Irish-born French author Samuel Beckett was well known for his use of literary devices such as black comedy in his various literary works. Written during late 1948 and early 1949 and premiered as a play in 1953 as En attendant Godot, Beckett coupled these devices with minimalism and absurdity in order to create the tragicomedy known to English speakers as Waiting for Godot. True to its title, Waiting for Godot is the tale of a pair of best friends known as Vladimir (Didi) and Estragon (Gogo) who are waiting for the character the audience comes to know as Godot to appear. Throughout Beckett’s play Waiting for Godot, Samuel Beckett alludes to the monotheistic religion of Christianity through symbols, dialogue, and characters to reveal the heavy invisible influence of God in the daily life of man.
Throughout the tragicomedy, the pair anxiously awaits the arrival of Godot. Vladimir and Estragon’s loyalty to Godot is evident within the first act of play. During a conversation between the two, Estragon asks Vladimir, “And if he doesn’t come?” to which Vladimir answers “We’ll come back tomorrow” and the go on to continue this dialogue: “Estragon: ‘And then the day after to-morrow.’/ Vladimir: ‘Possibly.’/ Estragon: ‘And so on.’/ Vladimir: ‘The point is—‘/ Estragon: ‘Until he comes’” (Beckett 10). In the New Testament of the Holy Bible, John 3:16 states that “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life” (King James Version, John, 3.16). This biblical verse is used frequently in the Christian church to represent the idea of salvation. However, the Bible never gives an exact time frame on salvation, leading Christians to wait for God’s impend...
... middle of paper ...
... If Godot ever comes, this cycle of waiting will be broken and life as Vladimir and Estragon have lived it will be as well. Throughout the world, Christianity is a very dominant religion, with a larger amount of followers compared to other religions such as Islam and Buddhism. Not only does Christianity have a huge influence on the followers of the religion but on non-believers as well. Christianity’s values are built into aspects of life such as finance and education among other things. In Waiting for Godot, Samuel Beckett uses symbol, dialogue between characters, and the characters themselves to portray the invisible influence that God has on both believers and non-believers.
Works Cited
Beckett, Samuel. Waiting for Godot: tragicomedy in 2 acts. New York: Grove Press, 1982. Print.
The Holy Bible: King James Version. Iowa Falls, IA: World Bible Publishers, 2001.
To whom it may concern: These people around you are almost all of the survivors on San Lorenzo of the winds that followed the freezing of the sea. These people made a captive of the spurious man named Bokonon. They brought him here, placed him at the center, and commanded him to tell them exactly what God Almighty was up to and what they should now do. The mountebank told them that God was surely trying to kill them, possibly because He was through with them, and that they should have the good manners to die. This you can see, they did. (Vonnegut 272-273)
In ‘Waiting for Godot’, we know little concerning the protagonists, indeed from their comments they appear to know little about themselves and seem bewildered and confused as to the extent of their existence. Their situation is obscure and Vladimir and Estragon spend the day (representative of their lives) waiting for the mysterious Godot, interacting with each other with quick and short speech.
Samuel Beckett may have renounced the use of Christian motifs in Waiting for Godot, but looking at the character of Lucky proves otherwise. We can see Lucky as a representative figure of Christ as his actions in the play carry a sort of criticism of Christianity. His role suggests that the advantages of Christianity have declined to the point where they no longer help humanity at all.
abandoned the conventions of the classical play to concentrate on his important message to humanity. Using his pathetic characters, Estragon and Vladimir, Beckett illustrates the importance of human free will in a land ruled by science and technology. He understood the terrors of progress as he witnessed first hand the destruction caused by technologically-improved weapons working as a spy during WWII. In his tragicomedy, Estragon and Vladimir spend the entire time futilely waiting for Godot to arrive. They believe that this mysterious Godot will help them solve their problems and merely sit and wait for their solution to arrive. Beckett utilizes these characters to warn the reader of the dangers of depending on fate and others to improve one's existence. He supports this idea when Estragon blames his boots and not himself for the pain in his feet, and Vladimir responds, "There'...
Beckett, Samuel. Waiting for Godot : tragicomedy in 2 acts. New York: Grove Press, 1982. Print.
At the start of the play, God criticizes the way that “all creatures” are not serving him properly. He dislikes that people live without fear in the world or with any thought of heaven or hell. “In worldly riches is all their mind” God claims. “Every man liveth so after his own pleasure”, and only God realizes the decaying of the world and decides to “have a reckoning of every man’s person”.
Jacobsen, Josephine and Mueller, William R., The Testament of Samuel Beckett, Faber and Faber Ltd., London, 1966
John, on the other hand, is deeply offended before he’s even finished reading the article. He leans heavily on the feeling that God has the only power to decide someone’s fate, not man. “It’s not right to interfere with another person’s existence on Earth,” he thinks to himself as he keeps reading.
Samuel Beckett's Waiting for Godot has been said by many people to be a long book about nothing. The two main characters, Vladimir and Estragon, spend all their time sitting by a tree waiting for someone named Godot, whose identity is never revealed to the audience. It may sound pretty dull at first but by looking closely at the book, it becomes apparent that there is more than originally meets the eye. Waiting for Godot was written to be a critical allegory of religious faith, relaying that it is a natural necessity for people to have faith, but faiths such as Catholicism are misleading and corrupt.
In Samuel Beckett Tragicomedy Waiting for Godot he begs the question of life and death. Throughout the commotion of the play Becket addresses the age old debate of the afterlife and if people willingly pass this life to enter into Gods kingdom or if God calls them. Beckett introduces characters such as Estragon, Vladimir, and Lucky to illustrate the different types of perspectives that man has taken on this debate.
Beckett, Samuel. Waiting For Godot. 3rd ed. N.p.: CPI Group, 2006. Print. Vol. 1 of Samuel Beckett: The Complete Dramatic Works. 4 vols
Godot’s characters do not despair in the face of their situation, and this “perseverance remains constant throughout a body of work that, in the words of the citation awarding Beckett the Nobel Prize for Literature in 1969 had ‘transmuted the destitution of modern man into his exaltation’ (qtd. in Bair 606)” (Hutchings 30).
As much as any body of writing this century, the works of Samuel Beckett reflect an unflinching,
Waiting for Godot is Not an Absurdist Play. Samuel Beckett's stage plays are gray, both in color and in subject matter. Likewise, the answer to the question of whether or not Beckett's work is Absurdist also belongs to that realm of gray in which Beckett often works. The Absurdist label becomes problematic when applied to Beckett because his dramatic works tend to overflow the boundaries which scholars attempt to assign. When discussing Beckett, the critic inevitably becomes entangled in contradiction.
Beckett, Samuel. Waiting for Godot : tragicomedy in 2 acts. New York: Grove Press, 1982. Print.