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Character development introduction
Culture shock research paper
Sociological study of culture shock
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No More Maybe, by Gish Jen is a story about a Chinse couple who have Immigrated to the United States and are hosting the husband’s parents as they await the birth of the couples first child. As the mother in law waits she decides to enjoy some of the resources the United States has to offer such as breathing clean air and taking free English classes. This causes a competition to break out between the narrators, mother, and father in law. The father in law believes English classes are a trap set up by the government to spy on immigrants. However, the mother in law disagrees and challenges him, by learning English regardless of his opinion. As the mother in law decides to maintain her self-busy the father in law looks for hobbies himself. He decides to rearrange the furniture around the house and proceeds with a desire to wash his son’s car. Ironically, he confuses the neighbor’s car with his sons and ends up washing the neighbor’s car. The neighbor then comes and thanks to the father in law for washing his car. The …show more content…
It is him who we as readers spend the most time reading and learning about. The father in law seems to be going through a state of dementia, an example of this is that the narrators “father-in-laws English is declining.” Another example appears when the narrator describes her father in law having many ideas that he had to write them down on a piece a paper. Now as he is older “he still puts a piece of paper next to his bed. But in the morning, it is almost always blank. If he writes something, he says he cannot read it. The writing is unclear.” However, he is a static character due to him being stubborn throughout the story and always questioning others. He never develops a change throughout the story, even though he accepts that he was wrong, he remains authoritative yet stubborn throughout the end. The central idea is of cultural shock is supported by him having an authoritative
The first article is “Mother Tongue” by Amy Tan. The author tells a story of her relationship with her mother whose English is poor in comparison to that of most Americans. The author is well versed in English since she was schooled in the United States. (Tan 37) The author begins with an introduction to her mother’s style of language. She explains that it is her language that she and her mother share, and it is a “language of intimacy.” (36) Tan makes sure to point out that it is not difficult for her to understand what her mother says. After this introduction Tan begins to tell the reader about stories of how her mother’s limited English had affected her. She writes that she had been ashamed of her mother’s unintelligible English. Her story is about a time when she had to make a phone call for her mother and how she had noticed the way others passed her mother off as a nuisance. Her next story had a similar...
Mother Tongue by Amy Tan was one of the best short stories I have ever read and I am excited to analyze it. Tan was born in California to Chinese immigrants. She writes in her story about the struggles she faced with language. Tan makes great use of ethos, pathos and logos in her essay to make her claim that there are many Englishes, and none should be considered wrong.
In 2010 author Andre Dubus III had an excerpt published called “My Father Was a Writer”. The author writes about how his father who was a Marine and how life was as a military family. Eventually the stresses of being a Marine took its toll on the relationship between his father and the family. In 1963, the author’s grandfather passed away and not long after his father retired from The Marines and traveled down a new path and was accepted into Iowa Writers’ Workshop. As time went by the father’s life began to change. From hugging and kissing his wife to letting his appearance change from clean cut and shaved to growing his hair and having a mustache. Showing the author and his siblings more attention from sitting with them at night just to tell
...h his writing of “A&P”. This story shows that no matter who someone is, where they are from, their gender or their age, the basics do not change. People, are continuously at war with their need to feel something about themselves that sets them apart from others. By nature, people desire self expression, and some form of individualism. However, the desire inevitably will lead us to a cross road and a decision must be made. Humans, regularly have to battle both internal and external controls when it comes to making decisions in order to comply with social norms and avoid upsetting the delicate balance between what is socially acceptable and individualism.
The story is concerned with the conflict between his conception of himself and the reality.
While these essays are similar because they focus on the native languages used in America and the struggles of being a Chinese American in America, they differ in both their attitudes toward their mothers and personal reflections of being Chinese American. An individual’s background is where one comes from and how he or she was raised. Tan is a Chinese American. She has a traditional Chinese mother who speaks “broken” English. Tan states that, “It has always bothered me that I can think of no way to describe it other than ‘broken’, as if it were damaged and needed to be fixed[. . . ]”
As the story begins, the character of the husband has a negative personality. He lacks compassion, is narrow-minded, and is jealous of his wife’s friendship with a blind man named Robert. His constantly complains that “a blind man in my house was not something [he looked] forward to” (362). The close outside friendship between the narrator’s wife and Robert provokes his insecurities. This friendship has lasted for ten years and during those years, they have exchanged countless tapes regarding experiences they have gone through. Because of this, her husband feels “she [has] told him everything or it so it seemed” (363) about their relationship.
... middle of paper ... ... Throughout the story he changes physically, mentally, and emotionally from a young child to an old man, which makes him a dynamic character. He became a very dynamic character because he found a need for materialistic things such as statues and homes such as Xanadu, his large home on a vast plot of secluded land.
In this essay the main task is going to be to develop all the characteristics about this strange narrator.
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
...ch as time, dates, and the exact relationships between the different characters are is not spelled out. This active involvement of the viewer is necessary for the work of art to stand on its own. This takes the challenge thrown out by modernists to reject easy conventions and make new ones, and pushes it further to the point where conventions become a joke. Those who understand the references get the joke, and this creates a new kind of meaning beyond the surface meaning of the narrative.
...nd place in the world. He receives an anonymous letter stating “don’t go too fast” (Ellison 9) which was a quaint reminder that he was merely a black man living in a white man’s world. The narrator struggles throughout the majority of the novel with his image and the very image inside of his head of who he was supposed to be, the image planted for him by his peers and oppressors. “Who are you? No one of consequence must know. Get used to disappointment.”(William Goldman, the Princess Bride) this quote seemingly to be the very essence of the entire novel, and the exact problem that the narrator struggles with. He did not realize that he had to stand on his on and fight off the notions that he couldn’t be his own person no matter what other people thought and especially no matter the color of his skin. He stated “When I discover who I am, I’ll be free.” (Ellison 6)
Subtle hints are laid down, such as his views about politics, work, his family and intellectuals. It is a very clever and concise as well as in depth character construction illustrated here by Lodge.
Using the narrative device of self-insertion into the text, he is successful in deconstructing certain long-established notions of nationality, culture, sex and gender, that are presented within these narratives. By inserting himself into the subverted texts of popular
By not partaking in social customs or following cultural norms, he expresses revolt.... ... middle of paper ... ... And if we could exemplify the absurd characteristics: revolt, freedom, and pleasure in our lives, we could live life more fully: By revolting against tomorrow, we can come to terms with the present moment.