Legend says, “What goes around comes back around”. This saying is often used to describe karma, which is clearly illustrated in Nora Zeale Hurston’s 1926 short story “Sweat” and Gabriel Garcia Marquez’s 1955 short story “A Very Old Man with Enormous Wings”. These two stories are so different but so similar in many ways. For example, the conflicts and genres of these stories are completely different. The settings and styles of writing are also different. On the contrary, these two stories are told in a similar point of view. More than anything, the conflicts of these two stories are the biggest illustration of karma’s “powers” in their own meticulous ways. In “Sweat”, Delia Jones faced conflict as her violent, good-for-nothing husband Sykes stepped out on her with other women and did literally whatever he wanted. In the meantime, she stood loyal to him and did what she could to make him happy. His ongoing deceit and infidelity backfired on him when the snake his wife told him to get rid of bit him and ended his life. In “A Very Old Man with Enormous Wings”, Pelayo and Elisenda were blessed with the presence of an angel in their home. Instead of embracing this blessing, they abused it by using him as an opportunity for wealth and constantly shooing him back into their shed. After being pushed away for so long, he up and left. Elisenda didn’t …show more content…
realize how much of a blessing she had literally walking through her home until he was gone. Although these stories are completely different in terms of conflict, the recurring theme of karma flows along both of them. The genres of these stories are very different. “Sweat” would be classified as a drama. This simply means that the story was written to be performed by actors. In contrast, “A Very Old Man with Enormous Wings” falls under a genre called “magical realism”. Magical realism is a literary genre where extraordinary or even impossible events are taken to be ordinary by the characters within the story. The point of view in which these stories are told are very much similar, but they are differentiated by one factor--“Sweat” is told from a third person omniscient point of view and “A Very Old Man with Enormous Wings” is told from a third person limited omniscient point of view. A story told from a third person omniscient point of view means that the narrator is “all knowing”. The reader is not limited to the knowledge of one character in the work. A story told from a third person limited omniscient point of view restricts the reader to the knowledge only of either one character or the narrator. In addition, the settings of these two stories are completely different.
“Sweat” takes place in rural Florida of the 1920’s. Yet, other than Pelayo and Elisenda’s courtyard, the overall setting of “A Very Old Man with Enormous Wings” is not stated within the story. It can be assumed that the story takes place on the coast of a Spanish-speaking country due to the climate and references to the sea throughout the story. The names of the characters can also contribute to the reflection of the story’s setting—Gabriel Garcia Marquez is of Hispanic descent and derived most of his works from stories his grandmother told him as a
child. Finally, the styles in which these stories are written are in like manner. Both stories are told in a very straight-forward fashion. “Sweat” uses a lot of southern dialect, but everything is told as it happens. The same goes for “A Very Old Man with Enormous Wings”. There are no flashback or foreshadows in either of these stories. Both stories are also very descriptive. They use lots of adjectives to describe the situations and characters as they come along. In summary, Zora Neale Hurston’s 1926 short story “Sweat” and Gabriel Garcia Marquez’s 1955 short story “A Very Old Man with Enormous Wings” are different in various ways, but so alike at the same time. These contrasts and comparisons come together to illustrate that “what goes around comes back around”.
The fables “El Grillo y el Jaguar” and “The Hero in the Village” both contain similar messages of cleverness and justice. The former is a Mexican fable about an unkind jaguar who challenges a singing cricket to a race. On the other hand, the latter Bolivian fable is about a hard-working burro who is blamed for eating his master’s garden every night, but the true culprit is a group of sly foxes. Both the cricket and the burro cleverly defeat their antagonists, however. While each encloses differences, also, these fables have many resemblances in characters and themes.
The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors purpose and enhance Into The Wild.
In the very beginning of “Sweat” one can see that Delia possesses a very strong work ethic, by the way that she is working vigorously to wash the clothes for the white people that she worked for to put food on the table and a roof over her and Sykes’ head. The white clothing that Delia washes in the story represents her character. White signifies her virtuousness and wholesome spirit. Delia has a docile personality and a prevailing belief in God. Delia’s body may be physically broken from all the years of tough labor and mistreatment from Sykes, however her spirit remains unbroken. Delia is a church going woman that is inspired by her trust in God. She has confidence that God will steer her the right way and shield her from Sykes cruel physical and emotional abuse.
