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Analysis of king oedipus by sophocles
Characterisation in the sophocles king oedipus
Characterisation in the sophocles king oedipus
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Well-known playwright, Sophocles, in his play, Oedipus the King, illustrates the stubbornness of King Oedipus in his quest to uncover the truth of his birth. Oedipus’s purpose was to show the power of fate and warn readers not to race blindly in search for ones deepest desires. Sophocles uses a serious tone in order to demonstrate to his readers the dangers of seeing the truth. The first demonstration in the play is when King Oedipus meets the priest, and Oedipus says, “I’ll do anything. I would be blind to misery not to pity my people kneeling at my feet” (lines 14-15). This quote starts off the play with foreshadowing and dropping hints to the readers. Oedipus is so desperate to help his people that he tells them that he would be a terrible ruler if he was so …show more content…
When Jocasta and Oedipus were discussing the prophet and his conversation with Oedipus, Jocasta starts to become wary of the truth that Oedipus might reveal. When Oedipus begins to piece together that he might have been the one to kill the late King Laius, Jocasta says “What are you saying? I shudder to look at you” (line 822). Jocasta is concerned about Oedipus and what he is piecing together in his head. When Oedipus finally concludes it was him who killed King Laius he states, “Now I can see it all, clear as day” (line 830). Oedipus now sees that he has killed the king that was before him but he doesn’t see the rest of fate working behind the scenes. Oedipus now feels the effects of understanding the truth that he didn’t feel before. Quickly, Jocasta tells Oedipus, “So much for prophecy. It’s neither here nor there. From this day on, I wouldn’t look right or left” (lines 948-949). Jocasta is trying to keep Oedipus from jumping to conclusions; she doesn’t want him to uncover anything that could hurt him because she knows how dangerous it could be for the truth to get
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
tells the priest and the suffering people of Thebes. If Oedipus did not care for
In the begining of the play, Oedipus' heroism shows once more when he promises to end his city's terrible plague, a plague which has been destroying every living thing. He soon finds out that the only way to end the plague would be to identify King Laius murderer and either banish him or exile him. Oedipus vowed ...
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
In Oedipus the King, Sophocles suggests that the impact of seeing the truth is harmful rather than enlightening. Whenever Oedipus strives to discover more to strengthen Thebes’ perspective of him, it leads him closer to his fate as determined by prophesy. Tiresias stands as a model in the play for the individual who is able to see the meaning beyond plot of events although his is blind, and Oedipus represents the oblivious arrogant individual who is never content because they need to be the unsurpassed individual. In the play, Sophocles illustrates the downside of a personality like Oedipus who desires to see the truth by ending the play with the brutality of gouging out his own eyes. Ultimately, the play reinforces that seeing the truth is harmful and being content with what you have, without greedily striving for more, can help avoid fate and a related deposition.
Oedipus the King tells the tragic story of Oedipus and how Oedipus unwittingly fulfills his prophecy. Oedipus prophecy was that he would murder his father and marry his mother. Oedipus grew up in the kingdom of Corinth where he believed that he was the son of the Kings of Corinth; when Oedipus discovered that he is destined to kill his father and marry his mother, Oedipus decides to leave Corinth and try to prevent the prophecy from happening. Unknowingly to him during his escape from his destiny, Oedipus murderers his father and eventually marries his mother and fulfils the prophecy. After reading Oedipus the King I believe that one of the main ideas of Oedipus the King is that Oedipus own tragic flaws lead to the fulfillment of the prophecy and his eventual downfall.
Oedipus then draws upon his solving of the riddle of the Sphinx to undermine the blind prophet, convinced that he, in alliance with Creon, was plotting against him. Creon’s modest rebuttal consisted only of a threat to himself- that if Oedipus’ claim against him were true, then let him not live out the rest of his days. Later, in a conversation with Oedipus, he justifies his denial of the charge that Oedipus had placed against him by illustrating the irrelevance of attempting to dethrone the king. When Jocasta enters, she sides with Creon and respects his oath to the gods. But later, when Oedipus says the claim against him is based on prophecy, she reasons with him since she does not believe in prophetic power. She explains how the prophecy of Laius’ son killing him never came true. Then Oedipus realizes that it was he that had slain Laius and that there was a chance Tiresias was right after all.
