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Guilt and justice in oedipus rex
Guilt and justice in oedipus rex
Why oedipus rex is innocent
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Greek play writer Sophocles believes human understanding has evident limits, proven accordingly in context to Sophocles works such as Oedipus Rex. There is an abundance of arguments that can be constructed in consideration to what certainty and proof can be formulated from this particular claim, pulling from the reading one could comfortably confirm that the prominent extent of an individuals understanding is related to everything they are thought from a young age. The protagonist in the play know as Oedipus lives much of his life as a cocky reigning king of Thebes, he is firm in his belief and knowledge that under no circumstance , that he is the murderer of the previous king. Even with all the evidence put forth him, which would have disproven his long-lasting belied in his so called innocence, Oedipus instead utilizes these pieces of information with his secular reasoning and constant conviction that he could never be in fact the killer.
Throughout the play the protagonist is convinced that he could never commit a sin of murder due to his firm belief in himself, the knowledge that he has obtained, opposed to Theresius who believes strictly in the word of the Gods. Events played out , in the story for example when Oedipus speaks to the chorus “ And yet, how was I evil in myself ? I have wronged, I retaliated: even had I known what I was doing was that evil” (Pg.100) this quote is in relation to having attacked the group of men outside of Thebes. But as the character of Oedipus Rex he quickly justifies his actions and presented many apparent doubts. Oedipus has these many doubts due to what he is thought which makes him ignorant but not completely wrong. After being accused he explains himself by stating although he did murder...
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... he could have been born a slave then what previously thought by the king and queen. Oedipus fails to see the wariness Iocaste expresses in his attempts to find out who he truly is, which in returns turns forces him to realize that he is in fact her son. The shepherd he talks to is reluctant if not miserable to speak the truth to Oedipus as well. He then realized the child he took was Oedipus left for death as the Gods wanted, himself. It is through these situations that Oedipus blinds himself loses his wife and mother, and gets sent into exile. He was incapable of seeing other truths besides his own. This pattern exhibited by Oedipus can be highly related to the manner of thinking that many individuals follow. Convincingly adhere to their own beliefs and realties tying themselves to a singular truth as opposed to opening up their mind and gaining new knowledge.
Throughout literature authors have written to express a message to their intended audience. This is no exception for the plays, Oedipus Rex and Darker Face of the Earth, written by Sophocles and Rita Dove, respectively. The similarities in plot, characters, and motifs are not the sole concurrencies between both plays; the overall message to the audiences in both plays is one in the same, one cannot escape their fate. Sophocles and Dove both illuminate this message through their use of the chorus. While Sophocles uses a single chorus of Theban elders, Dove illustrates the grimness of fate through several minor characters: the chorus, the prayers and the players, the rebels, and three female slaves. Dove’s usage of Phebe, Diana, and Psyche further accentuate the battle between free will and fate, as well as the role of women, a concept absent in Sophocles’ play.
A Greek drama is a serious of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. Grand debate over which character can hold the title of the tragic hero has discussed in the literally world for ages. A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end.
Oedipus the King conveys many lessons that are relevant to people living today despite the fact that it was written by Sophocles twenty four centuries ago. Oedipus is a child destined to kill his father and marry his mother. During his life, he makes many mistakes trying to avoid his fate. These mistakes teach us about the nature of humans under certain circumstances. Oedipus possesses personality traits which causes him to make wrong decisions. Attributes like arrogance and his inability to make calm decisions in certain scenarios due to his anger causes his downfall. Oedipus’ excessive pride, like many people today, was an important factor that brought him grief. Oedipus’ lack of patience caused him to make hasty decisions which lead him to his greatest agony. Oedipus’ massive ego turned into excessive vanity, this was the first step to his downfall. Oedipus talks to Creon about the murderer of Laius. He declares, “Then I’ll go back and drag that shadowed past to light… but by myself and for myself I’ll break this plague” (Sophocles, 11). Oedipus is saying that he will be the on...
In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when he wanted to give Eteocles a proper burial . Creon is the tragic hero of the Antigone, because of his dominance in society, high rank, tragic flaw; and self-pride.
He murders his father and marries his mother unknowingly. While it may seem to some that Oedipus was destined to carry out his fate, it is also true that Oedipus’ personality led him to his fate. It is clear to see that Oedipus is an impulsive and passionate man, which causes Oedipus to fulfill the prophecy that haunts him. He flees the kingdom of Corinthian in order to avoid his fate. Along his journey he comes to a crossroad that is blocked by a chariot, and “in a fit of anger” Oedipus kills the father he never knew (Meyer 1422).
