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Analyzing Plato's allegory of the cave
Analyzing Plato's allegory of the cave
Plato's allegory of the cave summarized
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“A sensible man will remember that the eyes may be confused in two ways- by a change from light to darkness or from darkness to light; and he will recognize the same thing happens to the soul” (Plato 3). In a literal meaning, the term dark is defined as, “with little or no light,” and the term light is defined as, “the natural agent that stimulates sight and makes things visible” (Dictionary.com). However, when used in a piece of work, such as this one, darkness and light can be associated with an endless amount of meanings. For instance, by using imagery, any author can write a story about one event that’s happening, but have a deeper, more meaningful message that isn’t so straightforward. For example, in both Oedipus the King and “The Allegory …show more content…
of the Cave,” Sophocles and Plato utilize dark and light imagery to ultimately convey the dangers of ignorance and the power of knowledge. After analyzing both pieces of work, Plato’s work is more effective in conveying that message. In both, the characters have to realize how ignorant they are before they discover the truth about what is happening. “The Allegory of the Cave” is one work which demonstrates how the right use of imagery can convey a different message from what the story is originally leading us to.
In Plato’s short story, a group of men have been imprisoned in a dark cave their whole lives and know nothing else, only the shadows on the wall. This leads Plato into questioning, “What do you think he would say if someone told him that what he had formerly seen was meaningless illusion, but now being somewhat nearer and towards more real objects, he was getting a truer view” (Plato 2)? By using this example of light imagery, Plato is showing how knowledge is represented by the light. This is because when the men are in the dark cave they know nothing, only what their senses have been telling them. Plato is trying to get the point across that what you think you know can always be challenged by knowledge. At this point the man comes to the conclusion that everything he once knew isn’t what’s reality. However, the other men in the cave weren’t enlightened like he was, and when he came back down into the cave and his eyes weren’t used to the darkness and, “They would laugh at him and say that he had gone up only to have come back with his sight ruined” (Plato 2). He uses dark imagery representing the ignorance of these men. As mentioned above, the men only know sitting in the obsidian cave watching shadows on the walls, they don’t know about the light the man was exposed to or even the whole other world outside …show more content…
of the cave. They think the man can’t see right because being in the light ruined his eyesight, but really going back to being in the dark is what ruined it. By using both the light and dark imagery, Plato is explaining the importance of knowledge and how being ignorant can limit you to only see life one way. Ignorance and knowledge also tie into the theme of Oedipus the King. In Sophocles play, a man named Oedipus leaves the place where his parents rule in order to avoid a prophecy told to him. A blind man named Tiresias tells him that the prophecy states he would kill his own father and sleep with his own mother. Being the arrogant man he is, Oedipus thinks he has outsmarted the prophecy by leaving, and when the people of Thebes ask who killed their former king, Oedipus says, “ I will bring it all afresh. I will bring it all to light” (Sophocles 10). He believes he has the knowledge to solve the murder, but really he was the one who did it. Tiresias then goes on to say, “You have mocked at my blindness, but you, who have eyes, cannot see the evil in which you stand” (Sophocles 28). Tiresias is explaining how Oedipus is being so ignorant of his situation that even being a blind man, he can still see the situation more clearly than Oedipus can. Oedipus believes so strongly that the prophecy isn’t true, that when a shepherd confirms it, he stabs his eyes out. Sophocles uses light and dark imagery to convey the message that you can be completely blind to something you have done if you don’t have the right knowledge on the situation. In both of these works, light and dark imagery is used to portray the ignorance and knowledge of their characters.
After analyzing both, the conclusion can be made that Plato was more effective in conveying his overall message. The main reason for this is because Sophocles only uses imagery to show that Oedipus is blind to himself and his own actions, whereas Plato utilizes imagery to explain how the man is blind to the world because of his lack of knowledge. For that reason, Plato’s work was more effective because by choosing to describe the cave and making it symbolize ignorance, you can not only picture it in your head, but also understand the meaning behind the use of the cave. The same goes for when the man is exposed to the light for the first time and gaining knowledge. Plato made sure the reader was able to picture the cave by describing the darkness and the the fire giving off the only light, while also making sure we understood their lack of knowledge of the real world. He does this by saying, “They could only suppose that the sound came from the shadow passing before their eyes” (Plato 1). Plato is describing the prisoners lack of knowledge while also giving us something to picture in our heads. While Sophocles does give us some examples of this, his are more straightforward and they aren't used as frequently as Plato’s were. This means he didn't give the reader a lot to picture in their head, and there wasn’t as much of a turning point in his work where you
could slowly figure out the true meaning. Although not as effective as Plato’s work, Sophocles work does convey a deeper message through the use of light and dark imagery.