In attempting to leave Corinth and prevent the prophecy to the best of his abilities Oedipus alleviates some of the guilt that he could carry. Oedipus’s true defense is his ignorance in not knowing that “Polybus was no kin. . .in blood” (1016), believing that he was doing the right thing to prevent the prophecy and leave Corinth, he hurt himself and unfortunately put into motion the elements needed for the prophecy to come true. One may also be tempted to blame Jocasta for her role in the prophecy coming true, however that is also unfair. Firstly it is important to remember that women had little to no power in ancient Greece, even if they were queens. It is a fair assumption to make that Jocasta had no choice in the matter of marrying Oedipus when he came to Thebes, he was the new king so she would marry him to maintain her power. In considering Jocasta’s innocence it is also important to remember that she did try to kill Oedipus as a baby, which, while morally is a grey zone, shows that she should not be held solely responsible for the prophecy coming true. Jocasta’s innocence could be
As the play draws to a close, it is shown how Oedipus learns the true nature of things. Oedipus remains blind to the truth until he can deny it no longer. After hearing the testimony of the herdsman it is perfectly clear to Oedipus that he has fulfilled the prophecy by killing his father and marrying his mother, in turn bringing the great misfortune about the city of Thebes. Upon discovering the truth, along with discovering Jocasta’s dead body, Oedipus blinds himself with the pins on her dress and shouts that his eyes “would no longer see the evils he had suffered or had done, see in the dark those he should not have seen.” (1280-1282).
In the beginning of the play, Oedipus has perfect physical vision. However, he is blind and ignorant to the truth about himself and his past. He desperately wants to know, to see, but he cannot. Oedipus' blindness which must be considered is that many times throughout the course of the action he is warned not to pursue the matter any further, for fear that the truth could be damaging to him as the prophesies would suggests. The events are made all the more tragic at the point where he thinks he can 'see' when he at last realizes that he is in fact the murderer of Laius, and yet he is still blind to the final horrible truth. To make the situation worst Jocasta his wife advises Oedipus not to pursue the matter further: "Stop-in the name of god, ….call off this search!" Jocasta has seen the truth but Oedipus is only worried in she finds out he was not of noble birth.
It is said that the truth will set you free, but in the case of Sophocles’ Oedipus, the truth drives a man to imprison himself in a world of darkness by gouging out his eyes. As he scours the city for truth, Oedipus’ ruin is ironically mentioned and foreshadowed in the narrative. With these and other devices Sophocles illuminates the king’s tragic realization and creates a firm emotional bond with the audience.
First off, Teiresias is hinting at the fact that Oedipus’ relationship with Jocasta is a “sinful union” (Sophocles 36). Oedipus is unable to make the connection between what Teiresias is saying and his own prophecy. Oedipus does not want to acknowledge the fact that he has committed a sin and he avoids learning the truth by remaining ignorant of his true parentage. On top of this, when Teiresias outright tells Oedipus that “the killer [he is] seeking is [himself]” (Sophocles 36). Oedipus refuses to believe this and instead accuses Teiresias of lying and plotting against him. Oedipus, as a known intelligent character, should have listened to Teiresias, who is known for being a wise man; instead, Oedipus puts the blame on Teiresias. Teiresias then goes on to foreshadow that the “taunts” (Sophocles 36) Oedipus is throwing at him will “someday [be] cast at [him]” (Sophocles 36). Oedipus does not take the warning of Teiresias seriously instead he continues to insult Teiresias. Oedipus’ inability to face the truth will result in him being banned and blinding himself for his ignorance. Similarly, Jocasta attempts to prevent Oedipus from gaining knowledge by explaining that “[i]t makes no difference now” (Sophocles 55) and to “[f]orget” (Sophocles 55) what has been told to him. Jocasta not only tries to stop Oedipus from learning the truth, she also tries to stop herself from verifying the truth, this later results in her unfortunate suicide. Also, Jocasta’s ignorance and inability to discover Oedipus’ true past causes her to commit incest, a major sin. Jocasta and Oedipus committing this sin then result in the God’s punishing Thebes. Showing that, ignorance leads to
The plot of Oedipus Rex uses dramatic irony as a key narrative element. From beginning to the end, Sophocles expose the audience to irony. The result is both shocking and devastating for multiple main characters. Oedipus, for example, states the weight of the punishment Laius’ killer will face. This builds irony because Oedipus is Laius’ killer, but he does not realize it yet. As realization of Oedipus’ crime against the Greek gods begins to set in, so does the climax and resolution of the irony. Overall, Sophocles’ use of dramatic irony is integral to both the progress of the play and to its climax.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
The time period of Greek theater’s popularity was a very influential time in our world’s history. Without knowing what Greek theater was all about, how can someone expect to truly understand a tragic play and the history it comes with? The history behind the character of Oedipus, in the play Oedipus the King, is very complicated. His intricate past dealing with prophecies, family members, and murder is the main focus of the story. There are many characteristics that complete Aristotle’s definition of a tragic hero; these being the presence of hamartia and peripeteia, a sense of self-awareness, the audience’s pity for the character, and the hero is of noble birth.