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Sound in classic hollywood films academic essay
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Lab Questions:
1. Filmmakers must often establish information quickly in a film in order to give the audience context for the plot. In this film, the filmmaker establishes information about several of the main characters, including Lina and Don. What information do we as the audience learn about Don and Lina from time code 01:35 to 04:00 of the film? How does the filmmaker give us this information? Discuss at least two different ways that the filmmaker gives the audience information about these characters.
In the beginning of the film as an audience the first piece of information we receive is that Lina and Don are huge Hollywood movie stars. Don and Lina also appear to be the hottest couple to hit the red carpet. We receive this information
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through the announcer at the movie premiere and through their fans screaming wonderfully things to them. 2. In the scene where we see Don and Lina acting in a silent film (beginning at time code 11:05), describe the silent film. How is it different from the films that are produced today? The silent film appears to be set in the medieval time period considering the actors clothing and housing. The film features a man and woman who seem to be madly in love with each other. All of a sudden, the villains appear which causes the man to become angry. A fight breaks out and of course good wins every time. This film is extremely different from films produced today considering the silent film was in black and white. Today’s movies are also a lot longer in time and it is very common for actors to speak in films. 3. This first part of the film shows the early history of motion pictures. How accurate do you think the portrayal of the early motion picture industry is? Why? Is historical accuracy important in films and theater productions? Explain. In this film I feel this the portrayal of the early motion picture industry was pretty accurate, but of course very dramatic and cheesy. My personal opinion is that of course historical accuracy is very important in films for the reason that the director is telling a story that happened. I feel if you want someone to honestly enjoy a historical movie it has to be accurate. 4. In the scene where Don is going to the party (starting at time code 14:51), we see a street scene as he first rides with Cosmo and then with Kathy. What aspects did the filmmaker include to make the scene look and feel like Don, Cosmo, and Kathy are riding in a car on a street? Think about elements such as scenery, sound, props, lighting, and so on. In the scene where Cosmo, Don, and Kathy are driving the filmmakers used moving automobiles, which helped a ton with accuracy.
The filmmakers also used streetlights, buildings, people in cars and walking around on the sidewalks. Where Don and Kathy are driving the filmmakers used a backdrop and made the car turn left and right.
5. A "talkie" picture is shown starting around time code 21:15. How does the audience in the film react to the "talkie"? What influence do audiences have on film and theater performances? How do film and theater actors influence audiences?
The audience does not really understand what is happening and think the “talkie” is completely untrue. After, the film ends people start saying ‘talkie” idea will never be successful and that it is just a waste of time. The audience has a huge influence on a film considering they are the ones watching and paying to see the film. Film and theater actors influences the audience because fans might want to act or dress like the actor.
6. In the musical scene with Cosmo (starting at time code 27:00), how does the actor use props? What is the result? Do you think the use of props effectively fulfilled the artistic vision for this musical number? Why or why
not? Cosmo uses a various amount of props to help get his point across to Don. He runs into walls and falls over couches. Cosmo used a hat to changed the character from a lady to man. Also a dummy was used to fight with Cosmo and of course the dummy won. Props fulfill the artistic vision considering they allow the audience to actually see what the actor is trying to say or do.
The characters are a crucial element in developing the narrative of a film. The characters in Breathless do not act the way one expects those of Hollywood cinema to act. The woman who distracts the police officer in the opening scene seems as if she may be important, but is in fact never seen again. This happens again in a subsequent ...
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
When the lights come up the audience is immediately thrown into an old and dingy movie theatre complete with popcorn strewn across the floor. It is within this set that deep social commentary is made throughout the
target audience. At the end of the day the film has to sell and this
With reference to the films you have studied for this topic, explore in detail two of the key elements that produce an emotional response in the spectator.
Even though there is a great amount of audience participation, one really has to turn your attention to the actors in the movie. It takes a special kind of person to really understand the movie they are in.
Huxley is known for deploring talking movies, known as “talkies,” and often condemns them as part of an increasingly industrialized society. But, Frost points out that Huxley recognized “cinema’s potential
Many of the first film elements that can be found in this movie work as an introduction to the two main characters of the story. These elements are meant to force the spectator- even one who had never heard speak of, or seen the two Hollywood stars shown on screen- to focus their attention on them.
A keen observation of fiction and films simultaneously leads one to realise that there is a vast difference in the subtle elements that cause the forms of the two to differ. To expand this point let us take a look at the techniques of the narrative in both. While in the works of fiction, the narrator is almost always present. Often we come to know what the characters feel and think not through their own dialogues but through the active narration. Whereas in the films many times the narrator altogether disappears. The film one may go as far as to say has
In Browne’s essay, he describes what he calls the “position of the spectator”, and suggests that cinematic techniques can constitute a connection between a given character(s) and the spectator. Browne values less of what David Bordwell believes to be important in narration, the syuzhet (Bordwell 1986). Browne believes the connection between the spectator and the character(s) solidifies less through narrative techniques, the syuzhet, than through cinematic means, for instance, cinematography. The composition of a shot can allow the audience to see over the shoulder of a given character, thus positioning the spectator in the character’s approximate point of view. Likewise, action or dialogue from another character can be shown from the approximate field of vision of the character that is linked with the spectator. (Browne 1986).
Silent film, a nearly extinct cinema genre, has been brought back to life to live out its final moments in the modern age. This art is the original form of cinema that first used the techniques of cinematography and acting to construct a base platform that made the film industry into the success it is today. The Artist is of the romance genre, as it tells the story of a silent film actor trying to survive the progressing technology with the film industry and the invention of the “Talkies” or films with dialog that can be heard and eventually finding his place in the end. In this film, lighting, soundtracks and character body language are utilized to communicate with the audience, that storytelling through
Also, in order to fully understand the meaning of this film we must answer two
For the next three hours, we follow snatches of conversation from Sam (Matthew Maher), Rose (Louisa Krause) and newcomer Avery (Jaygann Ayeh), three of the cinema’s employees, as they clean up dropped popcorn from between the aisles. They discuss their wages, their taste in movies, their star signs, and even – occasionally – heavier topics like their families or mental health. The three actors develop that particular silent intimacy that comes from spending many hours with someone, without actually sharing much about each other’s lives. The drama that unfolds seems both trivial and profound: from Avery’s dilemma over whether to join in with an illegal activity, to his letter to their boss asking that he keep using one of the state’s only remaining 35mm projectors. (Sam: “It’s like something someone would write in a movie.”)
When I think of theatre, I think of it as a form of expression. This idea was supported by all three clips. This can be said because, in “The Playboy of the Western World,” we saw the use of an older form of dialogue to tell a story. In “Nightwalk”, the use of facial expressions, body movement, and noise was used to depict excitement, show curiosity, or aid in narration. Furthermore, with “The Rockaby” a poetic and metaphoric narration was used. And with “Beijing Opera Performance,” props and bells were used to tell a story. All of this to show how versatile and creative theatre truly is. It can range from simple to abstract. With that being said, one this that was discussed in the “Three Actor- Audience Relationships” was the interaction
As said by Thornton Wilder, “I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with one another the sense of what it is to be a human being,” the theatre is one of the greatest art forms. An audience collectively gathers to watch and enjoy the show of their choice, taking in the storyline, characters, and emotions portrayed by actors. Such an experience can often be described as a whirlwind of different emotions and connections, but the storm stifles to dead air once interrupted. The world of theatre is a beautiful place; however, it is easily disrupted by nuisances backstage, onstage, and in the house.