In Sophocles’ play, Oedipus, the King, there are various instances where Oedipus tries to escape his destiny—enlightenment—only to discover the truth that he cannot. Similarly, in Plato’s “Allegory of the Cave” the prisoner travails to understand and adjust to his newly visited environment. In both works, the men first had to realize their ignorance before they could begin to acquire knowledge and true understanding of the complexities of the human condition. Specifically, in Oedipus, the King, it was Oedipus’ illusion of himself as a man unequaled in leadership whereas in “Allegory of the Cave” it was the prisoner’s initial refutations of enlightenment being shown him until he realizes its intellectual, spiritual, and social significance.
In the Plato’s allegory of “ The Cave” the Shadow refers to the illusion of
The shadows in Plato's cave represent us, humans, and it is important to get out of the cave. We must be like the freed prisoner. The first step for the shadow is to "stand up and turn his neck round and walk and look towards the light, he will suffer sharp pains." (Plato 317) From total darkness to seeing light will cause great discomfort for the shadow at first. This is a change that will help the shadow to step out and later on to see the reality. We have to take the first step, or in order words realize the change that is happening. By accepting change we can then gradually start to improve and grow our knowledge. For the shadow, the change showed him truth and reality. For us, a change should also be something that we can learn from and seek truth. To do something we are not use to or new can be difficult, therefore we must learn to get use to and adapt to changes.
But as his eyes gradually began to focus to the light, he would begin to see images more clearly. The light enables the prisoner to see the true image and not just the shadow of the image. If this prisoner was to go back to the cave, he would find that it would be impossible to conform back to his old world. At first he would not be able to identify shadows because his eyes would not yet be adjusted to the darkness in the cave. If the returning prisoner were to tell the other prisoners about the light and that their shadows were not real images, they would not believe him and would accuse him of trying to disrupt their way of life. Finally, since the prisoner could no longer fit in, the others would be forced to kill him. Plato’s Allegory of the Cave is a symbol for the contrasts between ideas and what humans perceive as reality. For example, Plato would argue that ideas go beyond the physical world. Think of a cup. That
Though it takes time, the prisoner is able to adjust; Stephen Buckle writes, “Speak of ‘mental gaze’: an expression which evokes precisely the metaphor of a mental vision – of knowing as seeing with ‘the mind’s eye’ – that is a cornerstone of Plato’s allegory of the sun” (Buckle 313). Along with the “Allegory of the Cave,” comes the “Allegory of Light,” which serves its purpose of emphasizing Plato’s views, “The sun reaches its greatest development as a symbol in Plato,” (James A. Notopoulos 223). The light, moreover, serves as a means of finding reality, something the prisoner strives to do and teach his fellow prisoners about (finding the light). Additionally, the abstract understanding of both fire and light can be linked to Plato’s ideas of enlightenment. Plato writes, “Then, the release from the bonds and the turning around from the shadows to the phantoms and the light, the way up from the cave to the sun; and, once there, the persisting inability to look at the animals and the plants and the sun’s light, and looking instead at the divine appearances in water and at the shows of the things that are…” (Bloom 211). Furthermore, the concept of the sun serves an important element in the “Allegory of the Cave,” as it resembles a higher source, or as Plato would say, a pure form. Notopoulos writes, “He therefore found in the sun of Greek tradition a highly developed
To begin, Plato’s Allegory of the cave is a dialogue between Socrates and Glaucon and its main purpose, as Plato states is to, “show in a figure how far our nature is enlightened or unenlightened.”(Plato) The dialogue includes a group of prisoners who are captive in a cave and chained down, only with the ability to stare straight at a wall. This wall, with the help of a fire, walkway, and people carrying different artifacts and making sounds, create a shadow and false perception of what is real. This concept here is one of the fundamental issues that Plato brings up in the reading. “To them, I said, the truth would be literally nothing but the shadows of the images.” (Plato). These prisoners, being stuck in this cave their entire life have no other option but to believe what they see on the wall to be true. If they were to experience a real representation of the outside world they would find it implausible and hard to understand. “When any of them is liberated and compelled suddenly to stand up a...
