Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Egyptian civilization religion
Egyptian civilization religion
Egyptian civilization religion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Sometimes, it is hard to believe that in ancient Egyptian times; noble women like the mysterious Queen Nefertiti, could equally hold as much power as their husbands; yet, fall away into history with more mysteries than facts. Nefertiti, Great Royal Wife to Egyptian Pharaoh Akhenaten, is now regarded as Egypt’s most notable queen of the eighteenth dynasty. Ruling from 1379-62 BC, she held great power as High Priest, supporting the reformation of her husband to a monotheistic religion of worshipping one God. Due in part, to the lack of evidence following her death, much speculation surrounds her origins, as well as her demise. With her name meaning “The beautiful one has come,” Queen Nefertiti was known far and wide for her elegant beauty. The …show more content…
most famous ancient piece found, to this day, was the Queen’s bust which depicts her beauty. Nefertiti was Egypt’s most famous Queen of the fourteenth century BC because of the role she played in establishing the monotheistic cult of Aten, the shrouded lack of evidence surrounding her death, and her most famous bust. Nefertiti and her husband, Akhenaten, were responsible for an entire religious revolution that shifted all of Egypt from a polytheistic religion to worshiping only one God, the sun disk Aten.
In his fifth or sixth year reigning as Pharaoh, Nefertiti’s husband, Amenhotep IV, changed his name to Akhenaten, meaning “He Who Serves the Aton, ” and moved to Tell el-Amarna from the city of Thebes to create a new establishment to worship the Aten. Nefertiti and their children accepted his movement as the new truth and she expanded her name to Neferneferuaten-Nefertiti. Nefertiti and Akhenaten had six children, daughters, to which two became Queens themselves after her death. Their eldest daughter, Meritaten became Queen Consort and wife to Smenkhkare, a short-lived Pharaoh who succeeded Akhenaten, and their third born daughter, Ankhesenpaaten, became Queen to Tutankhaten, Smenkhkare’s successor. The new religion wasn’t clearly understood. Nefertiti and Akhenaten named themselves High Priests and tried to recapture the old authority that the king was a god. Over time, old inscriptions containing the name “Amon” were removed, and anything pertaining to gods or goddesses was hacked off. Nefertiti replaced all motherly goddesses, and her husband was the God-King of all of Egypt. The royal couple would address a hymn to worship their god, Aten. The hymn would give praise to Aten with phrases, “You fill every land with your beauty. You are beauteous, great, radiant ,” as well as be a …show more content…
reminder to how they serve Aten. The hymn would speak of the “Lord of Crowns, Akhenaten….. and his beloved great Queen, the Lady of the Two Lands, Nefer-nefru-Aten Nefertiti .” After Akhenaten’s death around his twelfth year of reign, historical records disappeared, leaving details of Nefertiti sketchy. There are possibilities that she became the Pharaoh, Ankhkheperure-merywaenre Neferneferuaten, for a short time after his death. However, nothing is certain from here on about the life of Nefertiti. Despite being so well known throughout history, it is unclear when Nefertiti died or why there are so little records after her passing. Regarded as a Goddess-Queen and appearing at the Window of Appearances alongside her husband Akhenaton, Nefertiti was wiped away from the culture to which mummifications and splendor burial chambers represented Egypt’s funerals. After the return of polytheism, her tomb was robbed of all her possessions and her body was desecrated; the body of the notorious Queen was never found. Egyptologist Marc Gabolde believes that Nefertiti died before her husband, and is buried in Amarna, despite having an incomplete suite in the Royal Tomb. Artifacts found in Amarna, belonging to Queen Nefertiti, also give reason to believe she was buried there, but her tomb has yet to be discovered. However, there are numerous theories as to where Nefertiti was buried, such as Thebes or inside the now plundered necropolis of Gurob. Another possibility is that Nefertiti was buried in the ancestral cemetery of Akhmim, where it is suggested that she was the daughter of Ay, a future regent to Tutankhamen who later became his successor. Egyptologist Joann Fletcher believed she found the body of Nefertiti inside a tomb in the Valley of the Kings. The tomb was built for Amenhotep II, but upon further investigation, other bodies of Pharaohs were discovered. Inside a side chamber, a boy, a young woman, and an older woman were discovered. The younger woman was dubbed “The Younger Lady” and became a candidate for being Nefertiti. However, further research revealed the body to be the mother and aunt to Tutankhamen, and sister to Akhenaten. Egyptologists continue to search for the missing body of Nefertiti. Until that day comes, questions about Nefertiti’s origins and demise remain unanswered. Though records of the Queen are few in number, there were still artifacts of her time that have become famous from their discovery, such as the famous bust of Nefertiti.
