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Comprehensive analysis on Johann Wolfgang von Goethe's quote
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The complexity of art can be defined no greater than in Johann Wolfgang von Goethe’s quote, “One cannot escape the world more certainly than through art, and one cannot bind oneself to it more certainly than through art.” Through this quote, von Goethe emphasizes the beauty and dialectical aspect of art; specifically, he addresses how works of art relate to contemporary times while simultaneously providing a realm of escape for people to invest themselves. Next to Normal, a musical about a mother suffering from a mental disorder, exemplifies this principle. In the musical, the actors guide the audience through a story of tragedy and defeat, angst and despondency, liberation and acceptance. Everything appears fairly normal during the opening
Nervous to see the play, I was pleasantly surprised with the opening song of the show. The wondering of the blue-dressed choir opens up the play while explaining to us the premise of the Greensboro incident. This first scene immediately sets up the mood for the entire play. Although I found some of the following scenes to be dull due to whereas that there was a lot of talking but considering the fact that these scenes are important part of the play, I just wished they
Ever heard of a story that sings of the “Angel of Music” and the “Phantom of the Opera”? A tale that once you have listened to the sweet melody that you will realized that you've pasted the “Point of No Return”? This love triangle has captivated multitudes ever since the 1910 original Phantom of the Opera was published in France by Monsieur Leroux, although most story lovers recall the musical of the same name by Andrew Lloyd Webber or the motion picture adaption. Although this story has been entertaining people for over a century, in this new era have prerecorded voices and movements begun to overshadow the talented performers of live theater? Although “The lavish screen adaptation of Andrew Lloyd Webber's Phantom of the Opera (2005) only deepened the damage” of the dislike of musicals made into film “with non-stars in the leads and an unimaginative production,”(Musical),which version, the live performance or the film, makes the story more attractive? To answer these questions, permit this essay to analyze two methods of storytelling: 2011 live performance Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall and the 2005 film, and decide if music and story lovers everywhere have too “turned from true beauty”.
Art and literature work independently of each other, however, they can be linked together to help a reader or observer understand in new ways and create new possibilities. Within this context, the perspective of Jacob Lawrence and the authors address that it takes work to build the ideal society and family. However, the authors give the stark reality of both society and family demonstrating that our reality is nothing like the ideal.
The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
Over the decades, art has been used as a weapon against the callousness of various social constructs - it has been used to challenge authority, to counter ideologies, to get a message across and to make a difference. In the same way, classical poetry and literature written by minds belonging to a different time, a different place and a different community have somehow found a way to transcend the boundaries set by time and space and have been carried through the ages to somehow seep into contemporary times and shape our society in ways we cannot fathom.
thesis of how the musical brought our inner child out to realize our true struggles in life.
It is impossible to understand the innermost and ever complex thoughts, feelings, hopes, and reflections of others. To understand is to grasp the strife and pleasure of each moment’s depth through a set lens. Confined by my own lens, I have been and will always be the main character of my own book. Though I can never know another human’s cognitive glances, I can at least be mindful of the infinite complexity and reasoning of each human. Even the most empathetic cannot understand exactly how Claude Monet felt for Camille, how Beethoven felt for “Elise”, or how
A 1949 study of 113 German artists, writers, architects, and composers was one of the first to undertake an extensive, in-depth investigation of both artists and their relatives. Although two-thirds of the 113 artists and writers were "psychically normal," there were more suicides and "insane and neurotic" individuals in the artistic group than could be expected in the general population, with the highest rates of psychiatric abnormality found in poets (50%) and musicians (38%). (1) Many other similar tests revealed th...
Sater, Steven. "Preface ." Sater, Steven and Duncan Sheik. Spring Awakening: A New Musical. New York: Theatre Communications Group, Inc. , 2007. VII-XV. Print.
Throughout the second and final act the musical content within the play acts as a story of it’s own through theme and variation. Each separate song represents a feeling and or mood and is enhanced as it is varied throughout the act. Like the first act, the songs are used to portray poverty, suffering, hardships, and even death. However, unlike the first act, there is also a theme of love and happiness. Closure is brought about with a sense of warmth and this is often heard through the display of the tempo. When the times were tough the tempo decreased and was often slow and morbid like.
In Confronting Images, Didi-Huberman considers disadvantages he sees in the academic approach of art history, and offers an alternative method for engaging art. His approach concentrates on that which is ‘visual’ long before coming to conclusive knowledge. Drawing support from the field of psycho analytics (Lacan, Freud, and Kant and Panofsky), Didi-Huberman argues that viewers connect with art through what he might describe as an instance of receptivity, as opposed to a linear, step-by-step analytical process. He underscores the perceptive mode of engaging the imagery of a painting or other work of art, which he argues comes before any rational ‘knowing’, thinking, or discerning. In other words, Didi-Huberman believes one’s mind ‘sees’ well before realizing and processing the object being looked at, let alone before understanding it. Well before the observer can gain any useful insights by scrutinizing and decoding what she sees, she is absorbed by the work of art in an irrational and unpredictable way. What Didi-Huberman is s...
"For some, Life is rich and creamy ... while Art is a pallid commercial confection ... For others, Art is the truer thing, full, bustling and emotionally satisfying, while Life is worse than the poorest novel: devoid of narrative, peopled by bores and rogues, short on wit ... and leading to a painfully predictable denouement."1
Works of art such as books, paintings, poems, and sculptures oftentimes are said to express the feelings, personalities, interests, and desires of their creator. One method for interpreting these details from books and other literary works is known as psychoanalytic literary analysis. This analysis seeks to identify the nature of relationships between characters as well as the author’s relationship with the characters. In the analyses the critic will discuss interactions between characters and with the author and often go so far as to make assertions about the author’s conscious and unconscious reasons for telling their story in the way they did. While psychoanalytic criticism is well accepted it is not without its own critics. At times it
Johann Wolfgang von Goethe was born in 28 August 1749 in Frankfurt on the Main and died in 22 March 1832 in Weimar. He counts as the top German poet and was the most famous agent of this literary current. Goethe’s works include poems, dramas, but also natural science. They range from poems to plays and short tales to novels, but one of his most popular forms of artistic expression was the ballad. By publishing the Roman “Die Leiden des jungen Werthers” (the Sorrows of Young Werther), he became popular in Europe. Goethe is most known for his poem Faust, which got published in 1808. That story is about someone, who starts in heaven, but gets seduced by the devil. Goethe’s works had a huge influence on later literary movements and they are still very common in school and college lessons. Together with Friedrich Schiller, he represents the time period ‘Weimar Classism’ (Boyle). Most likely his poems are love poems, which include nature and religion in the diversity of stylistic devices and symbols. His works, typically written in old fashioned language, usually got a huge space for interpretations and almost all of them still counts as very important, especially for the German language.
...e Dramatic Function of Songs in Musical Theater. [report] Dr. Larry A. Brown, p. 1.