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The nature of heroism essay
The nature of heroism essay
The nature of heroism essay
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Once, a very long time ago, there lived a king whose greatest desire was to see and capture one specimen of the major fantastical creatures in his realm. Therefore, he called upon the great wizard Ildor to counsel with him on how to obtain his greatest want.
Ildor told the kind to send his three children to capture a creature each from the three races of magical beasts in the kingdom.
So it was that the kind sent his eldest son, Harbid, to seek the mighty dragon; his youngest son, Calidor, to find the clever gryphon; and his only daughter, Fymere, to capture the graceful unicorn.
The chosen three set off the next morn. Harbid, clad in steel and bearing a great spear, mounted his black charger and rode off for the stony plateaus. Calidor rode his high-stepping steed off into the mountains, wearing a leather hide and bearing a scimitar. Fymere took off for the woodlands, her bare feet and simple skirt wet with dew, and in her hand a small knife. The kind watched them departing from beside the cages he had prepared for the beasts.
Harbid reached the plateaus the next day. The black hooves of his steed sounded loudly upon the sooty rock. Upon the horizon, a bulge of rock stirred, and became a dragon.
Harbid halted his mount and called to the beast. “It is Prince Harbid! I have come to bring thee to an audience with my father, the king.”
The dragon stood, and his red scales gleamed as he made his ponderous way forward. The stones shook at his approach. Harbids’s horse screamed, rearing. Then, from within his own mind, the prince heard the high melodious voice of the dragon.
“Ye have come to challenge me?”
Harbid raised the visor on his helmet. “No, mighty one. My king wishes to see you.”
But the dragon was within...
... middle of paper ...
...or the girl, and of her noble heart.
Yet all three of them agreed that something must be done for the greedy king.
So it was that the very next day, the king was greeted not by his three children, but by three fearsome legends. They had come to deliver him a message. He saw it written I the unicorn’s bottomless eyes, he heard it from the clever beak of the gryphon, and he felt it within from the dragon.
And they said, “You have now seen us, human. But for your foolish want you have paid the price of your three children. Your race is always wanton and greedy, this we know now. You shall be one of the last to see us. From this moment forward, we will live to you only in imagination. And ever you will pine for us, but never again shall you see us. We will live, for you, only in tales and songs.”
Thus the beasts of magic and fantasy departed from our vision.
But the other men, who were like hook-clawed, beak-bent vultures,/ descending from the mountains to pounce upon the lesser birds;/ and these on the plain, shrinking away from the clouds, speed off,/ but the vultures plunge on them and destroy them, nor is there any/ defense, nor any escape, and men are glad for the hunting;/ so these men, sweeping about the palace, struck down/ the suitors, one man after another; the floor was smoking/ with blood, and the horrible cries rose up as their heads were broken.
Grendel and Saint George's dragon, then to the mermaids, trolls, and one-eyed giants of our fairy and
After fighting and winning many battles, Beowulf's life enters a new stage when he finally becomes king of his homeland, Geatland. Even in his old age, his code of honor still obligates him to fight against an evil, fiery dragon. For fifty years he has governed his kingdom well. While Beowulf is governing, the dragon "...kept watch over a hoard, a steep stone-barrow" (Norton 55). Under it lays a path concealed from the sight of men. Over centuries no one had disturbed the dragon’s kingdom until one day when a thief broke into the treasure, laid hand on a cup fretted with gold, which infuriated the dragon. "The fiery dragon had destroyed the people's stronghold, the land along the sea, the heart of the country" (Norton 57).
daughter Medea, who gave him a potion of wild herbs that would protect him from the fire. With the help,
In Mark Twain’s essay, “The Damned Human Race,” he uses a sarcastic tone in order to show that humans are the lowest kinds of animals and ar not as socially evolved as they think they are, making his readers want to change. In order to inspire his audience, Twain motivates them by providing specific comparisons between animals and humans. These satiric examples emphasize the deficiencies of the human race and entice them to change for the better.
Lewis includes many direct references to older Arthurian literature in his novel. The leader of his group of heroes is the former philogist Ransom, at first known as "Mr. Fisher-King," who has a wounded foot. The name and the wound are obvious reminders of the Fisher-King myth which produces the quest for the Holy Grail in Malory, and the allusion is further supported when for his meal he is served only "a small flacon of red wine, and a roll of bread" (Lewis, p. 149) -- reminders of the Last Supper and the resulting relics that the Fisher-King is associated with. Lewis' tale differs in that the Fisher-King is the same person as the Pendragon. Yet his tale also combines a quest for holy things (eldilic help through Merlin) to heal the sickness of the land with a great, climactic battle against evil, thus merging the two characters' functions as well as their attributes. Also, as in earlier versions of the story, the Pendragon disappears after his final battle is completed, and the crowning conflict itself takes place in a dense fog which obscures everything.