The aged sculpture portrays Nefertiti’s neck and cranium, wearing a large, flat- topped crown atop a shaved head. Her left eye pupil is missing; suggesting that part of her was not recovered from the ruins or it was never painted to begin with. The bust was sculpted around 1350 BC in limestone. This artifact was discovered in Tell el-Amarna in 1912, and is now being held in the collection at Egypt Museum of West Berlin, as known as the “Ägyptisches Museum.” The impression of the bust was delicate and fleeting, which displeased traditionalists who expected a representation of an eternal solidity. The limestone bust of fourteenth century Queen Nefertiti is now one of the most reproduced pieces of art in
history. Many questions about Nefertiti have yet to be answered, but every discovery about the famous Queen will go down in history. Having reigned side by side with Pharaoh Akhenaton as her husband, the Royal Couple shifted all of Egypt into the worshipping of the sun disk, Aten. During their reign, Egypt’s religion was at its closest to monotheism, making Nefertiti famous in history for her power. Aside from the power she had as Queen, Nefertiti was known far for her beauty, and even more so for her lack of artifacts and evidence following her death, including the very identity of her mummified body. As time passes, answers to the mysteries of Nefertiti will be unraveled, and her identity will once again be known to the world for centuries to come.
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
The Greeks named the city Hierakonpolis, or “City of the Falcon”, in reference to a local god. The falcon god was the predecessor of Horus, the god of order and symbol of Egypt’s kings. Nekhen’s rulers received both ideological and political power through their link with, or personification of, Horus. A statue of Horus placed upon a pole, guarded a large and colorful shrine in the middle of Nekhen where worshippers deposited their sacrificial offerings. The ideological power exuded by Nekhen made it an important spiritual destination. Political power was also expressed in the tombs of the elites and rulers. Tomb 100, located in a cemetery outside of Nekhen, is a royal tomb with painted walls that show how the occupant fought against chaos and upheld the ideals of Horus. Palettes found in Nekhen, similar to the Narmer palette, illustrated the military prowess of rulers and were likely tools of propaganda used to proclaim superior political power over rival
The success of the king’s rule became based on the approval or rejection of the god Amun-Re. Thus, Amun was used as a platform for political propaganda, with pharaohs such as Hatshepsut and Thutmose III using the God to legitimise their claims to the throne, as evidenced for Thutmose III on the Temple of Tiraqa: ‘I have achieved this according to that which was ordained for me by my father, Amun-Re’. Concepts of the divine oracles and the divine birth of the king became a theme for pharaohs of the 19th dynasty, and afforded them heightened legitimacy. Hatshepsut’s divine birth scenes on her mortuary temple in Deir el Bahri depicts her claim to be the daughter of Amun, manipulating the public to believe in her divine birth. Additionally, Thutmose IV’s ‘dream stela” erected between the paws of the sphinx, which claimed that he had been granted the kingship because he had freed the monument according to instruction from gods. Some historians have dismissed these building projects, which consolidated the importance and authority of the state cult of Amun-Re as mere political propaganda. However, it is more the point that they reflect a significant change in the Egyptian political landscape, as it became dependent on and connected to the sustained pre-eminence of the cult of Amun-Re and the religious unity that eventuated. Therefore, the amun
During the time of Ancient Egypt, having strong Pharaohs was essential to the maintenance and growth of the civilization, as the Pharaohs were believed to be living Gods. Although leadership of Ancient Egypt was often male dominated, there were admirable female Pharaohs who successfully gained power and left behind a positive legacy; one woman to achieve this was Hatshepsut, meaning ‘foremost of female nobles’. Her innovation and determination allowed her to maintain her position of Pharaoh for about twenty years (1479-1458 BCE). Hatshepsut was considered to be a very successful leader because of her confidence and ambition, magnificent building projects, and establishment of a strong trading network.
