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Comparative literary analysis on play by samuel beckett
The absurdity in Samuel Beckett's Waiting for Godot
Portrait of Franz Kafka
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Travis Maynard
Dr. Wilder, Dr. Krusiewicz
Mid 120 (Paper Assignment One)
17 February, 2014
Nothing Is More Real Than Nothing
The literary works of Samuel Beckett and Franz Kafka have created environments in which the characters are implanted into ludacris and gloom filled realities. The characters are in absurd situations with no explanation of the events that are happening, or going to happen. The question stands, why did these authors place the characters in these destroyed worlds with no hope of resolution? I argue that the history of the authors and the environments in which they lived has a direct correlation to the charactaracters and the dark writing styles of the authors. To relate the characters and environments of the stories to the authors lives, one must first take a look at the history of the authors as well as characters. Looking at the lives of Beckett and Kafka at the time these stories were being written can help to determine the mindset and styles of both authors and how they relate their own real life problems to their characters fictional settings.
Topic I - The Worlds Of The Authors
Franz Kafka was born in Prague in 1883 into a Jewish family. His father, Hermann, was a business owner, and his mother, Julie, was a homemaker. Tragedy struck early in Franz’s life when his siblings passed away when he was 6. Hermann showed a dictatorial way of life during Franz’s childhood which left him very isolated. At this time in Europe, there was a substantial amount of anti-semitism and bigotry towards jews. Not only did Kafkas family receive intolerance for being jewish, but the family was also a german speaking family in the Czech Republic. Kafka was in a completely isolated world, not only from his family, but a...
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...ies, and plays. His play Waiting for Godot was written in 1948 and was completed in 1949. The show opened in a theatre in Paris in 1953, and has been duplicated many times since. Many of Beckett’s works are in a war land and have dark influences and story lines. Beckett’s writing style is heavily influenced by the effects of war on his own life. In Waiting for Godot, they are in a barren wasteland, waiting hopelessly for something, much like a soldier at war, waiting to strike their enemies. Although not all of his writings are about war.
Throughout Beckett’s life, was very secretive. He didn’t like to leave his estate towards the end of his life and he also got married in secret. He liked isolation and removing himself from reality. This may have been an influence on his writing style as well, leaving his characters alone in a vast and overwhelming world.
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
Edgar Allan Poe is one of the most celebrated writers in American literature. He is well known for his style of writing which is dark and morbid in nature. Poe makes use of irony as well as foreshadowing in many of his stories including the short story “The Cask of Amontillado”. For the most part, Poe's descriptions in his writings are haunting and realistic. Some often speculated that Poe derived his unique style of writing from his personal life struggles. His stories are written with deep emotions that make his audience feel a connection and they can create an image of themselves experiencing what is happening in his writing. Poe dedicated most his stories into specific categories which stayed within a genre and those who admire his work are never mistaken for someone else’s. Another American writer, whose writing manifests her life experiences, is Kate Chopin. Chopin is late 19th century writer who used her writing to voice her dissatisfaction of current principles of the time. In her time, women had fewer rights and they were not considered equal to men. Chopin’s “The Story of an Hour” is about how someone can be stuck in a miserable and unsatisfying reality because of other’s thoughtlessness, oppression, and domination. Edgar Allan Poe’s “The Cask of Amontillado” and Kate Chopin’s “The Story of an Hour” share similar elements of irony, foreshadowing, and symbolism. In addition to using similar elements of writing, Chopin and Poe are greatly influenced by their struggles with their own personal life and society. Both author’s stories reach out to their audience not only about what they have witnessed and experienced, but also revealing to them to how the society were in the past.
The bizarre is endlessly fascinating, and Franz Kafka’s work is no exception. It pulls you in, glances dismissively at you, and spits you out, leaving you wondering what it knows that you do not. There is something at once familiar and deeply unsettling about his work, leading to the creation of a new word: Kafka-esque, meaning that something has a twisted, complex, nightmarish quality. Kafka’s longer works are invariably more bizarre, as there is more space and time for the work to develop. When a work is only 76 words like “Kleine Fabel”, however, each word has far more impact and significance. As such, Kafka deliberately chose each word, and each word in turn holds significance and meaning beyond a simple translation. In analyzing translations
Samuel Beckett was forty-two years old and living in post-war Paris when he wrote Waiting for Godot as an exercise to help rid himself of the writer's block which was hindering his work in fiction. Once he started, he became increasingly absorbed in the play, and scribbled it almost without hesitation into a soft-cover notebook in a creative burst that lasted from October 9, 1948, until he completed the typed manuscript on January 29, 1949. After some revision, he offered the script to several producers, but it was refused. Although Beckett himself gave up hope with the script, his wife was more persistent, and, acting as his agent, she continued to approach producers. Finally, she met with actor/producer/director Roger Blin, who had produced a string of four under-funded and under-attended productions of Synge and Strindberg. Blin was immediately delighted with the piece. Unfortunately, money to produce the play was difficult to come by. Years passed between the writing and the actual production of the work.
