More handpicked essays just for you.
Features Elizabethan times and era Shakespeare's midsummer night dream
Reality and Fantasy in A Midsummer Night's Dream
Elements of comedy in midsummer night's dream
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Nick Bottom in A Midsummer Night's Dream by William Shakespeare In a Mid Summer Night's Dream, the character Nick Bottom is given a rather prominent role in the several scenes he appears in, although he is not a lead character in the play. Bottom is unique from all the other characters of the play not only because of the considerable contribution his character brings to the comedic value of the play, but because he is the only character able to enter fully in to both the human world and the world of the fairies. In this paper I will examine the character of Nick Bottom, and provide some analysis into the motives behind this humorous character's strange ways. The initial aspect one notices about Nick Bottom's personality is his enthusiasm for acting. From the introduction of the Mechanicals (1.2) when Peter Quince is assigning the roles of the play (The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisbe) to each of the characters, Bottom enthusiastically volunteers to play every role as they are being assigned to the other characters. This eagerness is clearly demonstrated when the second and third characters of their play (Thisbe and the Lion) are assigned. Bottom jumps in to each conversation, saying, "An I may hide my face, let me play Thisbe too." (1.2. 45), and "Let me play the Lion too.
Finally, Nick’s inability to involve himself emotional with anyone is also a problem. He is more of a bystander than a participant. He fears of being close to anyone, and mostly just gets along with everything. That is a problem. He needs to find someone to listen to, instead of him always being the listener. This emotional distance, which he has, is not a healthy thing for him and can cause him to end being a loner.
However, despite Nick’s flaws and obvious misjudgement of himself, Nick does not become a ‘bad person’. On the contrary, it is these flaws and errors of judgement that shape Nick into a human, relatable character. Being human is not about perfection; on the contrary, it is flaws of character and errors of judgement that shape the human experience.
...nces like to have a clear hero of their stories. The combination of the director’s artistic vision, cinematic choices, and Kline’s performance singles out Bottom as the main-character. The film’s time is not spent mostly on Bottom’s story; actually, the Athenian lovers take up the most actual screen time. Bottom represents the bridge between the real world of the merchants and lovers and the fantastical fairy kingdom. He comes from the lowest class of society and rises to be something the queen of the fairies loves and values. In a world in which no one breaks from the Chain of Being, Bottom is able to venture into a world grander than his own for a short time. When he returns, he holds the nobility he gained from his experience within, transcending all classes to become the perfect hero for our modern conception of the play, hilariously valiant and imperfect.
especially in that time period. At first, Nick is awed and drawn in by the
4). Nick’s assessment and criticism toward Jordan, Tom, and Daisy also show his skeptical and logical outlook on others around him. This tone shows Nick’s struggle between being like the emotionless and careless people around him (like Tom) or to be his own hopeful and romantic man (following
...age. Instead of laughing at Bottom, the film generates a feeling of sorrow for his character. When the wine is poured on him when the craftsmen first meet, Bottom takes an obvious emotional blow, so one can see how he would artificially inflate himself with the false perception of being a wonderful actor. When chosen to perform for Thesseus’s wedding, the players are very nervous and turn to Bottom for comfort. They look up to and respect Bottom for his confidence and acting ability, but Bottom later makes a fool of himself in the play by over dramatizing the part of Pyramus, especially when he performs the death of Pyramus. Michael Hoffman’s adaptation of A Midsummer Night’s Dream brings a classical play to a modern audience and makes it an exciting and humorous experience. This is accomplished most notably with the direction he gives to the two characters discussed. The animated humor of Bottom and the slightly more subtle badgering of other characters brought forth by Puck creates a certain amount of attachment to the movie by the viewer. The cinematic version of Shakespeare’s play is well adapted to a modern audience, especially through the characters of Puck and Nick Bottom.
The use and misuse of magic has an important role in A Midsummer Night’s Dream. As a recurring theme, Puck’s use of magic creates humor, conflict and balance in the play. The magic of Puck changes the head of Bottom into that of a donkey. Puck’s own use of magic adds more humor to the already comical and over-confident character of Bottom. Puck’s magic also creates a great deal of humor in the dealings of Bottom and Titania.