Beowulf consistently displays extreme confidence throughout the poem. As the story progress, Beowulf’s confidence remains the same. When anticipating his battle with the dragon, Beowulf evaluates himself, “I have never known fear, as a youth I fought in endless battles. I am old, now, but I will fight again, seek fame still, if the dragon hiding in his tower dares to face me” (606-610). While evaluating the possible outcomes of the battle, the King reassures his people, “no one else could do what I mean to , here, no man but me could hope to defeat this monster. No one could try. And the dragon’s treasure, his gold and everything hidden in that tower, will be mine or war will sweep me to a bitter death” (624-632). His determination and confidence are made
In Sir Gawain and the Green Knight and the Lais of Marie de France, the authors use animals as metaphors for human actions, and as characters. By analyzing the use of these animals, we are able to explore the meaning the authors were trying to communicate through specific scenes. The Book of Beasts, a translation by T.H. White (1984 ed.), provides a medieval standpoint when analyzing the use of animals in the Lais and in Gawain.
Yet this slave does more than stumble upon the dragon’s mound; he also “[handles] and [removes] a gem-studded goblet; it gained him nothing, though with a thief’s wiles he [outwits] the sleeping dragon” (ln. 2216-2219). Thus disturbed, the dragon is enraged. It is due to this slave’s selfish motives—and those of the men with whom he returns to pillage more—that the dragon’s wrath on people burns. Thus, out of revenge “[the] hoard-guardian [scorches] the ground as he [scours] and [hunts] for the trespasser who had troubled his sleep. Hot and savage, he ke[e]p[s] circling and circling the outside of the mound” (ln. 2293-2295).
“Beowulf,” a heroic epic passed down by word of mouth until the 6th century, tells of a brave soldier who gained glory by defeating different beasts. Beowulf, King of the Geats, chased riches and treasures every chance he got. His pride and desire for glory led him to Denmark to defeat the dreaded Grendel- a demonic beast who seeked vengeance for the intrusion of the Danes. Beowulf
There I was, Beowulf, standing tall and brave after the battle had ended. It was a bit strange to me seeing as I had once lived a very lonely life; I had killed other creatures before, I had fought small dragons, I had hunted wild boars, I had swam a race in the sea, but to me, this battle was much different. I had many villagers counting on me to defend their land. I prepared myself for everything, even the unthinkable, for seven days and seven nights in the halls of Hygelac the Geat. I had wished to go alone on this journey to slay Grendel and save Greatsland, but I was told to pick fourteen earls to take with me.
that the victim was his own father. Later, he successfully solves the problem. riddle of the Sphinx. Again, without knowledge, he marries the widow queen. of Thebes and his very own mother, Jocasta.
At the heart of a tale about slaying mystical creatures, scorning a goddess, and traveling to fantastical places, lies the narrative of a profound friendship between two men. In The Epic of Gilgamesh, an ancient Mesopotamian literary masterpiece, all of its events are centered around the development of the friendship between Gilgamesh, the tyrannical and stubborn king of Uruk, and the man created by the Gods to both complement and challenge his nature: Enkidu. Each of the three dream sequences in the epic represent different stages of Enkidu’s life – one portends his birth, another foretells the actions that will ultimately lead to his demise, and the final predicts his death. In the Epic of Gilgamesh dreams are utilized as a tool to develop and complete Enkidu’s role in the story; these dreams are the driving force of Enkidu’s life cycle in that they not only prophesize both his birth and death, but also provide insights into his ultimate purpose in the epic.
The exhibition I am designing uses a method of comparison, comparing real animals to mythical creatures. The intent is to arouse the imagination of the visitors in his or her personal journey of discovery, connecting with the real world to mythical creatures. Throughout my exhibition I will be providing detailed information of the real and mythical creatures. including where they are commonly found and live, their origin, and their physical attributes. giving audiences of all age groups a better understanding of the bizarre, powerful, and brave.
“Dragons. Four fully grown, enormous, vicious-looking dragons were rearing on their hind legs inside an enclosure fenced with thick planks of wood, roaring and snorting- torrents of fire were shooting into the dark sky from their open, fanged mouths, fifty feet above the ground on their outstretched necks.” (p286)