The general theme of “A Very Old Man With Enormous Wings” is “Let things run their natural course; don’t bring conflict upon yourself by trying to defy nature”. When the angel comes, the very wise old woman tells them that he must be here to take their child but they don’t listen to her intelligent advice. “Against the judgment of the wise neighbor woman, for whom angels in those times were the fugitive survivors of spiritual conspiracy, they did not have the heart to club him to death. Pelayo watched over him all afternoon from the kitchen, armed with his bailiff’s club, and before going to bed he dragged him out of the mud and locked him up with the hens in the wire chicken coop”. Pelayo defies nature by not letting the Angel go, and hence the Angel is locked up “as if he weren’t a supernatural creature but a circus animal”. At the end of the story the wife watches the angel fly away and realizes that now he is now longer an annoyance in her life. If the...
Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong. Sykes, in the story, tormented Delia in many ways throughout the story. One incident was with the bull horn when he tried to scare Delia while she was sorting the white clothes. Sykes also kicks all the clothes she had sorted all over the floor. Through all the pain and torment she goes through with Sykes, she still goes to church on Sundays and pray and come home go back to working around the house.
Scott, Cynthia C. "Zora Neale Hurston's Sweat: Character and Metaphor in the Short Story." Yahoo! Voices (2007).
To most people, the name Zora Neale Hurston is associated solely with Their Eyes Were Watching God, her most famous work. In some cases her name is synonymous with the Harlem Renaissance. However, very few people are informed about the aspects of Zora's life that influenced her writing of Their Eyes , nor do they know about how she arrived in New York to become one of the most famous Black female writers of her time. Robert Hemenway's Zora Neale Hurston: A Literary Biography and Valerie Boyd's Wrapped in Rainbows: The Life of Zora Neale Hurston both seek to educate people about the life of this writer and to give the reader information about her other literary works. Both authors also draw from other sources to tell the story of Zora's life, including interviews with friends and colleagues and Zora's own words.
In A Very Old Man With Enormous Wings, an old man in need of help undergoes horrible torture by those that cannot see him as human. Because he cannot talk to them and cannot fight against them, he holds no status in their eyes. Marquez tries to make the reader understand that even if someone is different, whether by their ideas, physical appearance, love interests or communication abilities, they are no less human than anyone
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
"Wading through waist high weeds, Alice Walker stumbled upon a sunken rectangular patch of ground", under it lay the forgotten literary genius of the South: Zora Neale Hurston (Boyd 2). Zora Neale Hurston, was an African-American novelist, folklorist, and anthropologist during the 1920s in Harlem, New York. The 1920s, also known as The Harlem Renaissance, African-Americans were able to express and represent their culture in its entirety, which until then had been pushed aside by the Whites. During this era Hurston not only embraced her culture, but provided women with a model on how to effectively contribute to it themselves. She showed them what it was like to be a woman writer and speak up for what she believed in regardless of the racial
"Zora Neale Hurston is Born." history.com. A&E Television Networks, 7 Jan. 2016. Web. 12 Jan.
Have you ever been discouraged or tired of your daily routine? At one point, you become so used to your routine that you are not able to see the great things that are happening in your surroundings. The story A Very Old Man with Enormous Wings by Gabriel Garcia Marquez demonstrates how to see the beauty in the ugly and ordinary through its plot, its character and its oxymoron.
"A Very Old Man with Enormous Wings" is a standout amongst the most understood cases of the mysterious pragmatist style, joining the unattractive subtle elements of Pelayo and Elisenda's existence with phenomenal components, for example, a flying man and an arachnid lady to make a tone of equivalent amounts of nearby shading story and tall tale. From the earliest starting point of the story, García Márquez's style comes through in his bizarre, nearly pixie tale– like portrayal of
The strange creature did not deserve the disrespect of the townsfolk, but acceptance of this being was not to be. In the short story, “A Very Old Man with Enormous Wings,” by Gabriel Garcia Marquez, the appearance of a winged man causes a great upheaval in the town villagers, because of his looks and foreign speech. Since he did not conform to their concept, of what is right and good in their world, the villager’s behavior was shameful. One can only surmise the mistreatment of such a creature and wonder why he is deserving of such abuse from everyone in the village. Respect for sameness and disrespect for variance is no way to live, in a world with so much diversity. Therefore, when one comes across something foreign and unfamiliar, one should take steps to find common ground and learn one from another.
In today’s society women are viewed as equals with men, but in the time period in which Their Eyes Were Watching God takes place, it was believed that a woman needed a man. In this novel, Hurston portrays Janie as an independent woman, but throughout the book she is almost always with a man because of her placement in society. She does to show that women are capable of independence but are not the given the opportunity to be independent. In this essay I will examine the independent elements of Janie’s personality as well as the dependent elements of Janie’s character.