy and aristocracy was overthrown by a rebellion of the people and France became a republic. This, in a musical sense, had an immediate impact on French opera, with the emphasis of the stories now beginning to be drawn into the present as opposed to the ancient world, and the old hierarchy of the Gods and feudal systems. T...
Some of the famous composers of this time period were: Rossini, Puccini, Wagner, Verdi, and Ernani. These composers brought their own unique ideas to opera that would change how we do things today. “Puccini was the last great Italian composer, who wrote among others Tosca (1900), Madam Butterfly (1904) and Turandot (1926)” (Opera History.org) These are some great works by Puccini and are still very famous operas today.
Other societal practice during romanticism is the Romantic Opera. In comparison to the classical and baroque opera, romantic opera has a continuous flow of music in each scene and soon, people pay less attention to tenors and pays equal attention to choruses. To name a few of many composers for romantic operas, Wagner and Bizet are known for their works for romantic opera during the romantic era. Romantic music is also influenced by folk music, tunes, rhythms and themes as many romantic composers wrote nationalist music, which is inspired from folk dances and songs, during the romantic period (http://absoluteastronomy.com). Another factor that contributed to romantic music in defining its traits is the instrumentation.
One of the leading composers from Italy who won the reputation than Ludwig van Beethoven during his generation was Gioachino Rossini. Also, he was a most influential opera composer at development of Italian opera. In the early nineteenth century, ideas of imagination and the individual emotion began to emphasis in music. Therefore, Rossini blended the opera buffa and seria traits into his opera works for making the opera more appealing, varied and more natural to human character. In Italy, the voice still remained the main figure of the opera than costumes, scenery and story.