In William Shakespeare’s A Midsummer Night’s Dream, there are endless images of water and the moon. Both images lend themselves to a feeling of femininity and calm. In classical mythology, the image of water is often linked with Aphrodite, goddess of passion and love. Born of the foam of the sea, Aphrodite was revered as an unfaithful wife to her husband Hephaestus (Grant 36). This may have a direct coloration to the unfaithful nature of the four lovers, Hermia, Helena, Lysander, and Demetrius, while in the woods. Perhaps more important, however, is Aphrodite’s link to the other Olympian maiden goddesses. As Aphrodite was attributed with love and beauty, Athena was the protector of war and arts, and finally, Artemis was the goddess of the woods and wild things (Hamilton 31). Artemis was brother of Apollo, god of the sun, and therefore she was the goddess of the moon. Through out literature it seems imagery of the moon and water can be used nearly interchangeably because they both imply feminine powers; water is representative of life and motion and the moon is representative of Artemis directly. Shakespeare seems to have been quite aware of the duties and powers of this ancient goddess.
William Shakespeare's A Midsummer Night's Dream In the following essay I am aiming to show how Lysander's claim that 'the course of true love never did run smooth' is supported by other events in the play. "A Midsummer Night's Dream" was written by William Shakespeare. No one knows the exact date it was written but we know it was between 1589 and 1595. He combines romance with comedy to produce this popular story.
William Shakespeare is one of the most well-known authors in history. His works of literature have been studied for years. Shakespeare’s comedy, A Midsummer Night’s Dream, is one of seventeen. Shakespeare knew he was a fantastic author whose work would be admired much after he passed away. He used creative literary devices to add suspense and interest to his writings. One of those includes using a play within a play. Shakespeare uses a play within a play in A Midsummer Night’s Dream to add depth and elaboration to the comedy’s theme.
If we look very closely we will see that the love is a not just
The character of Bottom in Shakespeare’s A Midsummer Night’s Dream is frequently foolish, but he is not a fool. His exuberance and energy are allied to practicality and resourcefulness, with an alarming lack of self-consciousness. He, at any rate, is not at all tongue-tied before the duke, as Theseus has known others to be. We do laugh at Bottom in many situations, but should note that these are situations in which any man might seem ridiculous: amateur theatricals are almost a byword for unintended comedy, whether in planning (1.2) rehearsal (3.1) or performance (5.1); any artisan afflicted with an ass's head and appetites, and beloved of the fairy queen would have difficulty retaining his dignity.
Throughout history literature has changed into many different forms and styles, it has also stayed the same in many different ways, literary techniques and elements are key to a good piece of writing, a perfect example that shows us just this is in, A Midsummer Nights Dream, where we will further explore the different literary elements that were used most notably the plot. The plot of a story lays out the foundation and the background for the entire play to come, we'll compare and contrast this element and look at the different sub elements which are produced. We will define similarities and difference in these elements form both the play o the film. Taking a look at things such as climax, play incidents, and the conflict will all give us a better understanding of how it affects the similarities and difference of the film versus the play.
“A Midsummer Night’s Dream” begins as many typical romantic stories. Two people are in love; in this case, Hermia and Lysander. But an obstacle stands in their way; in this case, Hermia’s father who wants Hermia to marry Demetrius. However, this is where this play begins to differ from all others. Shakespeare leads four crossed lovers, Hermia, Helena, Demetrius, and Lysander, through a winding path that somehow magically ends with everyone happily getting married. The pivotal aspect of this play is Shakespeare’s development of the different characters. In the drama enactment; a character’s appearance, personality, and character are used together to help unfold the story. Characters convey many different kinds of information through an art form called characterization. In the play, “A Midsummer Night’s Dream,” William Shakespeare does an exceptional job of describing each of the four young lovers. Each one of the characters was given personality, whether distinct or vague, that set them apart from the other characters in the play. Through the actions of the different antagonists, Shakespeare reveals to the audience the different and distinct aspects of each character, including each character’s physical appearances, personality, and specific traits. One aspect that causes the four characters to differ is their physical appearance. While the author Shakespeare makes the appearance of Lysander and Demetrius having virtually indistinguishable physical and monetary figures, he comparatively makes the appearances of Hermia and Helena quite distinguishable, their names being the only thing that is remotely being similar between the two of them. Hermia’s physical appearance is described as having “blessed and attractive eyes,” (ACT ...
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...