In a democracy, people choose representatives to lead and govern them. However, these representatives might take unpopular steps. In such instances the people may show their disapproval of a policy and vent their grievances through acts of civil disobedience. Henry Thoreau said, “It is not desirable to cultivate a respect for the law, so much as for the right.” It is both the right and responsibility of a person to fight an unjust law, and civil disobedience allows one to convey his thoughts and ideas in a passive, nonviolent way. In Sophocles’ Antigone, written in 442 B.C., we find one of the earliest examples of civil disobedience. The play emphasizes the right of the individual to reject his government’s infringement on his freedom to perform a personal obligation and highlights the struggle that one faces in doing so. More importantly, it shows how such actions help further the cause of democracy. It strengthens the belief that each individual’s opinion is important in a democracy and makes a difference. Eventually, we see Creon realize his mistake – his stubbornness – which teaches him that he should have room for more than one opinion. Also, women at that time were not considered equal citizens, but Antigone’s actions left people to rethink the extent of the equality in Athenian democracy.
In Sophocles’ Oedipus The King, King Oedipus of Thebes is confronted. and strangely obsessed with the mystery of who killed Laios. former king of Thebes, for a great plague has overtaken the city of. Thebes because of this murder. During his quest for the truth, he begins to discover that the answer to his query is also the answer to another disturbing mystery about himself, who am I?
In Sophocles’ play, Antigone, the main character uses rhetoric to effectively persuade her audiences to sympathize with her. In the play, Antigone’s brother, Polyneices, dies a traitor to the Theban people. The king, Creon, decrees that no one is to bury the traitor despite the necessity of burial for proper passing into the afterlife. Believing that Creon’s decree is unjust, Antigone buries her brother. When she is brought to the king, Antigone uses this speech in defense of her actions. In the speech, she uses allusion, diction, and particular sentence structure to increase the effectiveness of her argument.
The first of Oedipus’ fatal traits is naiveté, a flaw which causes him to unknowingly weave his own inescapable web of complications. While searching for the murderer of Laius, Creon recommends that Oedipus ask the blind prophet, Teiresias, for his thoughts. Teiresias and Oedipus begin an argument after the prophet accuses Oedipus as the murderer, and Oedipus retaliates by calling the blind man a fool. Teiresias responds with “A fool? Your parents thought me sane enough.” To which Oedipus then replies “My parents again!- Wait: who were my parents” (Sophocles, Oedipus Rex. 1.1. 423-424)? Oedipus’ naiveté regarding his parents plays a big part in his downfall because he does not know that Laius and Jocasta were his real parents. If he knows this at the time, then Oedipus could realize Teiresias is correct, and that he truly is the murderer. Another proof of Oedipus’ naiveté occurred in the second scene of part one when Oedipus returns after his talk with Teiresias and believes Creon is an enemy. He speaks towards Creon saying “You speak well: there is one fact; but I find it hard/ To learn from the deadliest enemy I have” (Sophocles, Oedipus Rex. 1.2. 5...
In Oedipus the King, Sophocles suggests that the impact of seeing the truth is harmful rather than enlightening. Whenever Oedipus strives to discover more to strengthen Thebes’ perspective of him, it leads him closer to his fate as determined by prophesy. Tiresias stands as a model in the play for the individual who is able to see the meaning beyond plot of events although his is blind, and Oedipus represents the oblivious arrogant individual who is never content because they need to be the unsurpassed individual. In the play, Sophocles illustrates the downside of a personality like Oedipus who desires to see the truth by ending the play with the brutality of gouging out his own eyes. Ultimately, the play reinforces that seeing the truth is harmful and being content with what you have, without greedily striving for more, can help avoid fate and a related deposition.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Oedipus is innocent because he did not know the truth. He did not know his true parents. He was living his whole life a lie. When the messenger told him about the prophecy that he was going to kill his father and marry his mother. He left Corinth to avoid the prophecy.
Sophocles’ Oedipus the King is a Greek tragedy and also a mystery. At the beginning of
Greeks during ancient times, had trust in the oracles. Tiresias, the wise, old fortune teller, strongly influenced the outcome of the play. He became one of the key contributors of the main protagonist’s downfall. In addition, he predicted Oedipus fate and established a further reality in which the king could not see due to his blind actions. At the end of the story, it raises a question whether Oedipus is guilty or cannot be blamed for it since it was chosen by destiny. However, a crime cannot be an act of innocence, whether or not one has the power to envision it, justice needs to enforced.
Painting Oedipus as the killer, the unknowing orchestrator of all the events he tried to solve, works effectively at defining his role as a tragic hero. Being the intellect that he is, Oedipus slowly uncovers the whole truth and continuously fights the idea of his involvement. He wishes only to be the uncorrupted hero of Thebes but is ultimately unable to achieve that moral clarity. One scholar describes this best when he says, “The pivotal theme of the tragedy is Oedipus' conflict between his desire to know himself and his opposing wish to cover up the truth that will bring disaster” (Zachrisson). Pairing the king’s motive to do only right and his eventually tragic cosmic circumstances creates a sense of dismay for the