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Neil Leifer career as a professional sports photographer
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Neil Leifer
Neil Leifer born New Yorker, started his career around 1958 known for taking chances, he found photography interesting from a young age. He uses to push handicapped patrons into sports games which granted him not just free access, but also great spots from where he could position himself to take the perfect photo shot. Leifer became one of the top sports photographers in the world he believed it was about luck, luck is to be at the right place at the right time, this separates the top and ordinary sports photographers from each other. Boxing was another interesting sport that he use to watch and why not document it? To apprehend sports photography you have to be at the right place and time. During the heavyweight title
between Muhammad Ali and Cleveland, William in 1966 Leifer took a chance where he placed his camera in the rafters of the Houston Astrodome, this areal shot got him the perfect photograph when Ali knocked out Williams. Millions of people around the world have viewed this images that was taken from above in fact, this shot placed Leifer work at a different level. Photography is about documenting that moment, Leifer always felt he had to inspire others and what better way to visually communicate with photo’s, he thought it might even encourage people to try the sports, this it the way he made an impact on the audience. This could turn both ways, one might try the sport and who knows this might even draw potential investors to the sport. His creative techniques were not achieved with the use of fancy lenses in his starting years, it was about different interesting angles, this created excitement, tension, anger etc. in his compositions. Photography was his passion, but he knew that very few photographers could beat television, the public had a first hand viewing at home, Leifer made sure that his network gave him insight to important events. Neil realized the importance of finding “the” spot to capture the perfect images of angels that was not possible for the TV crew to reach, these photo images were worth waiting for by the public.
It was not until a trip to Japan with her mother after her sophomore year of studying painting at the San Francisco Art Institute that Annie Leibovitz discovered her interest in taking photographs. In 1970 Leibovitz went to the founding editor of Rolling Stone, Jann Wenner, who was impressed by Leibovitz’s work. Leibovitz’s first assignment from Wenner was to shoot John Lennon. Leibovitz’s black-and-white portrait of Lennon was the cover of the January 21, 1971 issue. Ironically, Leibovitz would be the last person to capture her first celebrity subject. Two years later she made history by being named Rolling Stone’s first female chief photographer. Leibovitz’s intimate photographs of celebrities had a big part in defining the Rolling Stone look. In 1983 Leibovitz joined Vanity Fair and was made the magazine’s first contributing photographer. At Vanity Fair she became known for her intensely lit, staged, and alluring portraits of celebrities. With a broader range of subjects available at Vanity Fair, Leibovitz’s photographs for Vanity Fair ranged from presidents to literary icons to t...
Jack Dempsey was best known for his intriguing knockouts and his fists of steel (“Biography”). In his fight against Jess Willard, former champion, Dempsey knocked him down seven times within three minutes (Smith). This was the boxing match that began Dempsey’s reign as heavy weight champion of the world (Hadden 161). After the fight he earned the nick na...
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
"A picture is worth a thousand words," we say. From the eyes and mind of the archivist studying the pictures of Robert Ross' experience with war, they are worth a lot more. The photographs in the epilogue of Timothy Findley's "The Wars" play an important role in Findley establishing both a trust with the reader, and a sense of realism to his war story. This satisfies the need for realism in his tale. The result of this image that is brought forth through the medium of the photograph, is that we are forced to see the "before" and "after" of Roberts "experience" and figure out our way through what is deposited in between: the cause and effect.
Remnick does not shy away from discussing the shadowy history of the boxing world (no pun intended). It's well known boxing has been affiliated with the 'mob,' but perhaps what is lesser known is Clay's absolute refusal to be in any way associated with the Mafia.
James Braddock took his father’s lessons to heart when he practiced fighting in the old schoolyard before he reached his teenage years. He practiced for several years to be an amateur fighter. When Braddock first started boxing he avoided professional competitions for two years. Instead, they froze the title, which means Braddock earned money touring the country giving public appearances and boxing exhibitions. In 1926, he entered the professional boxing circuit in the light heavyweight division.
Jack Roosevelt “Jackie” Robinson was born on January 31st during the year of 1919 in Cairo, Georgia. He was the youngest of five children. Robinson grew up in poverty and later broke the color barrier that prohibited dark skinned people to play in major league baseball.