Plato appears certain of what the "light" beyond the cave will reveal to the one who has made the journey out. Firstly it will provide a means of illumination that will expose the "real existence" of the world. In the brightness of the "light", everything would be seen in their full beauty instead of the vague impressions shadows create. He would receive accurate information about life and therefore dispense with the need to discern between the truth and the lie. Furthermore, he would also see himself in his own "proper place". He would no longer be confused about his identity, role in society or purpose in life, and could then carry out his duties confidently and effectively. Secondly the "light" itself also symbolizes the "idea of good". Since it is mentioned in the allegory that if one were to act "rationally", he would need to rely on the "idea of good". It ca...
“Plato's Simile of Light. Part II. The Allegory of the Cave (Continued)”, A. S. Ferguson, The Classical Quarterly, Vol. 16, No. 1 (Jan., 1922), pp. 15-28, Published by: Cambridge University Press on behalf of The Classical Association, Stable URL: http://www.jstor.org/stable/636164
Plato’s Allegory of the Cave, accepts that the there are two worlds, and that there is a difference between reality and illusion. The prisoners in Plato’s cave, were content with accepting what was presented to them as reality. As the one prisoner was able to gain more knowledge of the world he was able to accept that the ideas presented to him where not actually reality. Plato’s concept relates to the idea that without knowledge we will forever be trapped in a “cave”. Everything that is presented in life is not always reality. The more knowledge that people acquire the more truth that they are able to see. The world presents itself in two ways and as humans we must be able to decipher between what is real and what is not. Plato’s Allegory of the cave explains how as the prisoner evolved and was able to see a higher level of reality, he would not be able to become accustomed to the life that he once
The Allegory of the Cave and Oedipus the King are two very different stories. The Allegory of the Cave is about a single prisoner who is lead out of a cave he had been in since his childhood and sees the true light of day. Oedipus the King is about a man who wants to find the murderer in his city and all the secrets of his past come to light and lead to a tragic end. Hmm…maybe when you really think about it The Allegory of the Cave and Oedipus the King really are kind of similar. Along with comparisons, there are contrasts with these two stories. Both the philosopher and Oedipus didn’t realize they were in the darkness, but once they entered the true light of enlightenment, they became permanently blind. Although the philosopher is very reluctant
Plato believed in the power of forms more so over the objects we see every day. This belief is made evident in his allegory of “The Cave” in Plato’s “Republic”. Plato weaves a tale between his mentor Socrates and a theoretical student Glaucon. In it, Socrates describes a cave where several men have been chained and restricted to only a certain point of view since childhood. They are made to face a dimly lit cave wall and can only see shadows of forms cast upon the wall behind them from a bonfire from which, forms come and go via a pathway from the outside world into the cave that sits in front of the bonfire. These men take great pride in recounting details of the shadows displayed before them, even so far as to create a hierarchy among the prisoners of who possessed the most knowledge of the shadowy illusions. Socrates then shakes things
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
The cave image, in Plato’s reading, is expressed as an analogy for humans and our lack of education. Imagine a prisoner in a cave, chained and unable to turn his or her head and restricted to see only what is directly in front of them. What they are seeing are shadows casted by objects, people and animals behind them which are being illuminated by firelight behind and above them. The objects are carried along a low wall behind the prisoners. Occasionally the shadows speak, and the echoes of the words they speak reach the prisoners and they realize that they seem to come from the shadows. The prisoners can talk to each other, and they assume that the names they are using are the names to what they see and hear. The prisoners inside the cave
The saying goes that “a picture is worth a thousand words.” Perhaps it is fitting, then, that in his Allegory of the Cave, Plato uses the image of a cave to illustrate the effects of education on the human soul and how the symbolism represented in the allegory ties in to a broader discussion of one of Plato’s main philosophical ideas, the Theory of Forms. In the Allegory of the Cave, Plato (who is speaking as Socrates to one of his students, Glaucon) asks us to imagine an underground cave in which a group of prisoners have lived since birth. The prisoners are chained to the ground and are positioned in such a way that they can only stare at the cave wall in front of them. Thus, the prisoners’ world has been reduced to a world of darkness, and the only thing that is real to them is the shadows and echoes of passersby as they walk past the mouth of the cave. But, Socrates goes on to say, the reality that the prisoners perceive is a false one; it is only by being dragged