The tragedy of Sophocles’ Oedipus the King is not only that of a man exposing the horrific truth behind his past. The greatest tragedy is the ever-changing perception of Oedipus, by both the citizens of Thebes, and the play’s audience. Oedipus exudes a gross amount of self-confidence and ego, leading to narrow vision with no room for the perspectives of Tiresias, Jocasta or Creon, thus insuring his own demise. By the end of the play, the audience, along with the other characters, can track the personality flaws that led Oedipus to his personal, living-hell. But the context of the play’s and Oedipus’ history, along with his unfortunate traits, actually highlight another aspect to his character. That aspect is the fact that Oedipus’ incredible ego was completely deserved. His overwhelming self-confidence that some would perceive as destructive and unnecessary, is a product of being the true manifestation of his own self-image. It was the qualities that led him to be the savior and ruler of Thebes that led him to his terrible confrontation with fate, not qualities that were a result of being a ruler. The first portion of the play is devoted to addressing the fact that Oedipus has an enormous ego. He introduces himself, “Here I am myself- you all know me, the world knows my fame. I am Oedipus” (7-9). This introduction is not for the benefit of the audience as they are already all too familiar with the legend of Oedipus. This is less of a practical introduction of the titular character and more of an establishment of one of his core characteristic, that being his self-confidence. Ironically, the “world” and the “fame” that Oedipus speaks of are completely different to those of the play’s audience. The world knows Oedipus for his gre... ... middle of paper ... ...out a child” (1644-1647). Oedipus uses the phrase “not a man on earth”, repeated from Jocasta earlier in the play when she disputes the idea of men predicting the future. So in this brief moment of speculation, Oedipus has shown again that he has moved from absolute self-determination, but not completely, as he only has moved partially towards the mindset of predetermination. Oedipus has a foot in both worlds. Sophocles has written a play that walks an ambiguous line as to whether one can live with or without freewill. But he has written the character of Oedipus to embody not one single position on the matter, but as a classically tragic hero, who leads and saves at the cost of his own and others’ suffering. Oedipus did not lead himself to his own downfall out of any personal faults, but because it was what he had to do in order to be the King that Thebes needed.
Oedipus the King, a tale of one man’s hubris, paranoia, and willingness to sacrifice his own happiness for the happiness of others. Does one man’s fate designate who he will become? Is it possible to change the fate we are given? Or no matter how hard we try, deep down, it is our qualities that force us to make our fates a reality? In Sophocles’s play Oedipus the King we see a man who tried his hardest to change his own fate at all cost, but because of his human qualities he actually forced his fate upon himself.
Sophocles’ Oedipus Rex introduced the one of the most important tragic heroes of Greek literature. First performed in the fifth century B.C.E., the play is centered around Oedipus, the king of the Greek city-state Thebes, and his struggle to conquer his emotions as he seeks out the true story of his life. This work, inspired by a well-known Greek myth, scrutinizes both the tragic flaws of Oedipus and his heroism. Examples of Oedipus’ tragic flaws abound in the play. In his condemnation of Tiresias and Creon, Oedipus is controlled by his emotions. However, the heroism of Oedipus is also an essential theme of the drama, though it is often downplayed. Despite this, careful analysis can uncover many instances in which Oedipus exhibits his heroism by attempting to control his emotions and discover the truth of his origins. In his finest moments, Oedipus is in complete command of his emotions as he searches for the truth, while at his nadir, Oedipus is completely controlled by his emotions and is absolutely unpredictable. This contrast is, in large part, what makes Oedipus a tragic hero. Oedipus, King of Thebes, is among the greatest Hellenistic tragic heroes because of his fight to overcome his greatest flaw, his uncontrollable anger, as he heroically searches for the truth.
Oedipus Rex (the King), written by Sophocles, is the tragic play depicting the disastrous existence to which Oedipus, an Athenian, is 'fated' to endure. With a little help from the gods and the 'fated' actions and decisions of Oedipus, an almost unthinkable misfortune unfolds. Athenian perfection can consist of intelligence, self-confidence, and a strong will. Oedipus, the embodiment of such perfection, and his tragedy are common place to Athenians. Ironically, the very same exact characteristics that bring about the ominous discovery of Oedipus' fate: to kill his father and marry his mother. Oedipus' 'fated' decisions entangle everyone whom is of any significance to him within a quagmire of spiraling tragedy. Sophocles uses the riddle of the Sphinx as a metaphor for the three phases of Oedipus' entangled life, the three phases of human life, and to describe how every life-changing action or decision can influence other lives.
