‘Night at the Museum' is an American fantasy-comedy film produced in 2006 that was based off the children's book of the same name written by Milan Trenc. It tells the story of Larry Daley, unemployed and divorced, who accepts the job as a night guard at the Museum of Natural History where he soon realises that all the exhibits in the museum come to life after the sun sets. With the help of President Theodore ‘Teddy' Roosevelt, Larry is able to overcome the complete chaos that enfolds the museum and become an idol in his son's eyes. Through the manipulation of camera shot types, camera angles and lighting during the scene where Larry reveals the contents of the sarcophagus, an air of mystery was able to be conveyed successfully to the audience. …show more content…
This lighting was particularly noticeable when the two guards were blocking the entrance to the sarcophagus, drawing particular attention to the gold on the tablet and the sarcophagus. This signified to the audience the wealth and significance of the tablet and the sarcophagus as it is embedded with gold and has two guards defending it. This supports the theme of mysteriousness as the reason for their wealth and significance is unknown. Furthermore, in the shot where the sarcophagus was shown in detail, only half of the sarcophagus was lit up, indicating to the viewer that it has not been fully examined, further supporting the air of eeriness surrounding the scene. With the use of low-key lighting throughout the scene, a mysterious mood was able to be conveyed to the
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
The lighting was also very effectively used to show the coming and going of cars on the set. The reflection of lights on the front door of the house were used resemble those of an automobile. Even the final scene had just enough absence of light that the shadows of the characters could be seen sitting around the dinner table and praying by candlelight. At the very end of the performance the candles were extinguished consuming the set in blackness in turn signifying the end of the production.
Speak, by Laurie Halse Anderson, is a story written in the first person about a young girl named Melinda Sordino. The title of the book, Speak, is ironically based on the fact that Melinda chooses not to speak. The book is written in the form of a monologue in the mind of Melinda, a teenage introvert. This story depicts the story of a very miserable freshman year of high school. Although there are several people in her high school, Melinda secludes herself from them all. There are several people in her school that used to be her friend in middle school, but not anymore. Not after what she did over the summer. What she did was call the cops on an end of summer party on of her friends was throwing. Although all her classmates think there was no reason to call, only Melinda knows the real reason. Even if they cared to know the real reason, there is no way she could tell them. A personal rape story is not something that flows freely off the tongue. Throughout the story Melinda describes the pain she is going through every day as a result of her rape. The rape of a teenage girl often leads to depression. Melinda is convinced that nobody understands her, nor would they even if they knew what happened that summer. Once a happy girl, Melinda is now depressed and withdrawn from the world. She hardly ever speaks, nor does she do well in school. She bites her lips and her nails until they bleed. Her parents seem to think she is just going through a faze, but little do they know, their daughter has undergone a life changing trauma that will affect her life forever.
Art Spiegelman's Maus II is a book that tells more than the story of one family's struggle to live thought the Holocaust. It gives us a look into the psyche of a survivor's child and how the Holocaust affected him and many other generations of people who were never there at all. Maus II gives the reader a peek into the psyche of Art Spiegelman and the affects of having two parents that survived the Holocaust had on him. Spiegelman demonstrates the affects of being a survivor's child in many ways throughout the book. Examining some of these will give us a better understanding of what it was like to be a part of the Holocaust.
Instead of recording how Rick gets money from the safe, light is used to create a shadow of Rick and Rick’s action is reflected by the shadow. In addition, when a close-up shot is used to show Ilsa’s face, it seems that Ilsa’s face is illustrated by light deliberately and her face looks very beautiful. Besides, lighting always focus on important actors and actresses. When Rick is drinking himself in a room with Sam, low-key lighting is used and only half of Rick’s face can be seen; Sam’s face is more obscure than Rick’s. Furthermore, a door behind them keeps becoming brighter and darker alternately and it seems that there are people or cars passing the
The lighting is used as colour symbolism through Priestley’s decision to imitate the emotions in the act, ‘the lighting should be pink and intimate until the Inspector arrives, and then it should...
An estimated six million Jewish people were killed during the Holocaust, and many were thought to have survived due to chance. Vladek in Art Spiegelman’s graphic novel, Maus, is one of the few Jewish people to survive the Holocaust. Though Vladek’s luck was an essential factor, his resourcefulness and quick-thinking were the key to his survival. Vladek’s ability to save for the times ahead, to find employment, and to negotiate, all resulted in the Vladek’s remarkable survival of the Holocaust. Therefore, people who survived the Holocaust were primarily the resourceful ones, not the ones who were chosen at random.
