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“Nigga do you think I wanna hear yo’ bullshit ass excuses. You know the rules either you have my money or somebody dies. It's that fucking simple! I don't do this back and forth bullshit.” I swear these niggas think I'm a fucking therapist or a priest or some shit I don't wanna hear ‘nan fucked up story about my shit. Count it out or be prepared to get laid flat. I’m twenty years old and me and my brother Kilo, who’s nineteen, run shit. I’m young but a niggas far from dumb. These old muthafuckas are about to die and don’t even know it. “We have the daughter of the woman who shorted us so you tell us what you want us to do.” These motherfuckers were twice my age and still dumb as fuck. “Y’all niggas slipping. Bring her in here, I got shit …show more content…
Then asked him, “do you really have a rubber-band or were you just playing.” He was still smiling, “nah lil bit I ain't got no shit like that I was just fucking witcha’,” she ran her hands through her hair trying to tame it but that huge mass of hair had a mind of its own. Kilo had his dreads in a ponytail so I took the black hair tie off his dreads and handed to her. “What the fuck! Gram how the fuck you gone just snatch my shit out my damn head like that?” She laughed and that shit was so contagious that I had to join her. “That's what the fuck you get for talking shit all the time. Besides momma taught yo ass better than to insult a lady.” This nigga’s eyes almost popped outta his head. “I never thought the day would come when Big Bad Graham LeShawn Northern,” I wasn't about let him say what I knew he was about to say. “Shut the fuck up for real before I beat yo’ ass. Brother or not say that dumb shit and see what's gon’ happen.” I guess she was tired of seeing us act like asses because she went back into my private bathroom. When she came back she had fixed her hair into a big ass poof on top of her head. It was cute on her but I had no idea how she got all of her hair to stay in that one ponytail holder. “Come on let's go check on your family. Listen you all heart and I like that but don't do nothing dumb. If you try any slick shit I'm popping yo ass no questions
question, but when he didn’t, she said, “-he chunked me on the floor an‘ choked
the end she said, "I behaved badly. I know I did. I'm ashamed of it."
When she asks him if anyone was hurt he said "no'm. Killed a nigger." When
It was brought to my attention last night by someone, who shall remain nameless (JAYNIE TILLERY, our resident staff professional "proofer" ) that the two iPray emails sent yesterday afternoon contains multi errors.
that he was dirty. She said to him, “ If you wash your face and brush
“Did you tell it? You tell them Wallaces about Mama? (Taylor 161). You are the one that did it T.J.,” Stacey called over his shoulder. “Now leave us alone.
“What’s this?” he asked looking all confused. “Yo fucking D.N.A you dumb bitch, now have my money separated from yo shit before I get back!” I said while walking out the front door.
but I couldn’t hold it any longer. So I was going to give her my role but I thought of a better
There she is. I could set my watch by her on the off chance that I had one. Same rec center. Same time. Same workout.
She was screaming “JJ let her go! You are hurting her!” He let me go and my Grandma said to him “Get out of my house!” He was getting his stuff to leave and he called my grandma a “fake old lady”.
“That money you’ll be making is all mine alright?” “Yup, anything else?” I mention before I hang up on his ass. “You not allowed to fuck any niggas. They can watch all they want, but no touching at all.
Mercy. This is what I want to do to you, with you. I want you to know all my intentions, all my plans, for the rest of my life. I need you to know that I am very serious about us.
I’ll always love you, Sydney. I hope you’re doing well. Even still, at times, I feel like it’s us. Is it meant to be? Who the hell knows, but I feel like our attraction to each other is too strong.
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).