Aristoteles’s “Theory of Tragedy” suggests that the tragic flaw in Sophocles’ play Oedipus is the King’s “self-destructive actions taken in blindness,” but a worse flaw is his arrogance. There are a few opposing views that stray from Oedipus being fully arrogant. First is that he took actions to save himself from further pain. Second, by putting himself in charge was the right thing to do as the leader of his people. Third, Oedipus never tried to outwit the gods but used the prophecy as a warning to leave Corinth.
The purpose of this essay is to demonstrate that the events in Oedipus the King, written by Sophocles, are the result of the hero’s self determination and restless attempt to escape a terrifying destiny predicted for him by the oracle of Apollo at Delphi. My intention is to prove that although the Fates play a crucial part in the story, it is Oedipus'choices and wrong doing that ultimately lead to his downfall.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
With this in mind, many believe that King Oedipus in Sophocles’ play, Oedipus the King, is the perfect example of Aristotle’s tragic hero. Does he, however, truly fulfill all the “requirements” described in Poetics or is there something we miss in the depths of his fascinating and multi-faceted character that does not fit into Aristotle’s template? Without a doubt, Oe...
Oedipus Rex”, by Socrates, is a play that shows the fault of men and the ultimate power of the gods. Throughout the play, the main character, Oedipus, continually failed to recognize the fault in human condition, and these failures led to his ultimate demise. Oedipus failed to realize that he, himself, was the true answer to the riddle of the Sphinx. Oedipus ignored the truth told to him by the oracles and the drunk at the party, also. These attempts to get around his fate, which was determined by the gods, was his biggest mistake.
The quality of being larger than life, or a royal figure, is one main aspect of a tragic hero. Oedipus is the king of Thebes, appointed there after solving the riddle of Sphinx, a supernatural creature that once held the city captive. He is born into a family of the highest social rank: King Laius and Queen Jocasta, and is adopted into the family of King Polybus and Queen Merope. In being royalty, Oedipus is an important figure. Without the aspect of an important man that the viewers could recognize, Oedipus would not be held in such light. Oedipus is the “peerless king” and the “first of men,” as referred to by the priest. Oedipus knows his fame, as well: “Here I am myself— you all know me, the world knows my fame: I am Oedipus.” He declares this in the prologue, showing that he has a high notion of himself, shared by many others. The entirety of the world is aware of Oedipus, according to him, and they shoul...
“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” In other words, the connotation of this anonymous quote states that despite whatever one chooses to decide, the outcome of their choices and decisions will still result to their predetermined fate. Sophocles’ tragedy, Oedipus the King, demonstrates this statement throughout the play in the role of his tragic hero Oedipus. In the course of Oedipus’ actions of trying to escape his predestined fortune, his fate and flaws of being human played major roles to bring about his downfall.
Prompt: How does Oedipus see himself? How do others perceive him? Explain how the author uses this juxtaposition to communicate a theme? In “Oedipus The King,” Sophocles uses a variety of themes, and one of them is Oedipus’ own self-discovery. At the beginning of the play, Oedipus is considered the hero, the person who would take the city of Thebes away from the plague.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
The myth of Oedipus is one of a man brought down by forces aligning against him. Over the years, different playwrights have interpreted his character in various fashions. In Sophocles’ Oedipus the King, Oedipus is a man who is blind to the path on which his questions take him and exemplifies the typical tyrannical leader in ancient times; in Senaca’s Oedipus, it is the fear of his questions that give Oedipus a greater depth of character, a depth he must overcome if he is to survive his ordeal.
It is apparent throughout the play that Oedipus has an excessive amount of pride and a large ego, which is evident from the start of the play where in his introductory speech he declares “Here I am myself – you all know me, the world knows my fame: I am Oedipus” (Sophocles, 1984, line 7-9). The fact that Oedipus introduces himself in this way displays to the audience exactly how highly he regards himself and how much importance he deems himself to have. This conceit, including his disrespect, recklessness and even stubbornness, is the root cause of the many tribulations he encounters and subsequently results in his downfall. The attitude flaunted by Oedipus resonates throughout the play. We see it in its entirety when no one confesses to the murder of Laius and Oedipus bursts into a rage at Tiresias, shouting “You scum of the earth, you’d enrage a heart of stone…out with it once and for all!”
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.