Amenhotep IV was born in c. 1365 BCE during the 18th dynasty in Egypt to Pharaoh Amenhotep III and Queen Tiye (Aldred 11). He was given his name in honor of the Gods Amun and Re whom Amenhotep III sought to be the earthly representative of (Bratton 17). Amun-Re was the creator God, and Re was the God of the sun (Assmann 485-6). Combined, these two deities were the most powerful God and are therefore normally referred to by their conjoined name of Amun-Re (Redford 97). Although Re was the sole Sun God, there were others under him who were individually responsible for a specific detail of the sun-God. Aten was an aspect of R...
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
Queen Nefertiti lives up to her name by being known for her beauty, leading to the creation of her bust. The life of Queen Nefertiti is an Egyptian mystery. She is the wife of Pharaoh Akhenaten, who reigns in the 14th century B.C. There is almost no information about the Queen’s life. Researchers were not able to identify Nefertiti’s ancestors either. Some researchers believe that Nefertiti is from Egypt, while others believe she is of Syrian descent. Egyptologists believe that she is the daughter of the Courier, Ay. The Bust of Nefertiti is still one of the most iconic masterpieces from Ancient
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
The Egyptians were big lovers of all beauty and fashion. They were such lovers of beauty that some of their names were based on the word ‘nefer’, which means beautiful. Examples of such were Nefert, Nefertiti, and Nefertari. The goddess associated with adornment was “Hathor the Golden”, who is seen as the ideal of beauty in love and poetry of the time.
Thesis statement: In this research, I will investigate the basic concepts of the Egyptian mythology and its gods.
Queen Nefertiti was an Egyptian queen eminent for her beauty. Nefertiti ruled alongside her husband, Pharaoh Akhenaten, during the mid-1300s B.C. She played a leading role in the political and religious life of the people of Egypt during her husband’s rule. She and her husband established the cult of Aten, the sun god. They also promoted Egyptian artwork that was radically different from its predecessors. This was vehemently important because it shows that they understood the power of art, and the fact that new art brought a new perspective. Nefertiti was one of the most powerful women ever to have ruled and this is shown because her husband went to great lengths to display her as an equal. Some works showed her leading worship of the sun God and striking enemies. This proves the fact that she was almost an equal counterpart to her husband and his ruling. She is definitely one of the most powerful women of ancient Egypt. A bust of Nefertiti is one of the most iconic symbols of women in Egypt.
Cleopatra VII, the last reigning queen of Egypt, has intrigued us for centuries. Her story is one that has been told many times, and the many different and vastly varied representations of her and her story are solely based on the ways in which men and society have perceived women and their role in society throughout history. By looking at the perceptions of women starting from the Hellenes, the Greeks who greatly influenced Roman ideals, and following those perceptions through to the end of the 19th Century, it is easy to see how Cleopatra has been used to represent the "good woman." In other words, she has been used as a role model for women, to show what was their acceptable role in society and to shape their actions and beliefs into an acceptable form. The earliest writers saw her as an evil temptress, as attitudes changed she became a victim and now in recent representations she is seen as "a feminist hero and a savvy politician" (Nilsen 1). Following this history, one can see how the story of Cleopatra is a story that has been told many times to fit each time period's own allegiances.
Fischer, Henry George. Egyptian Women of the Old Kingdom and the Heracleopolitan Period. The Metropolitan Museum of Art, New York, New York. 1989
Pomeroy, Sarah B. Women in Hellenistic Egypt: From Alexander to Cleopatra. Detroit: Wayne State University Press, 1990.
Nefertiti, which stands for the beauty that has come, was recognized as the most beautiful woman in Egypt's history. It was mentioned that even in the ancient world her beauty was classified as famous. Moreover, even in modern day society, beauty stores--Nefertiti Beauty Supplies--uses her name as advertisement to attract customers for beauty purposes. The sculpture of Nefertiti is an image of a woman with a slender perfectly structure face, high cheekbones, and smooth round plump lips. The bust of Nefertiti is 48 centimeters (19 in) tall and weighs forty-four pounds.