Ronald Reagan once said, “We fought a war on poverty, and poverty won.” I read the book, Dancing in the dark by Morris Dickstein. This book was about the great depression, and the impacts it had on American life. The traditional thought of poverty, people dying of hunger and people lying in the roads, has been erased. America has abolished poverty by the traditional standards but the thought of poverty and what it is has changed. In America we consider poverty to be spending all your money on bills, so you have no money left for food to feed your family. We consider poverty to be just being poor. One-Third of our population makes less than $38,000. This is not enough to be able to be above the poverty line. Anything below this “line” is considered being poverty. How do they decide this line? They take the cost of a very basic diet, and they multiply it by three, for a family of three. That being said, One-half of the jobs in America pay below $38,000 a year, so no wonder we are losing the war on poverty.
In the short story “Being There”, by Jerzy Kosinski, there are multiple examples of satire that are displayed throughout both the book and the movie. A few of them are: media, death, politics, and racism. The satire of the media was very similar in the book and the movie. Media played a big role in society and still does to this day.
Kate Chopin’s “The Story of an Hour” tries to shed light on the conflict between women and a society that assign gender roles using a patriarchal approach. Specifically Margaret Bauer highlights, that most of Chopin’s works revolves around exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (146). Similarly, in “The Story of an Hour” Chopin depicts a society that oppresses women mostly through the institution of marriage, as women are expected to remain submissive regardless of whether they derive any happiness. The question of divorce is not welcome, and it is tragic that freedom of women can only be realized through death. According to Bauer, the society depicted in Chopin’s story judged women harshly as it expected women to play their domestic roles without question, while on the other hand men were free to follow their dream and impose their will on their wives (149).
The night sets used in the film are important to setting the mysterious atmosphere and sense of danger that the movie thrives in. The filmmakers utilized lighting fixtures of the time to amplify the sets. As Lincoln’s mother dies in his wooden cabin, the single light from a candle flickers illuminating the horrid scene. The light amplifies the sense of unease that a lone cabin sitting in the woods generates within modern people. Next, lanterns are used to illuminate key parts of the set during Lincoln’s first fight with a vampire. Only fixtures such as slave shackles, dark boat moorings, and a slowly breaking wooden dock are shown. The light cast drives the viewers focus onto objects that would cause a sense of dread and fear and make the fight much more powerful. Objects that would be considered frightening and strange today but common during the Civil War period are also used to generate an aura of danger and horror. During a fight, Lincoln stumbles into a basement filled with rope, porcelain bowls, and a straight razor. At the time these all would be common household objects, but immediately after it is revealed that this was the scene of multiple murders. Each of those objects symbolizes death in popular culture and generate a dark atmosphere that foreshadows the horror Lincoln was about to stumble upon. The combination of accurate lighting to focus the viewer on certain objects on the set and the symbolism that these objects represent generates much of the atmosphere the film
Darkness is meant to conceal, light is meant to expose, and there is power intrinsically imbued in both of these. Murderers hide in the dark, waiting for their victims, and the atrocities of different countries are hidden in history and official memos and propaganda. At the same time, light exerts power because it illuminates, it discovers, it creates vulnerability on all it touches. These powers, however, do not simply exist; they are forged within every aspect of life, even the very structures that people live in. Low-income tenement apartments are built so that they are not seen, colored in a drab shade of gray or brick, build alongside one another so that they blend into the background. They have small lawns and even smaller windows so that people walking by cannot get a glimpse of the life inside; darkness is used to hide their sad reality. Victorian mansions, however, do not need to shroud themselves in darkness. Their almost treeless lawns, small front gardens, and large picture windows are meant to illuminate their wealth, showing it off for the entire world to see.
There are many different definitions of museum but will state one here from the most common site to access Wikipedia.
Throughout the film fire acts as a symbol of both destruction and regeneration. The burning down of the house destroys painful memories, but at the same time regenerates the image of their mother. The technique of lighting is used in the scene where the girls burn down the house. The brightness of this scene coincides with an illumination of truth. The music used at this time of the film is very loud to give the effect of a dramatic scene.
A New Vision of Reality All throughout history human societies have been built and destroyed. The sand is destroyed. When destruction was within a society rather than from outside influences. that society may have survived if problems had been recognized and resolutions to those problems applied. In today's age, society is not only.