It is most important for a true tragic hero to be consistent and distinguished. Aristotle believes that as far as character goes, one of the four important things is, “The fourth point is consistency: for though the subject of the imitation, who suggested the type, be inconsistent, still he must be consistently inconsistent.” (“Classics.mit.edu” 2010). Aristotle says that the fourth point is constancy, even the topic of impersonation, which proposed the sort, is inconstant, nevertheless he must be constantly inconstant. Aristotle believes that a tragic hero must be consistent. Consistency is fundamental because it would not be a tragedy if the hero realized the error of his ways and avoided making a terrible mistake. Aristotle is of the opinion …show more content…
Peter T. Struck and a fellow student believe that the portrayal of Oedipus as better than the average person contributes to him being the ideal tragic hero, “Following Aristotle, the audience must respect the tragic hero as a "larger and better" version of themselves.” (“Classics.upenn.edu” 2009). Essentially, the spectators must admire the tragic hero as a superior form of themselves. Struck, following Aristotle’s thoughts on tragic heroes, has shown that the audience feels for Oedipus has met one of the requirements of being a tragic hero as he is of higher quality than the audience. Struck and a student say that the audience’s being able to sympathize with Oedipus and fear for him plays a large part in him being seen as the ultimate tragic hero, “The audience fears for Oedipus because nothing he does can change the tragedy's outcome.” (“Classics.upenn.edu” 2009). The spectators feel dread for Oedipus due to the fact that it is impossible for him to alter the tragedy’s end result. Struck has proven that Oedipus is Aristotle’s ideal tragic hero because of the great empathy the audience feels when a respectable man, greater than they, experiences such horrible misfortune. Struck, a fellow student, and I have provided evidence that Oedipus’s superiority to the common man and the way he enables the audience to empathize with him, makes him the embodiment of Aristotle’s perfect tragic
In this quote, Aristotle believes Oedipus to be one of the best examples of a tragic hero. He also states that all tragic heroes have flaws which are the main causes for their downfalls. Oedipus is an example of a classic tragic hero while Willy Loman is a modern tragic hero however, both Oedipus and Willy have similar flaws. They both experience hubris because they struggle with reality due to their arrogance and self-pride. As a result, these characters inflict harm to themselves due to their lack of right judgement. In addition, these tragic heroes are blind and fail to see the tragic flaws in which they have.
Some perceive Oedipus, in Oedipus the King, to be an evil villain, while others a completely innocent man who is plagued by fate. Sophocles, however, desired to portray Oedipus as a mix between the two- as a tragic hero. According to Aristotle’s definition, Oedipus fits the criteria of a tragic hero. According to Aristotle, Oedipus is a tragic hero because he vigorously protests his situation, believes he has his own freedom and has supreme pride. In Oedipus Rex, Oedipus continually protests the idea that he is subjected to a prophecy.
In the play Oedipus Rex by Sophocles, Oedipus is a classic tragic hero. According to Aristotle's definition, Oedipus is a tragic hero because he is a king whose life falls apart when he finds out his life story. There are a number of characteristics described by Aristotle that identify a tragic hero. For example, a tragic hero must cause his own downfall; his fate is not deserved, and his punishment exceeds the crime; he also must be of noble stature and have greatness. Oedipus is in love with his idealized self. All of the above characteristics make Oedipus a tragic hero according to Aristotle's ideas about tragedy.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
With this in mind, many believe that King Oedipus in Sophocles’ play, Oedipus the King, is the perfect example of Aristotle’s tragic hero. Does he, however, truly fulfill all the “requirements” described in Poetics or is there something we miss in the depths of his fascinating and multi-faceted character that does not fit into Aristotle’s template? Without a doubt, Oe...
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
Before the twentieth century plays were mainly written as either a tragedy or comedy. In a tragic play the tragic hero will often do something that will eventually destroy him. In the book Oedipus the King, Oedipus is the tragic hero. In this tragic play the main character, which is portrayed as Oedipus, will do a good deed that will in turn make him a hero. This hero will reach his height of pride in the story, and in the end the action, which he had committed earlier, will return and destroy this man who was once called a hero.
Tragedies have been written, told, and acted out for a number of years. Aristotle defined in his book, Poetics that a tragedy is to arouse the emotions of pity, fear, and finally a catharsis, or purging of emotions. A tragic play that perfectly completes this cycle of emotions is Oedipus the King by Sophocles. This play follows a king of the town of Thebes through his journey of the emotions of pity, fear, and finally a catharsis. It is a tale of a man who unknowingly kills his father and fathers the children of his mother as well. The audience is pulled into the play and experiences the plot along with Oedipus.
When it comes to the history of drama, Sophocles’ Oedipus is the king of all tragic heroes. From killing his own father and marrying his own mother, Oedipus’s tragic downfall leaves the reader emotionally scarred for life. Yet he still holds on to his morality and prevails over it all. Famous Greek philosopher Aristotle defines what a tragic hero is, and Oedipus fits it perfectly. Oedipus is a true embodiment of Aristotle’s definition of a tragic hero through his ability to preserve his virtue and wisdom, despite his flaws and predicament.
According to Aristotle's Poetics, the tragic playwright must create a unified work. The play's running time must be the exact timespan of the tragedy, with no breaks or flashbacks; the setting must remain in one place. Most importantly, the action follows one inevitable course, and the tragic hero must be royal or highborn. In addition, this hero desires a greater good, such as the rescue or unification of his kingdom, and he places that prize at great risk with his own choices. Aristotle further elaborates that the tragic hero must, by the play's end, lose everything he has gained through hubris.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.
Tragic hero is a character of noble stature and has greatness but is triggered by some error and causes the hero’s downfall. Oedipus is the tragic hero of “Oedipus the king”. Oedipus has a noble stature and has greatness. From the beginning of the story Oedipus is shown as a noble caring man. He is greatly worried about the plague in Thebes “but my spirit grieves for the city, for myself and all of you” (75-76) he tell the priest and his people of Thebes. If Oedipus didn’t care for his kingdom, he wouldn’t have tried to seek out who was Laius murderer. Oedipus solves the riddle of the sphinx. By solving the riddle the people of Thebes respected Oedipus because he had saved the city from the sphinx. The priest prays to Oedipus rating him “first of men” (41). Solving the riddle of the sphinx “not knowing nothing, no skill, no extra knowledge”, (46-47) he triumphed. By solving the riddle Oedipus became grand and short tempered and these characteristics brought him to his downfall. He is too proud to see any truths and he refuses to believe that he killed Laius his own father and married his own mother Jocasta. Tiresias, the servant of Apollo, is being called a lair after he told Oedipus that he was the one that killed his father. Oedipus refuses to believe that he could have been responsible for such horrible crime. He tells Tiresias that “envy lurks inside you” (435) and he thinks Creon sent Tiresias to try and overthrow him. Oedipus just accus...
Oedipus is the perfect unambiguous Aristotelean tragedy and the perfect form outlining Aristotle’s “Poetics”. Oedipus’s perfectness comes from that if follows the rising action, climax, and falling action known as Aristotle’s “triangle”. The play manages to meet all Aristotle’s instituted elements of a tragedy in its plot, tragedy of the hero, hamartia (tragic flaw), peripeteia (recognition), reversal of fortune, and catharsis (fear and pity). Oedipus sets and example of plays of tragedy and what embodies a true tragedy. The tragedy that permeates the play should be learned from in what became the hero’s downfall.
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.