No Time For Ugliness Summary

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The video “No Time for Ugliness” describes the need for more nature and greenery in cities due to the fact that industrial changes (such as parking lots, billboards, etc.) are “visually unappealing”. Along with various aspects such as signs being visually unappealing, the video discusses how slums are as well—saying that the solution is to build lower income housing that still “fits the needs” of the lower class population and those who would be displaced by the “progressive” changes while being visually appealing to others. The narrator, who paints himself as an all-knowing figure, ends the video by blaming the government and laws for the incorrect planning of cities and states that the only way to properly design urban spaces in a visually …show more content…

Although Moses started out with the idea of beautifying cities from piles of ashes and had successful projects (such as Jones Beach State Park), even then he “used physical design as a means of social screening” (p. 299) by only allowing his parkways to be experienced via cars, which at that point in time only the wealthy had. After the “greater reconstruction of the whole fabric of America after World War Two” (p. 307) when automobiles became the center of the modern world, cities were conceived as “obstructions to the flow of traffic, and as junkyards of substandard housing and decaying neighborhoods from which Americans should be given every chance to escape.” (p.307) This country-wide shift in values caused Moses (along with others) to obliterate urban neighborhoods and replace them with highways, and as a result “plunge cities into the chronic crisis and chaos that plague their inhabitants today.” (p. 308) Both the video and the essay about Moses provides more evidence about the injustices regarding city planning, and how that stems from the values of those in charge of planning (the upper

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