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Aristotle's theory of tragedy
Aristotle's theory of tragedy
Tragedies in greek mythology essay
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In most dramatic plays, tragedy usually strikes the protagonist of the play and leads him, or her, to experience devastating losses. While tragic instances can be avoided, there are other instances where one’s fate and future is out of the protagonist’s control. In Oedipus the King, written by Sophocles and first performed around 249 BC, Oedipus cannot escape his destiny and even though he tries to overcome and circumvent prophecy, he finds out that supernatural forces will get what they want in the end. Oedipus meets the criteria of a tragic hero set forth by Aristotle and his fate within the play demonstrates that one does not always have free will in their lives.
Traditionally, in Greek drama, tragedy is meant to reaffirm the concept that life is worth living and that people are in constant opposition with the universe. Action within Greek tragedies commonly comes from inner conflicts. These actions are also intended to create feelings of pity and fear within an individual (“Greek Theatre History Notes,” 2011). Greek tragedy also holds that the hero of the play, who is a good person yet not perfect, must fall from his or her position of nobility, grace, or power. Additionally, Greek tragedy contends that the audience must experience catharsis after tragic events happen and that the hero is left to face the world by him or herself (“Greek Theatre History Notes”). Aristotle defined tragedy as,
[An] imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its katharsis of such e...
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Oedipus the King, a tale of one man’s hubris, paranoia, and willingness to sacrifice his own happiness for the happiness of others. Does one man’s fate designate who he will become? Is it possible to change the fate we are given? Or no matter how hard we try, deep down, it is our qualities that force us to make our fates a reality? In Sophocles’s play Oedipus the King we see a man who tried his hardest to change his own fate at all cost, but because of his human qualities he actually forced his fate upon himself.
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
On a warm, Summer's afternoon, I sat in my room, a Wii remote clutched in my right hand and a Wii Nunchuck in the other.
Many times humans do things that contradict another thing they do. An example of this is one thing may be good but also bad at the same time. A person who has done this more then once is Oedipus in the writer Sophocles plays. Sophocles uses imagery like light verses darkness, knowledge verses ignorance and sight verses blindness.
Aristotle defined a tragic story as the adventure of a good man who reaches his ultimate downfall because he pushed his greatest quality too far. Sophocles advocates the definition in the tragic play Oedipus Rex. He develops the play with the great polarities of fame and shame, sight and blindness, and ignorance and insight to show Oedipus’ experiences in search for knowledge about his identity. Through his search, Oedipus pushes his quest for truth too far and ultimately reaches his doom. Oedipus’ reliance on his intellect is his greatest strength and ultimate downfall.
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
Oedipus Rex”, by Socrates, is a play that shows the fault of men and the ultimate power of the gods. Throughout the play, the main character, Oedipus, continually failed to recognize the fault in human condition, and these failures let to his ultimate demise. Oedipus failed to realize that he, himself was the true answer to the riddle of the Sphinx. Oedipus ignored the truth told to him by the oracles and the drunk at the party, also. These attempts to get around his fate which was determined by the gods was his biggest mistake. Oedipus was filled with hubris and this angered the gods. He believed he was more that a man. These beliefs cause him to ignore the limits he had in being a man. Oedipus needed to look at Teiresias as his window to his future.
“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” In other words, the connotation of this anonymous quote states that despite whatever one chooses to decide, the outcome of their choices and decisions will still result to their predetermined fate. Sophocles’ tragedy, Oedipus the King, demonstrates this statement throughout the play in the role of his tragic hero Oedipus. In the course of Oedipus’ actions of trying to escape his predestined fortune, his fate and flaws of being human played major roles to bring about his downfall.
In Oedipus the King, one of Sophocles’ most popular plays, Sophocles clearly depicts the Greek’s popular belief that fate will control a man’s life despite of man’s free will. Man was free to choose and was ultimately held responsible for his own actions. Throughout Oedipus the King, the concept of fate and free will plays an integral part in Oedipus' destruction.
In the play, Oedipus Tyrannus, Sophocles, illustrates how fate and free will could determine one 's destiny. Sophocles is a well-known tragedian who wrote more than one-hundred Greek dramas for Greek festivals. While his plays entertained countless people in Greek carnivals in his plays also made his intended audience to become acquainted with Athens’ government, social forms as well as its’ religion. In this play the main character, Oedipus, is represented as a man of sudden action, honest, and great insight. Oedipus unintentionally had fulfilled his own fate, stating that he will kill his father and marry his mother. While both fate and free will had resulted in Oedipus’ fate, the choices Oedipus made in his own
Before the twentieth century plays were mainly written as either a tragedy or comedy. In a tragic play the tragic hero will often do something that will eventually destroy him. In the book Oedipus the King, Oedipus is the tragic hero. In this tragic play the main character, which is portrayed as Oedipus, will do a good deed that will in turn make him a hero. This hero will reach his height of pride in the story, and in the end the action, which he had committed earlier, will return and destroy this man who was once called a hero.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.
“Oedipus the King” by Sophocles is a tragedy of a man who unknowingly kills his father and marries his mother. Aristotles’ ideas of tragedy are tragic hero, hamartia, peripeteia, anagnorisis, and catharsis these ideas well demonstrated throughout Sophocles tragic drama of “Oedipus the King”.
Oedipus the King is an excellent example of Aristotle's theory of tragedy. The play has the perfect Aristotelian tragic plot consisting of paripeteia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.