Aldiss, Brian W. “Franz Kafka: Overview.” St. James Guide to Science Fiction Writers. Ed. Jay P. Pederson. 4th ed. New York: St. James Press, 1996.
Topic 2 Writing, like other forms of art, draws upon an artist’s inspiration. Either subtly or overtly, an artist’s interactions and perception of the world influences their piece. Franz Kafka, born into a Jewish family in Prague, incorporated many of his life experiences into his work The Metamorphosis. Metamorphosis presents many connections between the life of the protagonist, Gregor Samsa, and Kafka himself. Some literary analysts claim it serves as an outlet for his distraught life.
...dysfunctional family, amidst their painful existence, manages balance their powers and to mutually co-exist. Words have much power, and Hamm retains his grip on his family by his commands. However, Clov – Hamm’s eyes and limbs – has power that matches Hamm’s, because if Clov leaves, no one will be able to physically support them. Nagg and Nell have the power of words and memories, as well as that of listening skills. They are the perfect audience for Hamm, who feels that dialogue is his main reason for living. Without them, Hamm will have no more reasons to continue living. Precariously balanced, the power play in Beckett’s play is like that of its title: an endgame fraught with dangers and overshadowed with doom.
Kafka, Franz, and Mark Harman. Amerika: The Missing Person: A New Translation, Based on the
Pawel, Ernst. A Nightmare of Reason: A Life of Franz Kafka. 2nd ed. New York: Farrar, Straus, & Giroux, 1984.
Franz Kafka’s “Before the Law” is often referred to as a parable. Thus, it is logical to approach Kafka’s work as an allegory and search for the deeper meaning underneath the story. We can then try to uncover the identity of the characters; of the gatekeeper, the man from the country, and the Law and subsequently relating them to something that fits the example of the plot; a man’s confused search for god, a man’s quest for happiness but never accomplishing it, a academic’s quest for recognition which never comes. Any given number of innovative readers...
Kafka faced isolation not only in his family but in the whole community of Prague too, thanks to German-speaking people being a minority there. Being a jew, he was generally hated in the community (anti-semitism). His complicated network of identities and thoughts are usually considered the source for many of his sophisticated literary works.
How would you feel if you felt your father or mother hated you? It’s an experience many teenagers and kids go through. Anyone can relate to this feeling whether they were born in the year 1800 or the year 2000. Franz Kafka, a writer in the early 20th century wrote his book, The Judgement, about the relationship between a young man and his father, a relationship that eventually proves to be fatal. The unique aspect of Das Urteil, in comparison to Kafka’s other works, is that is focuses on the relationship between the protagonist and his father, which some believe to be an accurate reflection of Franz’s real life relationship with his father. According to Houghton Mifflin & Harcourt, “The Judgment is considered the most autobiographical of Kafka's stories.” Although there are a great many perspectives from which to analyse any piece of literature, perhaps the three most relevant lenses to The Judgement are Freudian, biographical, and historical. Through these lenses one can observe the vast and multitudinous parallels between The Judgement, Kafka’s life, and many of his other works. The similarities between Das Urteil and Franz Kafka’s own life give us insight into his creative process. Kafka’s subconscious unrest with his family, his work, and the world at large was expressed in his writing.
When Alan Schneider put the first American performance of Waiting for Godot, he asked Beckett who Godot is or what is Godot, Beckett said: “If I knew, I would have said so in the play.” This is a useful warning to anyone who is coming to the Beckett’s play with the intention to find the key to understand and accurately identify the meaning. However, it is not surprising that the plays written in this unusual and mysterious manner are perceived as if there is a particular need to disclose their secret meaning translated into everyday language. Does Godot mean the intervention of supernatural forces, or does it symbolizes the mythical foundation of life? Does Godot’s arrival change the situation? In any case
Irish-born French author Samuel Beckett was well known for his use of literary devices such as black comedy in his various literary works. Written during late 1948 and early 1949 and premiered as a play in 1953 as En attendant Godot, Beckett coupled these devices with minimalism and absurdity in order to create the tragicomedy known to English speakers as Waiting for Godot. True to its title, Waiting for Godot is the tale of a pair of best friends known as Vladimir (Didi) and Estragon (Gogo) who are waiting for the character the audience comes to know as Godot to appear. Throughout Beckett’s play Waiting for Godot, Samuel Beckett alludes to the monotheistic religion of Christianity through symbols, dialogue, and characters to reveal the heavy invisible influence of God in the daily life of man.
...hin Waiting for Godot. The text is made up of two acts that mirror each other in content, as a convention of the Theatre of the Absurd. Vladimir and Estragon’s existence is cyclical and repetitive as indicated through the stage directions at the beginning of Act 2, “Next Day. Same Time. Same Place.” Vladimir and Estragon are incapable of moving on with their lives, as they are fearful of the repercussions and decisions that may affect their fate. This heightens their anticipation for the arrival of Godot and traps them into complete stagnation. Beckett uses this circulatory structure to effectively communicate the entrapment of humanity post the atomic bomb. As a result of the rejection existential notions, civilisation will remain static until they are freed from their anguish. Beckett further displays Cold War Anxiety through his character little regard for life.