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Emma's struggles with Madame Bovary
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Emma had found herself in a predicament that she knew was horrible and there was not much she could do to get herself out of it. The man who loaned her the money was coming to take their house and she knew Charles would find out. In a frantic she jumped into the couples horse and buggy. It was up to Emma to make things right. As she traveled, she noticed a man was following her on a black horse. A horrible pain shot through Emma’s stomach, she just knew it had to be Charles coming after her.
Meanwhile at the couple home, Charles was getting ready to meet with a patient. The couple daughter Berthe came running into the room, “daddy, daddy, where is mommy?”
“I am not sure honey, she was here just a few minutes ago,” Charles replied. Berthe put her hand on her hips and said, “Mommy was supposed to play tea party with me today!” Charles squatted down and took his daughter in his embrace. “Its ok hone, mommy will be back soon I am sure.” He said as he kissed her for head. “Now go play while daddy finishes getting ready.” Berthe hung her head down and walked slowly out of the room.
Back in the carriage, Emma does her best to stay poised. “That is not Charles” She said to herself continually. The man on the black horse drew closer; she could hear the sound of the horse’s hooves hit the ground in a thunderous rage. She leaned out the window to yell her husband’s name, as the horseman passed by he locked eyes with Emma then looked back up and rode on. Emma set back with a sigh of relief, as the carriage rolled into the town. She told the drive to stop, and she got out of the carriage to look for the man who loaned her the money. When she walked up to his office door, she found that it was locked and the man was gone. In her mind she...
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... distance she saw a figure approaching her on a black horse. She knew that it wasn’t Charles, by the way he moved with the horse like they were one. The man got off the horse and approached her. Emma stood silent, shivering from the cold and the rain. When the man was close enough he locked eyes with Emma once more. “Emma?” he asked. “Yes” Emma replied. The man pulled the jacket from his face and removed his hat. Emma’s eyes lit up with excitement, “Leon!” She cried as she jumped into his arms. “Yes my love” Leon replied. The two shared a passionate kiss. “Why are you here? Why are you not in Paris?” Emma asked. Leon looked deeply in to her eyes and said, “I love you and you needed me”. Leon picked her up off of the ground and sat her on the horse. They rode off into the rain fully in love.
Works Cited
Flaubert, G. Madame Bovary. 2012. Amazon Digital Services
She then moves on to describe each of the characters, and in doing so, their surroundings and how they fit in: "He was cold and wet, and the best part of the day had been used up anyway. He wiped his hands on the grass and let the pinto horse take him toward home. There was little enough comfort there. The house crouched dumb and blind on the high bench in the rain. Jack's horse stood droop-necked and dismal inside the strand of rope fence, but there wasn't any smoke coming from the damned stove (28)."
Throughout this novel, the reader is left with the task of putting the pieces together to a highly complex puzzle. While solving this puzzle, the reader learns valuable information about Mrs. Ross’s harsh past, which greatly influences her entire life. The root of Mrs. Ross’s troubles ultimately lies within the shocking death of “Mrs. Ross’s only brother, a boy called Monty Miles who had been killed while walking home…A wayward trolley left the tracks to strike him down” ( ). According to the narrator “The mourning had gone on for years”() and this event truly traumatized Mrs. Ross as “the world was full of trolley cars and Mrs. Ross ...
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
" Adoniram went back to work. Sarah was mad as ever. She goes into her room and proceeds to cry. Adoniram goes to Vermont to buy a new horse he has always wanted. Again, he makes decisions for the family without consulting Sarah.
Kate Chopin's The Awakening and Gustave Flaubert's Madame Bovary are both tales of women indignant with their domestic situations; the distinct differences between the two books can be found in the authors' unique tones. Both authors weave similar themes into their writings such as, the escape from the monotony of domestic life, dissatisfaction with marital expectations and suicide. References to "fate" abound throughout both works. In The Awakening, Chopin uses fate to represent the expectations of Edna Pontellier's aristocratic society. Flaubert uses "fate" to portray his characters' compulsive methods of dealing with their guilt and rejecting of personal accountability. Both authors, however seem to believe that it is fate that oppresses these women; their creators view them subjectively, as if they were products of their respective environments.