Bernard Malamud emerged as a crucial and contemporary innovator of sports literature. Sports literature as defined by Kevin Baker’s introduction, are stories “drawing upon the natural drama of any sporting contest, and imparting life lessons freely along the way” (viii). Malamud’s debut novel The Natural, is a grim and “antiheroic tale” of a baseball player Roy Hobbs “whose ambitions and desires are constantly thwarted” (vii). Through his novel The Natural, Malamud emerges as a prestigious figure of sports literature through his combination of mythology and baseball, in order to create memorable works in this literary tradition. Malamud in his novel The Natural “draws heavily upon this genre, then stands it on its head” (viii). Baker draws
Practiced by thousands who shared no common tradition or training from the earliest days of taking photos, the first photographers were disciplined and united by no academy or guild, who considered their medium variously as a trade, a science, an art, or an entertainment, and who often were unaware of each other’s work. Exactly as it sounds photography means photo-graphing. The word photography comes from two Greek words, photo, or “light”, and graphos, or drawing and from the start of photography; the history of the aforementioned has been debated. The idea of taking pictures started some thirty-one thousand years ago when strikingly sophisticated images of bears, rhinoceroses, bison, horses and many other types of creators were painted on the walls of caves found in southern France. Former director of photography at New Yorks museum of modern art says that “The progress of photography has been more like the history of farming, with a continual stream of small discoveries leading to bigger ones, and in turn triggering more experiments, inventions, and applications while the daily work goes along uninterrupted.” ˡ
Never in the sport of boxing has there ever been a photograph as powerful and amazing as Neil Leifer’s photo of Muhammad Ali standing over Sonny Liston. Not only is it one of the greatest boxing photographs of all time, but in all sports. Neil Leifer’s photography shows the strength and power of Ali after he just knocked out Sonny Liston in the WBA/WBC Heavyweight Championship rematch.
Muhammad Ali was a man made to box. He had a great career before him since he made his first professional fight under President Eisenhower presidency. His Professional Career was really impressive. His had a great balance and was able to move his hands and feet in great speed and coordination. Ali was said to dance in the ring while destroying his opponents. Ali started fighting at a very short age, and his first teacher was Joe Martin (Hauser 18). Through hard work and discipline, he became a professional fighter and eventually the Heavyweight champion of the world. Although he lost the title twice, he regained it three times, putting him in the history books. His boxing career was put to an end when he started suffering from Parkinson's disease. This was the end of his boxing, but his greatness will never die.
The movie opens just as it ends, the camera pans down to the pavement revealing a sign outside the Barbizon Plaza Theater: “An Evening with Jake LaMotta Tonight 8:30.” The film then cuts to a punched out overweight shot of LaMotta babbling a barely coherent rhyming rant mixing Shakespeare with the infernal jabber of an half illiterate has been boxer. Quickly the scene shifts from backstage of a nightclub to a close up of a younger LaMotta receiving repeated jabs to the face. The bold white title card “Jake La Motta 1941” jumps out against the stark grey images of the match. LaMotta between rounds sits in the corner surrounded by his trainer, manager and cut man giving the impression of lion tamers antagonizing a corned animal by telling him he is “out pointed” and “You’re gonna have to knock him out.” When the fight continues LaMotta crouches like a coiled snake boring his way into a barrage of punches only to explode in a flurry of flashbulbs sending his opponent to the canvas. With a bombardment of hard stuck lefts, LaMotta sends Jimmy Reeves on a return trip to the mat. Again, in the final round a bloody pulverized Reeves lies pinned to the floor only to be saved by the bell after the count reaches nine. LaMotta then proceeds to strut around the ring proudly wearing a leopard skin robe with hands held high w...
A sea of mixed emotions occurred during 1998 NBA finals. Many people from different parts of the country packed into an arena to witness history. It did not matter if a person was of different color, wealth or even sex, people wanted to witness greatness. As history occurred in that game, it was captured beautifully. One specific photograph of Michael Jordan hitting his iconic game winner became the main photograph of the night. The attention drawn to Michael Jordan that night was captured in a black and white view, yet a lot of detail is in the dark scheme to direct even more attention towards him.
Psychological state is the mental condition in which the qualities of state are relatively constant even though the state itself may be dynamic. A major part of this factor, I will look at imagery. This involves the athlete imagining themselves in an environment performing a specific activity using all of their senses (sight, hear, feel and smell). The image should have the athlete performing successfully and feeling satisfied with their performance. Studies have shown that all elite athletes intentionally employ imagery. With most sport psychologists systematically apply imagery in their work with athletes (e.g., Rushall and Lippman 1998; De Francesco and Burke 1997). Imagery is ever-present in sport and life, even if it isn’t clear why, imagery
Phillip, M. O’Neill, M. & Osmond, G. (2007). Broadening Horizons In Sport History: Films, Photo-Graphs, And Monuments, Journal Of Sport History 34. P 271-293.