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Summary of sophocle oedipus Rex
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Sophocles plays “Oedipus Rex” and “Antigone” regard the ideologies Ancient Greeks followed, which had significance influenced the lifestyle. The practises and actions taken by characters in the play, constructs evidence which reliably and usefully show how these plays have historically sourced the context of ancient Greece. These practises and ideologies cover religion, women, as well as ancient myths. All of these fabricate vital connections show what life was like in 4th century Greece.
Religion in 4th century Greece was something Athenians took extremely seriously. The way they worshipped and who they worshipped was discerned and was significant. Their religion was an important ideological practise Athenians undertook, as a way of life.
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Women weren’t often seen outside, except for fetching water, rituals to gods, which was barely it. Sophocles play “Antigone”, is a play about Oedipus’ four children, Antigone, Ismene, Polynices and Eteocles. Ismene is weak and subordinated, and traditionally women are characterised like this in Greek society. She is particularly presented in this way and she doesn’t help her sister with give her brother Polynices a proper burial. However Creon the king of the Thebes, orders that he doesn’t have a burial, as Polynices brought a foreign army against Thebes. She seems mean and scared, which isn’t the sort of person anyone wants to be like. She obeys the male king Creon of not touching the body and turns down her sister Antigone, who requests for help from her sister. All women in Greek society spend their time in the gynaikon, which is on the upper floor of the home, being the women quarters of the house. Women in ancient Greece usually stay at home and help their children and prepare the house. Ismene is portrayed as the women who stays at home a lot and don’t have much to do with Sophocles play. Antigone's rebellion is especially threatening because it upsets gender roles and hierarchy. Antigone is the main character who isn’t anything like the normal women. Antigone is out and about causing trouble, by trying to give her brother a proper burial. She succeed in fetching the body and tried to hid it, in order to bury it later when she has the chance. However she is caught by Creon the King, who is extremely surprised that she took her brothers body and that it was even her in the first place. Thereafter she is banished in a tomb forever. Athenian women in Greece were restricted in the Classical Period and were not allowed to go wherever they wanted and we can see this reflected when Antigone is imprisoned. She has to abide to the male, and has to especially since Creon is the king.
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
Antigone is one of the famous plays written by Sophocles in around 441 B.C.E. This play is a dramatic and eye-opening play that really shocks the characters in the play as well as the readers. Sophocles wrote this play in no chronological order but it is better to understand the story is Oedipus the King is read before Antigone, that way it gives readers an understanding of how the time changed the characters.
Oedipus Rex and Antigone & nbsp; There is no curse in the house of Oedipus. Because of the many terrible things that happen to the members of Oedipus's family, a reader might be led to believe that there is such a curse. However, if that person examines the stories of Oedipus Rex and Antigone more closely, he or she will find that the reason so many tragedies happened to Oedipus's family is not because of some curse, but rather because of one common thread. Each person in the line of Oedipus tries to defy authority in one way or another.
Compare and contrast the part that the city or state (polis) plays in Antigone and Oedipus The King.
Sophocles’ play Oedipus and Antigone have many parallel themes and conflicts. Certain characters and events are mirrored and go through similar sequences in both plays. One conflict that is prevalent in both plays is the idea of loyalty. In Oedipus, many are loyal to Oedipus, including the city of Thebes itself. In Antigone, there is much strife in the relationships as well, and the idea of loyalty arises.
Sophocles' trilogy of Oedipus the King, Oedipus at Colonus, and Antigone is a powerful, tragic tale that examines the nature of human guilt, fate and punishment. Creon, Oedipus' uncle and brother-in-law, is the story's most dynamic character. His character experiences a drastic metamorphosis through the span of the three dramas. Creon's vision of a monarch's proper role, his concept of and respect for justice, as well as his respect for the design evolve considerably by the trilogy's tragic conclusion.
In Euripides’ play The Bacchae, the ideals that were the foundation of Greek culture were called into question. Until early 400B.C.E. Athens was a society founded upon rational thinking, individuals acting for the good of the populace, and the “ideal” society. This is what scholars commonly refer to as the Hellenic age of Greek culture. As Athens is besieged by Sparta, however, the citizens find themselves questioning the ideals that they had previously lived their lives by. Euripides’ play The Bacchae shows the underlying shift in ideology of the Greek people from Hellenic (or classical), to Hellenistic; the god character Dionysus will be the example that points to the shifting Greek ideology.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
In the play it is obvious that there is gender inequality and many of the woman including Ismene, Antigone’s sister, give in to this idea. This is seen when Ismene says to Antigone, “Remember we are woman, / we are not born to contend with men” (75). With this quote, Ismene is against the burial of her brother not only because it is
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
In the plays Antigone and the Crito the two lead characters, Antigone and Socrates, showed completely different ideas regarding their responsibilities to the State. Antigone believes in divine law and does what she thinks that the Gods would want her to do. Socrates, on the other hand, believes that he owes it to the State to follow their laws whether he thinks they are right or not.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
When Antigone comes to her sister for assistance in burying their brother’s body, Ismene refuses. While this may be seen as an example of her cowardly, docile nature, such as how the line “You ought to realize we are only women” (61) is often interpreted, it shows that Ismene was aware of where she stood in Theban society. It is common knowledge that Ancient Greece was a patriarchy, with women holding little to no political power. Even beyond the fact that she and Antigone are women living in a male-dominated society, Ismene recognizes how low their family has fallen, with herself and Antigone being the children of a kin-slayer and his wife. A reasonable person in Ismene’s situation would most likely have acted in a similar manner, as it would be far too great of a risk to defy Creon. Ismene was simply aware that no one would come to the aid of Oedipus’s daughters when they faced “the edict of death”
When reading two of the three Sophocles it became extremely clear to me that with power comes great responsibility. Leaders become obsessed with their leadership position, take advantage, and are willing to do anything to maintain the great power. Men specifically are the dominant superior role and women as considered inferior during the time these plays take place. Rulers are men; they make the laws and everyone has to follow them. This is all demonstrated throughout the course of the plays, Oedipus Rex and Antigone. Each play tells a different story about a tragic hero and his or her downfall. In the play, Oedipus Rex, the main character, Oedipus, goes through life completely unaware that he actually fulfilled his prophecy and is the curse
In Sophocles’ Antigone, the idea that women are lesser than men is not only challenged, but also demonstrated. Antigone breaks the conformities for a typical woman in ancient Greek times, which makes Creon, a man who does not believe in women with power or intelligence, livid. After trying to persuade Ismene to join her, Antigone continues her already rebellious and abnormal behavior by breaking Creon’s edict to not bury Polynices. When Antigone is caught by guards, she is brought before Creon where she is sentenced to her inevitable death. However, Ismene rushes to her sisters side trying to take credit for the burial of Polynices—another atypical move of the general