The story began with the picture of Sunday's night after church, at eleven o'clock in the evening. Delia was still working. As a washwoman, Monday's morning was important for her because she would return all the clean clothes and earn her money. That money was to pay for the house, her food, and the pony which Sykes, her husband, had gone with. After 15 years of marriage, Delia had lost all hopes in Sykes. The countless beatings and painful acts of Sykes had brought her to her limit. Sykes had gotten home, and as usual, the fight happened between two former lovers. Sykes's appearance by a scary scene was like the ev...
The values and morals set by the society must be influential to the social norms. Emma Bovary’s society is dominated by the ethics established by males. In reliving their expectations, the pressure is for women to believe they must be wrong, that they are to blame and that there must be something wrong with them. Thus, Emma has no image to seek a basis for her self-esteem. The expectations of men to women are that they must have,
The scene played out as a motion picture just as Dr. Bernard said it would. Only she was not the viewer but a participant. She held her son, Patrick, close to her breast as her father came through the door. Looking into his angry face made her heart sink and fear rose to the surface. She ran back to the nursery to put Patrick in his crib and returned to confront her father.
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Emma, a novel by Jane Austen, is the story of a young woman, Emma, who is rich, stubborn, conniving, and occupies her time meddling into others' business. There are several recurring themes throughout the novel; the ideas of marriage, social class, women's confinement, and the power of imagination to blind the one from the truth, which all become delineated and reach a climax during the trip to Box Hill. The scene at Box Hill exposes many underlying emotions that have been built up throughout the novel, and sets the stage for the events that conclude it.
Another person to feel the wrath of Emma’s mistreating is Miss Bates while at Box Hill; Emma makes a complete fool out of poor Miss Bates, f...
In the audacious nineteenth-century novel Madame Bovary, author Gustave Flaubert shamelessly challenges the social expectations of 1800’s France through the experiences of the fiery protagonist Emma Bovary and her acquaintances. Emma’s actions and thoughts, viewed as immoral and unbecoming for a woman in her time, express Flaubert’s opinions concerning wealth, love, social class, morality, and the role of women in society. Additionally, Flaubert’s intricate writing style, consisting of painstaking detail and well-developed themes and symbols, places Madame Bovary in a class of its own in the world of classic literature. Flaubert’s character the blind beggar develops as one of the most complex symbols in the novel, as he represents most prominently
When Emma plans her wedding to Charles, the readers learn: "Emma would have preferred to be married at midnight by torchlight" (p. 22). Instead, she settles for a traditional wedding. Charles adores Emma: "He was happy, without a care in the world…" (p. 28). Charles realized that he "possessed, for life, this pretty wife whom he adored" (p. 29). Emma, on the other hand, feels differently. Through the narrator, the readers learn her inner thoughts:
"The taxi went up the hill, passed the lighted square, then on into the dark, still climbing, then leveled out onto a dark street behind St. Etienne du Mont, went smoothly down the asphalt, passed the trees and the sanding bus at the Place de la Contrescarpe, then turned onto the cobbles of the Rue Mouffetard. There we lighted bars and late open shops on each side of the street. We were sitting apart and we jolted close together going down the old street. Brett’s hat was off. Her head was back. I saw her face in the lights from the open shops, then it was dark, then I saw her face clearly as we came out on the Avenue de Gobelins. The street was torn up and men were working on the car-tracks by the light of acetylene flares. Brett’s face was white and the long line of her neck showed in the bright light of the flares. The street was dark again and I kissed her. Our lips were tight together and then she turned away and pressed against the corner of the seat, as far away as she could get. Her head was down."
In Jane Austen's Emma the eponymous heroine is "handsome, clever, and rich" but she also suffers from arrogance and self-deception. With the good judgement of Mr Knightley, and her own self scrutiny, Emma experiences a movement of psyche, from arrogance and vanity through the humiliation of self knowledge to clarity of judgement and fulfilment in marriage. The tone of the novel and the episodes where Emma is self deceived progresses from the light comedy of Mr Elton's gallantry and the eventual mortification to the sombre depression of Emma's belief that she has ruined her own chances of happiness by bringing Mr Knightley and Harriet together. Although at times the reader is able to laugh at her mistakes, as she moves slowly and uncertainly to self knowledge and maturity, the reader, like Mr Knightley, comes to take her seriously, for in the novel serious moral and social issues are dealt with, issues which directly concern her. While we may be 'put off' by her mistakes, and flights of illogical fancy, these are also the very qualities which endear her to us.