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Essays from the novel : The Pearl
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The Pearl
Against the sky in the cave entrance Juana could see that Kino was taking off his white clothes for dirty and ragged, though, they would show up against the dark night. His own brown skin was a better protection for him. And then she saw how he hooked his Amulet neck-string about the horn handle of his great knife, so that it hung in front of him, and left both hands free. Juana had given up her prayers of magic and tradition by this time. She felt them to be pointless after all she had been through. However she did whisper her hail Marys, against the black inhuman thing.
She looked down the cliff and could see, only the cigarette of the man with the rifle, and hear only the water, of the little spring. Then she heard something else, something stirring on the ground, near the water. It was one of the men. She knew only because she heard them talking. She could not make out what they were saying, but wondered if they were talking of Kino, who by now, was probably pretty far down the cliff.
Kino was nearly down the cliff now. He had been very quietly, slithering down the cliff, hearing nothing but his own footsteps, and the music of the enemy, which was getting louder as he got closer. He had turned his neck-string so that the great knife hung down from his back and could not clash the rock, because he knew that any sound, alien to nature, would get the watcher’s suspicion up, and he would be on his guard.
Once he got to the bottom, it seemed to take forever for him to get close to the men. He stopped about twenty feet away from them when he heard them talking and moving. One man was still sleeping, but the other was up talking with the watcher. Kino looked over the watcher. He was dressed in brown leather pants, and a nice shirt, all under a large black duster. The long clack coat ran all the way down to his black boots; He wore his cowboy hat low, over his eyes, so Kino couldn’t really see his face, above his big mustache.
The man talking to the watcher walked off into the bush, out of sight. With one man still sleeping, the watcher sat, holding his rifle, staring into the horizon, where the moon would soon rise.
She opened the fingers of one hand slightly and in the palm of the hand was a single slender object.An ordinary kitchen match. The sight of it rushed the men out and down away from the house. Captain Beatty, keeping his dignity, backed slowly through the front door, his pink face burnt and shiny from a thousand fires and night excitements.
To her, the youngish black man 一 a broad six feet two inches with a beard and billowing hair, both hands shoved into the pockets of a bulky military jacket 一seemed menacingly close. After a few more quick glimpses, she picked up her pace and was soon running in earnest. Within seconds she disappeared into a cross street.”(294)
The snake’s calm demeanor when they first meet, his confidence and power, and his gruesome death help evoke sympathy in the reader. The reader’s first impression of the snake is that “he held his ground in calm watchfulness.” His stance was tense, but not threatening, as “his head was not drawn back to strike.” He does not intend to attack without being provoked; he
...hes her in the face and kicks her. He is disgusted with her. He then turns and leaves. Kino makes his way up the beach as a group of men assault him. Kino struggles to get away and while doing so he stabs one of the men and kills him. Juana finally gets on her feet and begins to make her way home. She sees Kino lying on the group hurt with another man dead next to him. She hauls the dead man into the brush and tends to Kino. She says they must run away immediately because of what a terrible crime Kino committed. Kino refuses at first, but then agrees. Juana runs back to the house grabs Coyotito, while Kino goes to the beach once again to prepare his boat, but realizes that the group of men made a hole in it. He becomes full of rage and kicks at the water. He then tells Juana what happened and they decide to hide at Juan Tomas’s house for a while.
He went on down the hill, toward the dark woods within which the liquid silver voices of the birds called unceasing - the rapid and urgent beating of the urgent and quiring heart of the late spring night. He did not look
In the novel by John Steinbeck, Kino finds “The Pearl of the World”, but it soon causes him to worry and fear that everyone is out to get him. For example, one situation that illustrates this was when, “Juana, sitting by the firehole,
All spring and summer the townsfolk spoke about the three bodies that had been found, mangled and slashed. Now, had the three men headed the warning and stayed away from the old man’s house they would still be alive. Instead they were tempted by the greed in their hearts for the money the terrible old man was said to have possession of. This drove them to enter through his gate and knock on the door. They believed that because he was an old man, he would be feeble and week, making him an easy target for
Set against the backdrop of post-WWII reservation life, the struggles of the Laguna Pueblo culture to maintain its identity while adjusting to the realities of modern day life are even more pronounced in Ceremony. Silko uses a wide range of characters in order to give a voice to as many representatives of her tribe as possible. The main character, Tayo, is the person with whom the reader is more than likely to relate. The story opens with him reliving various phases of his life in flashbacks, and through them, the reader shares his inability to discern reality from delusion, past from present and right from wrong. His days are clouded by his post-war sickness, guilt for being the one to survive while his cousin Rocky is slain, and his inability to cope neither with life on the reservation or in the outside world. He is one of several representations of the beginnings of the Laguna Pueblo youth interacting with modern American culture.
“Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, splattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle” (Bierce 4).
The hikers never knew the two indigenous people, except for what they wore that night, what booze they drank, and what side they slept on. And those simple details were just enough to make the dead bodies Human: capable of joking, singing, fighting, and eating. So the sudden termination of these lives confused the hikers, for they weren’t sure what they should feel about the death of two strangers. The hikers stared and stared at the bodies, perhaps feeling sadness for the friends, parents, and lovers of these men, but feeling only emptiness for the men themselves. They were just two more anonymous faces, frozen in their final dreams and nothing more than dead.
Readers can tell from the statement that many of the people Kino encounters after finding the pearl become bitter “friends”. At this point, Kino and Juana begin to realize that the pearl is bringing bad luck upon them. They are taken advantage of by the doctor and he decides to visit them after knowing they have the pearl. “This pearl is like a sin”(56). Juana begins to realize the pearl is bringing them bad luck, but Kino still trusts that it’s a gift. Readers can also assume that people are trying to take the pearl when Kino is suddenly attacked during the night. “Blood oozed down from his scalp and there was a long…”(56). Readers can now confirm that the pearl has changed and now represents evil. The pearl also begins to destroy Kino and Juana’s relationship as they have different opinions on what to do with the pearl. After Kino wakes up and follows Juana when she wakes up and walks out, readers know he has started to lose full trust in her. “He rolled up to his feet and followed her silently as she had gone” (58). Through the symbolism of the pearl and what it brings upon Kino and Juana, the author emphasizes how the pearl is not what it first appears to be, which was
Kino, Juana, and Coyotito go back to the beach and row out to an oyster bed, where he begins to search for the pearl. As Kino continues to search, Juana takes things into her own hands after being refused by the doctor and sucks the poison out of Coyotito and then puts seaweed on the wound, unknowingly healing him. Meanwhile Kino gathers several small oysters but suddenly comes across a particularly large oyster. He picks the oyster up and returns to the surface. When Kino opens the oyster he discovers the pearl. Word that the pearl has been discovered travel through the town quickly. People in the town became jealous of Kino and his family which eventually leads to a great deal of harm.
With the death of the horse came the arrival of an old Mexican man, who too so happened to be coming to the crossroads of his life. The man claimed to be coming to the mountain region to die in the place where he so happened to have been born. Jody's immediate reaction to Gitano, as he was called, appear...
The pearl in The Pearl by John Steinbeck shows traits of the characters in their worst moments, but the pearl mostly showed the trait “greed” in Kino because of how his life was before he almost got wealthy. The greed and coveting overtook his mind and personality and changed him who he was as a person. The author showed this throughout the book in many different ways. Steinbeck uses the symbol of the pearl to show the power of greed through Kino’s constant list of desires, his hunger for money, and his constant violence.
Several instances occur in the text during which greedy darknesses attack Kino. For example, “He… got his knife out and lunged… greedy fingers went through his clothes, frantic fingers search him, and the pearl, knocked from his hand…a dead man in the path and Kino’s knife, dark-bladed beside him…” (Steinbeck 31& 32). In the combined quotes above, detail of Kino’s altercation with a mysterious stranger are described as an act of greed. This exemplifies the negative impact the pearl is having on the citizens of La Paz by portraying how greed has altered their character, as well as Kino’s. After he attempts to abscond with the pearl, Kino leaves the stranger in critical condition. Something he would have never done had the pearl not been of such importance to him. Therefore portraying how Kino’s contorted actions have been influenced by the pearl entirely. Another instance during which the pearl’s influence drove Kino to commit a crime of hatred is described in the following piece of text, “…through the holes in the brush house Kino saw Juana arise silently from beside him… and rage surged in Kino… he struck her in the face with his clenched fist…and he kicked her in the side…and hissed at her like a snake…” (Steinbeck 30 & 31). Upon discovering Juana intends to get rid of the pearl, Kino is instantaneously driven by